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Take My Life, and Let It Be
Author: Frances Ridley Havergal Meter: 7.7.7.7.7 Appears in 1,200 hymnals First Line: Take my life and let it be Lyrics: 1 Take my life and let it be
consecrated, Lord, to thee.
Take my moments and my days;
let them flow in endless praise,
let them flow in endless praise.
2 Take my hands and let them move
at the impulse of thy love.
Take my feet and let them be
swift and beautiful for thee,
swift and beautiful for thee.
3 Take my voice and let me sing
always, only, for my King.
Take my lips and let them be
filled with messages from thee,
filled with messages from thee.
4 Take my silver and my gold;
not a mite would I withhold.
Take my intellect and use
every power as thou shalt choose,
every power as thou shalt choose.
5 Take my will and make it thine;
it shall be no longer mine.
Take my heart it is thine own;
it shall be thy royal throne,
it shall be thy royal throne.
6 Take my love; my Lord, I pour
at thy feet its treasure store.
Take myself, and I will be
ever, only, all for thee,
ever, only, all for thee.
Psalter Hymnal, (Gray) Topics: Stewardship of Substance
Take My Life, and Let It Be
HOLLINGSIDE
Meter: 7.7.7.7 D Appears in 285 hymnals Composer and/or Arranger: John Bacchus Dykes, 1823-1876 Tune Key: D Major Incipit: 35655 43176 53123 Used With Text: Take my life, and let it be
HOLLINGSIDE
Consecration
Author: Frances Ridley Havergal Hymnal: Consecrated Hymns #1 (1902) First Line: Take my life, and let it be Refrain First Line: Take my life, and let it be Lyrics: 1 Take my life, and let it be
Consecrated, Lord, to Thee.
Take my moments and my days;
Let them flow in ceaseless praise.
Refrain:
Take my life, and let it be
Consecrated, Lord, to Thee.
Take myself, and I will be
Ever, only, all for Thee.
2 Take my hands, and let them move
At the impulse of Thy love.
Take my feet, and let them be
Swift and beautiful for Thee. [Refrain]
3 Take my voice, and let me sing
Always, only, for my King.
Take my lips, and let them be
Filled with messages from Thee. [Refrain]
4 Take my will, and make it Thine;
It shall be no longer mine.
Take my heart, it is Thine own;
It shall be Thy royal throne. [Refrain]
5 Take my love, my Lord, I pour
At Thy feet its treasure store.
Take myself, and I will be
Ever, only, all for Thee. [Refrain] Topics: Consecration; Conventions; Quiet Hour; Service Languages: English Tune Title: [Take my life, and let it be]
Consecration
Take My Life, and Let It Be
Author: Frances R. Havergal Hymnal: Praise and Worship #11 (1951) Lyrics: 1 Take my live, and let it be
Consecrated, Lord, to Thee.
Take my hands, and let them move
At the impulse of Thy love,
At the impulse of Thy love.
2 Take my feet, and let them be
Swift and beautiful for Thee.
Take my voice and let me sing
Always, only, for my King;
Always, only, for my King.
3 Take my lips and let them be
Filled with messages for Thee.
Take my silver and my gold;
Not a mite would I withhold,
Not a mite would I withhold.
4 Take my will and make it Thine;
It shall be no longer mine.
Take my heart; it is Thine own!
It shall be Thy royal throne.
It shall be Thy royal throne.
5 Take my love; my God, I pour
At Thy feet its treasure store.
Take myself and I will be
Ever, only, all for Thee;
Ever, only, all for Thee. Topics: Baptism Languages: English Tune Title: [Take my life, and let it be]
Take My Life, and Let It Be
Take My Life, and Let It Be
Author: Frances R. Havergal Hymnal: Praise and Worship #11 (1978) Lyrics: 1 Take my live, and let it be
Consecrated, Lord, to Thee.
Take my hands, and let them move
At the impulse of Thy love,
At the impulse of Thy love.
2 Take my feet, and let them be
Swift and beautiful for Thee.
Take my voice and let me sing
Always, only, for my King;
Always, only, for my King.
3 Take my lips and let them be
Filled with messages for Thee.
Take my silver and my gold;
Not a mite would I withhold,
Not a mite would I withhold.
4 Take my will and make it Thine;
It shall be no longer mine.
Take my heart; it is Thine own!
It shall be Thy royal throne.
It shall be Thy royal throne.
5 Take my love; my God, I pour
At Thy feet its treasure store.
Take myself and I will be
Ever, only, all for Thee;
Ever, only, all for Thee. Languages: English Tune Title: [Take my life, and let it be]
Take My Life, and Let It Be
Ludwig van Beethoven
1770 - 1827 Person Name: Beethoven Composer of "HYMN OF JOY" in New Manual of Praise A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period.
Bert Polman
Ludwig van Beethoven
George J. Elvey
1816 - 1893 Person Name: Sir George J. Elvey, Mus. Doc. (1816-) Composer of "ST. GEORGE'S, WINDSOR" in School and Parish Hymnal George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music.
Bert Polman
George J. Elvey
William Henry Monk
1823 - 1889 Person Name: W. H. Monk Arranger of "INNOCENTS" in The Students' Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851).
Bert Polman
William Henry Monk
