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Christ, Whose glory fills the skies
Author: Charles Wesley Meter: 7.7.7.7.7.7 Appears in 475 hymnals Lyrics:
1 Christ, Whose glory fills the skies,
Christ, the true, the only Light,
Sun of Righteousness, arise!
Triumph o'er the shades of night:
Day-spring from on high, be near;
Day-star, in my heart appear.
2 Dark and cheerless is the morn
Unaccompanied by Thee;
Joyless is the day's return,
Till Thy mercy's beams I see;
Till they inward light impart,
Glad my eyes, and warm my heart.
3 Visit then this soul of mine!
Pierce the gloom of sin and grief!
Fill me, Radiancy Divine;
Scatter all my unbelief,
More and more Thyself display,
Shining to the perfect day.
Amen.
Topics: Daily Prayer Morning; Processional; Sunday Schools Sunday Morning Used With Tune: RATISBON
Christ, Whose glory fills the skies
God of Mercy, God of Grace
Author: Henry F. Lyte Meter: 7.7.7.7.7.7 Appears in 198 hymnals Lyrics: 1 God of mercy, God of grace,
show the brightness of your face.
Shine upon us, Savior, shine;
fill your Church with light divine,
and your saving health extend
to the earth's remotest end.
2 Let the people praise you, Lord!
Be by all that live adored.
Let the nations shout and sing
glory to their Savior-King;
at your feet their tribute pay,
and your holy will obey.
3 Let the people praise you, Lord,
then enjoy your rich reward!
God to us his blessing give,
we to God devoted live,
all below and all above
one in joy and light and love.
Topics: Blessing; Conversion of St. Paul; Epiphany Season; Evangelism; Face of the Lord; Gospel; Grace; Gratitude; Joy; Mercy; Missions; Pentecost; Peoples; Prophecy; Witness Scripture: Psalm 67 Used With Tune: RATISBON
God of Mercy, God of Grace
Christ, whose glory fills the skies
Author: Charles Wesley, 1707-1788 Hymnal: Common Praise #2 (2000) Meter: 7.7.7.7.7.7 Lyrics: 1 Christ, whose glory fills the skies,
Christ, the true, the only light,
Sun of Righteousness, arise,
triumph o'er the shades of night;
Dayspring from on high, be near;
Daystar, in my heart appear.
2 Dark and cheerless is the morn
unaccompanied by thee;
joyless is the day’s return
till thy mercy’s beams I see,
till they inward light impart,
glad my eyes, and warm my heart.
3 Visit then this soul of mine,
pierce the gloom of sin and grief;
fill me, radiancy divine;
scatter all my unbelief;
more and more thyself display,
shining to the perfect day. Topics: Morning; Lent IV Year A; Proper 4 Year B Scripture: 2 Peter 1:19 Languages: English Tune Title: RATISBON
Christ, whose glory fills the skies
Christ, whose glory fills the skies
Author: Charles Wesley (1707-1788) Hymnal: Ancient and Modern #2 (2013) Meter: 7.7.7.7.7.7 Lyrics: 1 Christ, whose glory fills the skies,
Christ, the true, the only light,
Sun of Righteousness, arise,
triumph o'er the shades of night;
Dayspring from on high, be near;
Daystar, in my heart appear.
2 Dark and cheerless is the morn
unaccompanied by thee;
joyless is the day's return,
till thy mercy's beams I see,
till they inward light impart,
glad my eyes, and warm my heart.
3 Visit then this soul of mine,
pierce the gloom of sin and grief;
fill me, radiancy divine,
scatter all my unbelief;
more and more thyself display,
shining to the perfect day. Topics: Church Year Trinity; Jesus Names and images for; Light; Morning; Proper 4 Year B; The Fourth Sunday of Lent Year A; The Second Sunday before Advent Year C; The Sunday next before Lent Years A, B & C Scripture: Psalm 19 Languages: English Tune Title: RATISBON
Christ, whose glory fills the skies
Christ, Whose glory fills the skies
Hymnal: Church Hymns #3 (1903) Topics: Morning Languages: English Tune Title: RATISBON
Christ, Whose glory fills the skies
Gerard Moultrie
1829 - 1885 Person Name: Gerard Moultrie, 1829-1885 Author of "Bishop of the souls of men" in CPWI Hymnal Moultrie, Gerard, M.A., son of the Rev. John Moultrie, was born at Rugby Rectory, Sept. 16, 1829, and educated at Rugby and Exeter College, Oxford (B.A. 1851, M.A. 1856). Taking Holy Orders, he became Third Master and Chaplain in Shrewsbury School; Chaplain to the Dowager Marchioness of Londonderry, 1855-59; curate of Brightwaltham, 1859; and of Brinfield, Berks, 1860; Chaplain of the Donative of Barrow Gurney, Bristol, 1864: Vicar of Southleigh, 1869, and Warden of St. James's College, Southleigh,1873. He died April 25, 1885. His publications include:
1) The Primer set forth at large for the use of the Faithful. In Family and Private Prayer. Edited from the Post Reformation editions, 1864. (2) Hymns and Lyrics for the Seasons and Saints' Days of the Church, 1867. The hymns of his sister, Mary Dunlop Moultrie (q.v.), were included in this volume. (3) The Espousals of S. Dorothea and Other Verses, 1870. (5) The Devout Communicant, 1867. (6) Six Years' work in Southleigh, 1875. (7) Cantica Sanctorum, or Hymns for the Black Letter Saints Days in the English and Scottish Calendars, to which are added a few Hymns for Special Occasions, 1880.
Mr. Moultrie's hymns include translations from the Greek, Latin, and German, in addition to original compositions. A large number appeared in the Church Times, and other papers; and many were written for special Saints' Days, and Other Festivals, for the People's Hymnal, 1867, in which some were signed "D. P." (i.e. Desiderius Pastor). The following are in common use:—
i. In The Primer, 1864.
1. Father of all, to Thee we pray. Lord's Prayer.
2. In the Name of God the Father. Laying Foundation Stone. (2nd stanza: "And as on the morning stillness.") First appeared in the Church Times, Oct. 1, 1864, and again (as rewritten for the laying of the foundation stone of St. Margaret's, East Grinstead), July 29, 1865.
ii. In Hymns and Lyrics, 1867.
3. Bishop of the souls of men. St. Matthias.
4. Come, faithful people, come away. Palm Sunday.
5. Easter-day is here, and we. Easter.
6. Heavenly Father, God alone. Harvest.
7. Mother, from whose bosom's veil. St. Anne. July 26.
8. 0 Jesu, 0 Redeemer. St. Luke.
9. Mary, maiden undefiled. Visitation of the Blessed Virgin Mary.
10. Silence reigns at eventide. Whitsuntide. In the Altar Hymnal, 1884, it begins with st. iii., "Hark, a rushing mighty sound."
11. The Marriage feast is ready. All Saints. Usually given in an abbreviated form.
12. Virgin-born the King of heaven. Christmas Midnight Hymn. ("To be sung at the Midnight Cele¬bration.") In the Church Times, Nov. 26, 1864, and revised for Hymns & Lyrics.
13. We march, we march to victory. Processional. In the Church Times, Aug, 19, 1865, and headed "Processional hymn before service (written expressly for use during present troubles)."
14. Who is this that shines so bright! St. Laurence. In the People's Hymnal, 1867.
15. Who keeps his birthday feast tonight? Beheading of St. John Baptist. In the People's Hymnal, 1867.
iii. In The People's Hymnal, 1867.
16. Heart to heart, and side by side. Holy Matrimony.
17. I know that my Redeemer liveth. Burial. A paraphrase of the Responsory in the Roman Office for the Dead.
18. Jesus Christ, we humbly pray. Opening of a School House.
19. Lord of heaven, Whose faithful love. Ember Days.
20. Lord, today we bring to Thee. Reception of a Privately Baptized Child.
21. Lord, we come today to Thee. Choir Festival.
22. 0 God, Who bad'st Thine angel sheathe. National Thanksgiving for restored Public Health. This is given in the Society for Promoting Christian Knowledge Church Hymns, 1871, as "0 God, Whose angel stayed his hand," and in the Hymnary, 1872, as "Lord, Who didst bid Thine angel sheathe."
23. 0 Lord of Hosts, Thou God of might. National Thanksgiving for Peace. In several collections.
24. Sevenfold Spirit, Lord of life. Consecration of a Bishop. First sung at the consecration of an American bishop at New York, in 1867. Included in the author's Espousals of St. Dorothea, 1870.
25. Sounds the bell in solemn cadence. Burial. In The Espousals of S. Dorothea, 1870, p. 82, the note is added, "This hymn was first sung at the funeral of the Rev. Warwick Wroth of Clerkenwell." It is headed "Funeral Hymn for a Priest."
iv. In Cantica Sanctorum, 1880.
26. In the midst of gladness, sorrow. Annunciation in Holy Week.
27. Jesus, tender Shepherd. Holy Communion.
28. Swing the censer, wave the banner. Processional.
v. In The Altar Hymnal, 1884.
29. Our great High Priest is standing. Holy Communion.
30. Lo, the Sacrifice atoning. Holy Communion.
vi. Various.
31. Forward, Christians, forward. Processional. Written for the Church of England Working Men's Society in 1879, and issued as a leaflet, of which 40,000 copies were sold during the first year.
32. Laid in this garden full of bloom. Easter Eve. In the Churchman's Companion, April, 1879.
33. On the wings of the wind fell a hymn from the sky. Christmas. In Husband's Supplemental Hymns, N.D. [1873].
34. Shades of night are falling round us. Evening. Novello & Co., with Music by Shad Frost.
35. There is a sound of rejoicing around the great throne. Processional. Written for St. Michael's Church, Folkestone, and published in E. Husband's Appendix to Hymns Ancient & Modern, N.D. [1873]. It was set to music by Mr. Husband, and is commonly known as "The Folkestone Processional."
36. This is the festal day of jubilation. Sunday School Anniversary. A hymn to be sung alternately by men and boys during the collection, written in 1877 for St. Agnes's, Kennington, London.
37. This is the hour of peace and blest communion. Holy Communion. Written for the English Church Union Commemoration held at St. Agnes's, Kennington Park, London, June 9, 1880.
From the subjects of the hymns noted above it will be seen that Mr. Moultrie wrote principally on matters not usually dealt with by hymnwriters. This is specially the case with his Cantica Sanctorum, in which most of the 103 hymns are for "Black Letter Saints' Days."
--John Julian, Dictionary of Hymnology (1907)
===================
Moultrie, G., p. 771, ii. We find that Mr. Moultrie wrote the preface to the Cantica Sanctorum, 1880, but did not edit the book. He and others contributed some thirteen hymns thereto. It was edited by Miss Isabella Leefe, p. 1663, i., who wrote 90 of the hymns.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
See also in:
Hymn Writers of the Church
Gerard Moultrie
John Kruger
Person Name: J. Krüger Composer of "[Jesus, meine Zuversicht]" in Sammlung Kirchlicher Lieder
John Kruger
John Newton
1725 - 1807 Author of "Safely thro' another week" in University Hymns John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumultuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.”
Bert Polman
==================
Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764).
The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.]
A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:—
1. Be still, my heart, these anxious cares. Conflict.
2. Begone, unbelief, my Saviour is near. Trust.
3. By the poor widow's oil and meal. Providence.
4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers.
5. Darkness overspreads us here. Hope.
6. Does the Gospel-word proclaim. Rest in Christ.
7. Fix my heart and eyes on Thine. True Happiness.
8. From Egypt lately freed. The Pilgrim's Song.
9. He Who on earth as man was Known. Christ the Rock.
10. How blest are they to whom the Lord. Gospel Privileges.
11. How blest the righteous are. Death of the Righteous.
12. How lost was my [our] condition. Christ the Physician.
13. How tedious and tasteless the hours. Fellowship with Christ.
14. How welcome to the saints [soul] when pressed. Sunday.
15. Hungry, and faint, and poor. Before Sermon.
16. In mercy, not in wrath, rebuke. Pleading for Mercy.
17. In themselves, as weak as worms. Power of Prayer.
18. Incarnate God, the soul that knows. The Believer's Safety.
19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn.
20. Joy is a [the] fruit that will not grow. Joy.
21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken.
22. Let us adore the grace that seeks. New Year.
23. Mary to her [the] Saviour's tomb. Easter.
24. Mercy, 0 Thou Son of David. Blind Bartimeus.
25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken.
26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go."
27. Now may He Who from the dead. After Sermon.
28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege.
29. O Lord, how vile am I. Lent.
30. On man in His own Image made. Adam.
31. 0 speak that gracious word again. Peace through Pardon.
32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows."
33. Physician of my sin-sick soul. Lent.
34. Pleasing spring again is here. Spring.
35. Poor, weak, and worthless, though I am. Jesus the Friend.
36. Prepare a thankful song. Praise to Jesus.
37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine."
38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance.
39. Salvation, what a glorious plan. Salvation.
40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn.
41. Saviour, visit Thy plantation. Prayer for the Church.
42. See another year [week] is gone. Uncertainty of Life.
43. See the corn again in ear. Harvest.
44. Sinner, art thou still secure? Preparation for the Future.
45. Sinners, hear the [thy] Saviour's call. Invitation.
46. Sovereign grace has power alone. The two Malefactors.
47. Stop, poor sinner, stop and think. Caution and Alarm.
48. Sweeter sounds than music knows. Christmas.
49. Sweet was the time when first I felt. Joy in Believing.
50. Ten thousand talents once I owed. Forgiveness and Peace.
51. The grass and flowers, which clothe the field. Hay-time.
52. The peace which God alone reveals. Close of Service.
53. Thy promise, Lord, and Thy command. Before Sermon.
54. Time, by moments, steals away. The New Year.
55. To Thee our wants are known. Close of Divine Service.
56. We seek a rest beyond the skies. Heaven anticipated.
57. When any turn from Zion's way. Jesus only.
58. When Israel, by divine command. God, the Guide and Sustainer of Life.
59. With Israel's God who can compare? After Sermon.
60. Yes, since God Himself has said it. Confidence.
61. Zion, the city of our God. Journeying Zionward.
-- John Julian, Dictionary of Hymnology (1907)
=================
Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion).
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
-----
John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience."
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
See also in:
Hymn Writers of the Church
=======================
John Newton
Small Church Music
Editors: Charles Wesley Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Small Church Music
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Llyfr Tonau Cynulleidfaol
Publication Date: 1868 Publisher: H. J. Hughes Publication Place: New York
Llyfr Tonau Cynulleidfaol
