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Tune Identifier:"^agnus_dei_blow$"

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AGNUS DEI

Appears in 26 hymnals Matching Instances: 24 Composer and/or Arranger: William Blow Tune Key: E Major Incipit: 34322 32112 34362 Used With Text: Just as I am, without one plea

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Just as I am, without one plea

Author: Charlotte Elliott, 1789-1871 Meter: 8.8.8.6 Appears in 2,112 hymnals Matching Instances: 10 Topics: God | The Lord Jesus Christ - His Sufferings and Death; The Church of God | The Sacraments - Baptism; The Church of God | The Sacraments - The Lord's Supper; The Life in Christ | Penitence and Faith; The Life in Christ | Aspiration and Holiness; The Gospel Call Used With Tune: ST. AGNES (BLOW)
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Drawn to the cross which Thou hast blessed

Author: Genevieve M. Irons Appears in 29 hymnals Matching Instances: 4 Used With Tune: AGNUS DEI
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O Saviour, I Have Naught to Plead

Author: Jane Crewdson, 1809-1863 Meter: 8.8.8.6 Appears in 40 hymnals Matching Instances: 3 Topics: Love of Christ Scripture: Romans 3:24 Used With Tune: AGNUS DEI

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Just as I am—without one plea

Author: Charlotte Elliott Hymnal: The Sunday School Hymnary #516a (1906) Languages: English Tune Title: AGNUS DEI
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O Saviour, I Have Naught to Plead

Author: Jane Crewdson Hymnal: Hymns of Consecration and Faith #467 (1902) First Line: O Saviour, I have nought to plead Languages: English Tune Title: AGNUS DEI
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Just as I am, without one plea

Author: Charlotte Elliott (Mrs. Tonna), 1789-1871 Hymnal: Methodist Hymn and Tune Book #346b (1917) Lyrics: 1 Just as I am, without one plea But that Thy blood was shed for me, And that Thou bidd'st me come to Thee, O Lamb of God, I come! 2 Just as I am, and waiting not To rid my soul of one dark blot, To Thee, whose blood can cleanse each spot, O Lamb of God, I come! 3 Just as I am, though tossed about With many a conflict, many a doubt, Fightings and fears within, without, O Lamb of God, I come! 4 Just as I am, poor, wretched, blind; Sight, riches, healing of the mind, Yea, all I need, in Thee to find, O Lamb of God, I come! 5 Just as I am, Thou wilt receive, Wilt welcome, pardon, cleanse, relieve; Because Thy promise I believe, O Lamb of God, I come! 6 Just as I am, Thy love unknown Has broken every barrier down; Now to be thine, yea, Thine alone, O Lamb of God, I come! Topics: Atonement Through Christ; Christ Lamb of God; Coming to Christ; The Church and the Kingdom of God Evangelism; Trust, in Christ; Guilt; Plea, our only ; Lamb Jesus, the Languages: English Tune Title: AGNUS DEI

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Authors, composers, editors, etc.

William Blow

1819 - 1886 Composer of "AGNUS DEI" in Methodist Hymn and Tune Book William Blow was born in 1819 in York, York­shire, Eng­land and christened in Sep­tem­ber 14, 1819 at St. Mi­chael-le-Bel­fry, York. He was a descendant of John Blow. William served as Rec­tor of Lay­er Bre­ton, Es­sex, and was an am­a­teur vi­o­lin­ist and vi­o­lin col­lect­or. He died on De­cem­ber 25, 1886 in Lay­er Bre­ton, Es­sex, Eng­land. N.N., Hymnary. See more at http://www.hymntime.com/tch/bio/b/l/o/blow_w.htm

Charlotte Elliott

1789 - 1871 Person Name: Charlotte Elliott (Mrs. Tonna), 1789-1871 Author of "Just as I am, without one plea" in Methodist Hymn and Tune Book Elliott, Charlotte, daughter of Charles Elliott, of Clapham and Brighton, and granddaughter of the Rev. H. Venn, of Huddersfield, was born March 18, 1789. The first 32 years of her life were spent mostly at Clapham. In 1823 she removed to Brighton, and died there Sept. 22, 1871. To her acquaintance with Dr. C. Malan, of Geneva, is attributed much of the deep spiritual-mindedness which is so prominent in her hymns. Though weak and feeble in body, she possessed a strong imagination, and a well-cultured and intellectual mind. Her love of poetry and music was great, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, "Just as I am” and "My God, my Father, while I stray." Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere as follows:— (1) Psalms and Hymns for Public, Private, and Social Worship; selected by the Rev. H. V. Elliott, &c., 1835-48. In this Selection her signature is "C. E." (2) The Christian Remembrancer Pocket Book. This was originally edited by Miss Kiernan, of Dublin. Miss Elliott undertook the editorship in 1834. (3) The Invalid's Hymn Book. This was originally compiled by Miss Kiernan, but before publication was re-arranged by Miss Elliott, who also added 23 hymns in the first edition., 1834. These were increased in the following edition to the sixth in 1854, when her contributions amounted to 112. From that date no change was made in the work. (4) Hours of Sorrow Cheered and Comforted; or, Thoughts in Verse, 1836. (5) Morning and Evening Hymns for a Week, printed privately in 1839 for sale for a benevolent institution in Brighton, and published in 1842. (6) Thoughts in Verse on Sacred Subjects, 1869. Miss Elliott's Poems were published, with a Memoir by her sister, Mrs. Babington, in 1873, and an additional volume of Leaves from her unpublished Journals and Poems, also appeared in 1870. In addition to her more important hymns, which are annotated under their respective first lines, there are in common use:— i. From The Invalid's Hymn-book, 1834-1841:— 1. Clouds and darkness round about thee. (1841.) Resignation. 2. Not willingly dost Thou afflict [reject]. (1841.) Divine Chastisement. 3. O God, may I look up to Thee. (1841.) Teach us to Pray. 4. This is enough; although 'twere sweet. (1834.) On being debarred from Divine Worship. 5. With tearful eyes I look around. (1841.) The Invitation "Come Unto Me." ii. From H. V. Elliott's Psalms & Hymns, 1835-1839:— 6. Glorious was that primal light. Christmas. 7. Hail, holy day, most blest, most dear. Easter. 8. My only Saviour, when I feel. Jesus His people's Rest. 9. Now let our heavenly plants and flowers. Monday Morning. 10. The Sabbath-day has reached its close. Sunday Evening. iii. From Miss Elliott's Hours of Sorrow, 1836:— 11. Father, when Thy child is dying. Prayer for a Departing Spirit. 12. Leaning on Thee, my Guide, my Friend. Death Anticipated. 13. My God, is any hour so sweet? The Hour of Prayer. 14. O faint and feeble-hearted. Resignation enforced. 15. There is a holy sacrifice. The Contrite Heart. iv. From her Hymns for a Week, 1839:— 16. Guard well thy lips; none, none can know. Thursday Morning. 17. There is a spot of consecrated ground. Pt. i. 18. This is the mount where Christ's disciples see. Pt. ii. Monday Evening. 19. This is the day to tune with care. Saturday Morning. v. From Thoughts in Verse on Sacred Subjects, 1869:— 20. As the new moons of old were given. On a Birthday. 21. I need no other plea. Pt. i. 22. I need no prayers to saints. Pt. ii. Christ, All in All. 23. Jesus, my Saviour, look on me. Christ, All in All. Several of the earlier of these hymns were repeated in the later works, and are thus sometimes attributed to the wrong work. [Rev. James Davidson, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================ Elliott, Charlotte, p. 328, i. Other hymns are:— 1. O how I long to reach my home. Heaven desired. From the Invalid's Hymn Book, 1834. 2. The dawn approaches, golden streaks. Second Advent. From Thoughts in Verse, &c, 1869. Of her hymns noted on p. 328, Nos. 6, 7, 8, 9, 10,11, and 13, all appeared in the 1st edition of Elliott's Psalms & Hymns, 1835. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================== Elliott, Charlotte, pp. 328, i.; 1561, ii. Further research enables us to give amended dates to some of her hymns as follows:— 1. With tearful eyes I look around (No. 5). This is in the 1835 Appendix to The Invalid's Hymn Book. 2. My only Saviour, when I feel (No. 8). Also in the 1835 Appendix. 3. Father, when Thy child is dying (No. 11). In the 1833 Appendix. 4. I want that adorning divine, p. 559, i. In the Christian Remembrancer 1848, p. 22. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Genevieve Mary Irons

1855 - 1928 Person Name: G. M. Irons Author of "Drawn to the Cross" in Northfield Hymnal No. 2 Irons, Genevieve Mary, daughter of Dr. W. J. Irons, and granddaughter of J. Irons, was born at Brompton, Dec. 28, 1855. A few of her earliest pieces were contributed to the Sunday Magazine, 1876, and later. Her Manual for Holy Communion is entitled Corpus Christi, 1884. Her hymn, "Drawn to the Cross which Thou hast blessed" (Consecration of Self to Christ) was written in 1880, and printed the same year in the Sunday Magazine. It was afterwards included in her Corpus Christi, 1884. Alluding to this hymn (which was included in the Primitive Methodist Hymnal, 1881) Miss Irons has written "I always feel that hymn is part of me ... It contains expressions and allusions which to my mind are only capable of a Catholic meaning: but I am interested and gratified in knowing that the hymn speaks to the hearts of many who would probably differ from me on most points of doctrine." For these details we are indebted to Dorricott & Collins's Lyric Studies, 1889. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Hymnals

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The Methodist Hymn-Book with Tunes

Publication Date: 1933 Publisher: Methodist Conference Office Publication Place: London