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A Terna Voz do Salvador

Author: William Hunter (1811-1877) Appears in 3 hymnals Refrain First Line: Nunca dos homens se ouvirá Lyrics: 1. A terna voz do Salvador, Com graça nos convida, Chamando-nos em Seu amor, Querendo dar-nos vida. Estribilho: Nunca dos homens se ouvirá, Nunca, nos santos Céus de luz, Mais doce nota soará Que o nome de Jesus. 2. O cálix cheio de amargor, Por nós foi esgotado. E assim, Jesus, ao pecador Redime do pecado. [Estribilho] 3. Por essa grande salvação Dê graças todo crente. É digna de celebração Agora e eternamente. [Estribilho] Used With Tune: [A terna voz do Salvador]

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[A terna voz do Salvador]

Appears in 513 hymnals Composer and/or Arranger: J. H. Stockton (1813-1877) Incipit: 55312 34555 13121 Used With Text: A Terna Voz do Salvador

Instances

Published text-tune combinations (hymns) from specific hymnals

A Terna Voz do Salvador

Author: William Hunter (1811-1877) Hymnal: Louvores ao Rei #134 (2022) Refrain First Line: Nunca dos homens se ouvirá Lyrics: 1. A terna voz do Salvador, Com graça nos convida, Chamando-nos em Seu amor, Querendo dar-nos vida. Estribilho: Nunca dos homens se ouvirá, Nunca, nos santos Céus de luz, Mais doce nota soará Que o nome de Jesus. 2. O cálix cheio de amargor, Por nós foi esgotado. E assim, Jesus, ao pecador Redime do pecado. [Estribilho] 3. Por essa grande salvação Dê graças todo crente. É digna de celebração Agora e eternamente. [Estribilho] Languages: Portuguese Tune Title: [A terna voz do Salvador]

A VOZ DE TERNURA

Author: William Hunter (1875-1936); anônimo Hymnal: Hinos e Cânticos #8 (1999) First Line: A terna voz do Salvador Refrain First Line: Nunca dos homens se ouvirá Lyrics: 1 A terna voz do Salvador Com graça nos convida, Chamando-nos em Seu amor, Querendo dar-nos vida. Refrain: Nunca dos homens se ouvirá, Nunca nos santos céus de luz Mais doce nota soará Que o Nome de Jesus. 2 O cálix cheio de amargor Jesus tem esgotado, A fim de dar ao pecador Perdão do seu pecado. 3 Por esta grande salvação Dê graças todo crente; É digna de celebração Agora e eternamente. Languages: Portuguese Tune Title: THE GREAT PHYSICIAN

Voz De Ternura

Author: William Hunter (1811-1877); anônima Hymnal: Cantor Cristão #225 (1971) First Line: A terna voz do Salvador Refrain First Line: Quer no presente ou no porvir Languages: Portuguese Tune Title: GREAT PHYSICIAN

People

Authors, composers, editors, etc.

William Hunter

1811 - 1877 Person Name: William Hunter (1811-1877) Author of "A Terna Voz do Salvador" in Louvores ao Rei Hunter, William, D.D, son of John Hunter, was born near Ballymoney, County Antrim, Ireland, May 26, 1811. He removed to America in 1817, and entered Madison College in 1830. For some time he edited the Conference Journal, and the Christian Advocate. In 1855 he was appointed Professor of Hebrew in Alleghany College: and subsequently Minister of the Methodist Episcopal Church, at Alliance, Stark Country, Ohio. He died in 1877. He edited Minstrel of Zion, 1845; Select Melodies, 1851; and Songs of Devotion, 1859. His hymns, over 125 in all, appeared in these works. Some of these have been translated into various Indian languages. The best known are :— 1. A home in heaven; what a joyful thought. Heaven a Home. From his Minstrel of Zion, 1845, into the Methodist Scholar's Hymn Book, London, 1870, &c. 2. Joyfully, joyfully onward I [we] move. Pressing towards Heaven. This hymn is usually dated 1843. It was given in his Minstrel of Zion, 1845, and Select Melodies, 1851, and his Songs of Devotion, 1859. It has attained to great popularity. Two forms of the hymn are current, the original, where the second stanza begins "Friends fondly cherished, have passed on before"; and the altered form, where it reads: “Teachers and Scholars have passed on before." Both texts are given in W. F. Stevenson's Hymns for Church & Home, 1873, Nos. 79, 80, c. 3. The [My] heavenly home is bright and fair. Pressing towards Heaven. From his Minstrel of Zion, 1845, into the Cottage Melodies, New York, 1859, and later collections. 4. The Great Physician now is near. Christ the Physician. From his Songs of Devotion, 1859 5. Who shall forbid our grateful[chastened]woe? This hymn, written in 1843, was published in his Minstrel of Zion, 1845, and in his Songs of Devotion, 1859. [ Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

John H. Stockton

1813 - 1877 Person Name: J. H. Stockton (1813-1877) Arranger of "[A terna voz do Salvador]" in Louvores ao Rei Stockton, John Hart, a Methodist minister, was born in 1813, and died in 1877. He was a member of the New Jersey Annual Conference of the Methodist Episcopal Church, and the successive pastoral charges that he filled as a member of that Conference are found in the Conference Journal. He was not only a preacher, but a musician and composer of tunes, as well as hymn writer. He published two gospel song books: Salvation Melodies, 1874, and Precious Songs, 1875. Hymn Writers of the Church by Charles Nutter, 1911 =============== Stockton, John Hart, b. April 19, 1813, and d. March 25, 1877, was the author of "Come, every soul by sin oppressed" (Invitation), in I.D. Sankey's Sacred Songs and Solos, 1878, and of "The Cross, the Cross, the blood¬stained Cross" (Good Friday) in the same collection. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =============== Stockton, John Hart. (New Hope, Pennsylvania, April 19, 1813--March 25, 1877). Born of Presbyterian parents, he was converted at a Methodist camp meeting in 1838, being received into full membership in the New Jersey Conference in 1857. Because of ill health he twice took the "supernumerary relations." He withdrew from actual pastoral work in 1874 and engaged in compiling and publishing gospel hymn books, issuing Salvation Melodies that year and Precious Songs in 1875, writing both words and music for a number of the songs. He died suddenly after attending a Sunday morning service at Arch Street Church, Philadelphia. Our Hymnody, McCutchan, has, perhaps, the fullest account of him readily available. --Robert G. McCutchan, DNAH Archives

Anonymous

Person Name: anônimo Adapter of "A VOZ DE TERNURA" in Hinos e Cânticos In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.