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ADORAMUS TE

Meter: Irregular Appears in 6 hymnals Composer and/or Arranger: Jacques Berthier, 1923-94 Tune Key: G Major Incipit: 32144 442 Used With Text: Adoramus Te Domine

Adoramus Te Domine

Author: Taizé Community Appears in 6 hymnals Topics: Good Friday; Angels; Cross; Jesus Christ; Praise; Praise; Saints; Witness; World Used With Tune: [Adoramus te Domine]

Author: Taizé Community Appears in 2 hymnals First Line: With the angels and archangels Topics: Communion Chants; Gradual Hymn Chants; Joy, Praise and Thanksgiving Chants; Patronal Festivals Chants Used With Tune: [Adoramus te, Domine]

Instances

Published text-tune combinations (hymns) from specific hymnals

Adoramus Te Domine

Author: Taizé Community Hymnal: RitualSong (2nd ed.) #719 (2016) First Line: With the angels and archangels Topics: Praise Languages: English; Korean; Latin Tune Title: [Adoramus te Domine]

Adoramus Te Domine

Hymnal: Hymnal Supplement 98 #894 (1998) Meter: Irregular First Line: With the angels and archangels Topics: Praise and Adoration; Communion of Saints; Lesser Festivals; Liturgical Hymns Languages: English Tune Title: ADORAMUS TE

Adorámus Te Dómine

Author: Taizé Community Hymnal: Worship (4th ed.) #609 (2011) First Line: With the angels and archangels Topics: Praise Languages: English; Korean; Latin Tune Title: [Adoramus te Domine]

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People

Authors, composers, editors, etc.

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-94 Composer of "ADORAMUS TE" in Hymnal Supplement 98 Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman