And Can It Be, That I Should Gain?

Full Text

1 And can it be that I should gain
An int'rest in the Savior's blood?
Died He for me, who caused His pain?
For me, who Him to death pursued?
Amazing love! how can it be
That Thou, my God, should die for me?

Refrain:
Amazing love! how can it be
That Thou, my God, should die for me!

2 'Tis mystery all! Th'Immortal dies!
Who can explore His strange design?
In vain the firstborn seraph tries
To sound the depths of love divine!
'Tis mercy all! let earth adore,
Let angel minds inquire no more. [Refrain]

3 He left His Father's throne above,
So free, so infinite His grace;
Emptied Himself of all but love,
And bled for Adam's helpless race;
'Tis mercy all, immense and free;
For, O my God, it found out me. [Refrain]

4 Long my imprisoned spirit lay
Fast bound in sin and nature's night;
Thine eye diffused a quick'ning ray,
I woke, the dungeon flamed with light;
My chains fell off, my heart was free;
I rose, went forth and followed Thee. [Refrain]

5 No condemnation now I dread;
Jesus, and all in Him is mine!
Alive in Him, my living Head,
And clothed in righteousness divine,
Bold I approach th'eternal throne,
And claim the crown, through Christ my own. [Refrain]

Amen.

Sing Joyfully, 1989

Author: Charles Wesley

Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone,… Go to person page >

Notes

Scripture References:
st. 2 = Phil. 2:7-8
st. 3 = Acts 12: 6-8, Acts 16:25-26
st. 4 = Rom. 8:1, Heb. 4:16

In a compact poetic manner, this text exclaims the mystery of God's grace extended to sinners who turn to Christ in faith. These sinners receive the righteousness of Christ and can approach the Lord's throne in confidence. Such is the amazing love of God in Christ! Charles Wesley (b. Epworth, Lincolnshire, England, 1707; d. Marylebone, London, England, 1788) wrote his powerful and joyful hymn text in 1738 in the days immediately following his conversion to belief in Christ (May 21); he sang it with his brother John (b. Epworth, 1703; d. London, 1791) shortly after John's "Aldersgate experience."

"And Can It Be" was first published in john Wesley's Psalms and Hymns (1738). It is subtitled "Free Grace" in John and Charles Wesley's Hymns and Sacred Poems (1739). Traditionally one of the great hymns of Methodism, this text appears in a number of modern hymnals.

Like so many of Charles Wesley's hymn texts, "And Can It Be" is full of allusions to and quotations from Scripture; a few of the more obvious texts are Philippians 2:7, Acts 12:6-8, Romans 8:1, and Hebrews 4:16. Wesley's use of metaphors is also noteworthy – he deftly contrasts light and darkness, life and death, slavery and freedom, and especially Christ's righteousness and our unrighteousness.

Liturgical Use:
Service of confession and forgiveness; adult baptism; in conjunction with doctrinal preaching; many other occasions.

Several members of the Wesley family are significant figures in the history of English hymnody, and none more so than Charles Wesley. Charles was the eighteenth child of Samuel and Susanna Wesley, who educated him when he was young. After attending Westminster School, he studied at Christ Church College, Oxford. It was there that he and George Whitefield formed the Oxford "Holy Club," which Wesley's brother John soon joined. Their purpose was to study the Bible in a disciplined manner, to improve Christian worship and the celebration of the Lord's Supper, and to help the needy. Because of their methods for observing the Christian life, they earned the name “Methodists.”

Charles Wesley was ordained a minister in the Church of England in 1735 but found spiritual conditions in the church deplorable. Charles and John served briefly as missionaries to the British colony in Georgia. Enroute they came upon a group of Moravian missionaries, whose spirituality impressed the Wesleys. They returned to England, and, strongly influenced by the ministry of the Moravians, both Charles and John had conversion experiences in 1738 (see more on this below). The brothers began preaching at revival meetings, often outdoors. These meetings were pivotal in the mid-eighteenth-century "Great Awakening" in England.

Though neither Charles nor John Wesley ever left the Church of England themselves, they are the founders of Methodism. Charles wrote some sixty-five hundred hymns, which were published in sixty-four volumes during his lifetime; these include Collection of Psalms and Hymns (1741), Hymns on the Lord's Supper ( 1 745), Hymns and Spiritual Songs (1753), and Collection of Hymns for the Use of the People called Methodists (1780). Charles's hymns are famous for their frequent quotations and allusions from the Bible, for their creedal orthodoxy and their subjective expression of Christian living, and for their use of some forty-five different meters, which inspired new hymn tunes in England. Numerous hymn texts by Wesley are standard entries in most modern hymnals; fourteen are included in the Psalter Hymnal.

Charles's elder brother John also studied at Christ Church College, Oxford, and was ordained a priest in the Church of England in 1728. A tutor at Lincoln College in Oxford from 1729 to 1735, Wesley became the leader of the Oxford "Holy Club" mentioned above. After his contact with the Moravian missionaries, Wesley began translating Moravian hymns from German and published his first hymnal, Collection of Psalms and Hymns, in Charleston, South Carolina (1737); this hymnal was the first English hymnal ever published for use in worship.

Upon his return to England in 1738 Wesley "felt his heart strangely warmed" at a meeting on Aldersgate Street, London, when Peter Bohler, a Moravian, read from Martin Luther's preface to his commentary on the epistle to the Romans. It was at that meeting that John received the assurance that Christ had truly taken away his sins. That conversion experience (followed a few days later by a similar experience by his brother Charles) led to his becoming the great itinerant evangelist and administrator of the Methodist "societies," which would eventually become the Methodist Church. An Anglican all his life, John Wesley wished to reform the Church of England and regretted the need to found a new denomination.

Most of the hymnals he prepared with his brother Charles were intended for Christians in all denominations; their Collection of Hymns for the Use of the People called Methodists (1780) is one of the few specifically so designated. John was not only a great preacher and organizer, he was also a prolific author, editor, and translator. He translated many classic texts, wrote grammars and dictionaries, and edited the works of John Bunyan and Richard Baxter. In hymnody he is best known for his translation of selections from the German hymnals of Johann Crüger ('Jesus, thy boundless love to me"), Freylinghausen, and von Zinzendorf ('Jesus, thy blood and righteousness"), and for his famous "Directions for Singing," which are still printed in Methodist hymnals. Most significant, however, is his well-known strong hand in editing and often strengthening his brother Charles's hymn texts before they copublished them in their numerous hymnals.

--Psalter Hymnal Handbook
===========================

And can it be that I should gain. C. Wesley. [Thanksgiving for Salvation.] Written at Little Britain, in May, 1738, together with the hymn, "Where shall my wondering soul begin?" on the occasion of the great spiritual change which C. Wesley at that time underwent. His diary of that date gives minute details of the mental and spiritual struggles through which he passed, evidences of which, and the ultimate triumph, are clearly traceable in both hymns. It was first published in J. Wesley's Psalms and Hymns, 1738, and again in Hymns and Sacred Poems, 1739, p. 117, in 6 stanzas of 6 lines. When included in the Wesleyan Hymn Book, 1780, stanza v. was omitted, the same arrangement being retained in the revised edition 1875, No. 201. It has passed from that hymnal into numerous collections in Great Britain and most English-speaking countries. Stevenson's note on this hymn, dealing with the spiritual benefits it has conferred on many, is full and interesting (Methodist Hymn Book Notes, p. 155). Original text in Poetical Works, 1868-72, vol. i. p. 105.

-- John Julian, Dictionary of Hymnology (1907)

Tune

SAGINA

SAGINA, by Thomas Campbell (b. Sheffield, England, 1777; d. England [?], 1844), is almost universally associated with "And Can It Be." Little is known of Campbell other than his publication The Bouquet (1825), in which each of twenty-three tunes has a horticultural name. SAGINA borrows its name from…

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Timeline

Media

Baptist Hymnal 1991 #147
The Cyber Hymnal #22
  • Adobe Acrobat image (PDF)
  • Noteworthy Composer score (NWC)
  • XML score (XML)
Psalter Hymnal (Gray) #267
Sing Joyfully #307
The United Methodist Hymnal #363
Worship and Rejoice #366

Instances

Instances (33)TextImageAudioScoreFlexscore
Baptist Hymnal 1991 #147TextImageAudioScore
Baptist Hymnal 2008 #250TextImage
Celebrating Grace Hymnal #605Image
Celebration Hymnal #347Image
Church Family Worship #389
Church Hymnal, Fifth Edition #218
Church Hymnary (4th ed.) #396bText
Church Hymnary (4th ed.) #396aText
Complete Anglican Hymns Old & New #32
Complete Mission Praise #33
Hymns for Today's Church (2nd ed.) #452
Hymns for Today's Church (2nd ed.) #588
Hymns of Faith #57TextImage
Hymns Old and New: New Anglican #30
Lift Up Your Hearts: psalms, hymns, and spiritual songs #695ImageAudioFlexscore
Psalter Hymnal (Gray) #267TextImageAudioScore
Rejoice in the Lord #450Text
Rejoice in the Lord #451Text
Renew! #193TextImage
Revival Hymns and Choruses #65
Seventh-day Adventist Hymnal #198
Sing and Rejoice!: new hymns for congregations #5
Sing Glory: Hymns, Psalms and Songs for a New Century #168
Sing Joyfully #307TextImageAudioScore
The Christian Life Hymnal #247
The Covenant Hymnal: a worshipbook #306
The Cyber Hymnal #22TextAudioScore
The Hymnal for Worship and Celebration #203
The United Methodist Hymnal #363TextImageAudioScoreFlexscore
The Worshiping Church #473TextImageFlexscore
Together in Song: Australian Hymn Book II #209
Trinity Hymnal (Rev. ed.) #455TextImageFlexscore
Worship and Rejoice #366TextImageAudioScore



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