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Text Identifier:"^all_praise_to_the_son_for_what_he_has_do$"

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I'm an Heir to the Kingdom

Author: F. A. Blackmer Appears in 2 hymnals First Line: All praise to the Son Refrain First Line: The blood has sufficed Used With Tune: [All praise to the Son]

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[All praise to the Son]

Appears in 1 hymnal Composer and/or Arranger: F. A. Blackmer Tune Key: G Major Incipit: 53335 51113 33667 Used With Text: I'm An Heir To A Kingdom
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[All praise to the Son]

Appears in 1 hymnal Composer and/or Arranger: W. E. Penn Incipit: 55611 21765 12222 Used With Text: I'm an Heir to the Kingdom

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I'm An Heir To A Kingdom

Author: F. A. B. Hymnal: The Gospel Awakening #107 (1888) First Line: All praise to the Son Refrain First Line: The blood has sufficed Lyrics: 1. All praise to the Son, For what He has done, My sins has freely forgiven; His blood has sufficed, I'm an heir with Christ, An heir to the kingdom of heaven. Chorus: The blood has sufficed, I'm an heir with Christ; An heir to the heavenly kingdom; A creature of earth by His matchless worth, Is made an heir to the kingdom. 2. Despising the shame, To earth here He came That an heir with Himself He might own me, By dying for me On the cruel tree; O, rare condescension He's shown me! [Chorus] 3. The Father is pleased, His wrath is appeased, He smiles thro' the Son so forgiving; His blood for me spilt, Takes away my guilt, And now by His word I am living. [Chorus] 4. A rebel was I, Condemned soon to die, When Christ to me offered salvation; So, dying one, you May for pardon sue, And share in this great exaltation. [Chorus] Tune Title: [All praise to the Son]
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I'm an Heir to the Kingdom

Author: F. A. Blackmer Hymnal: Harvest Bells Nos. 1, 2 and 3 #A22 (1892) First Line: All praise to the Son Refrain First Line: The blood has sufficed Languages: English Tune Title: [All praise to the Son]

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F. A. Blackmer

1855 - 1930 Author of "I'm an Heir to the Kingdom" Blackmer, Francis Augustus. (Ware, Massachusetts, February 17, 1855--October 8, 1930, Somerville, Massachusetts). Advent Christian musician. His parents, Augustus and Jane Blackmer, were among those caught up in the excitement of the Millerite Movement. One son, Fred, became an Advent Christian minister. Francis, with a talent recognized at an early age, consecrated his own life to Christian service as a musician. He was immersed in baptism at the Adventist campmeeting in Springfield, Massachusetts, by Elder Miles Grant. His early years were spend in central Massachusetts, his schooling at Wilbraham Academy. He was largely self-taught in harmony and musical composition. He wrote the words and music to his first gospel song, "Out on the fathomless sea," at the age of sixteen. Altogether he wrote over 300 gospel songs about the Second Coming, witnessing and working for the Lord, and praises to God's Holy Name. A few of these have circulated widely outside his own denomination. His final text, "I shall see him, And be like him," came when he was so weak that his friend, Clarence M. Seamans, had to supply the music. He used the pseudonym, A. Francis, with some of his early songs. Blackmer's first anthology was The Gospel Awakening, (1888). Subsequent gospel songbooks with which he was associated were: Singing by the Way (1895), Carols of Hope (1906), The Golden Sheaf, No. 2 (1916), and Songs of Coming Glory (1926). Most of his adult life was spent in Somerville, Massachusetts, a suburb of Boston, where he had a prosperous piano business. In the 1890s, his "Francis A. Blackmer Pianos" were made for him by the Washington Hall Piano Company of Boston. Later, his "Good as Gold Pianos" were manufactured by the Christman Piano Company of New York City and shipped directly to his customers throughout New England. In Somerville, Blackmer served as choirmaster and song-leader in the Advent Christian Church for many years. He was also an elder of the church until his death. From 1914 until his death, he was songleader at the mid-summer Alton Bay Campmeeting on Lake Winnepesaukee, New Hapshire. There his High Rock Hill was both a salesroom and a summer cottage over the years. He was a member of the board of directors of the campmeeting association for several years. Very popular were his singing sessions on the campground square between suppertim and evening services, and a final sing into the small hours of the night following the final service of the campmeeting. --Leonard Ellinwood, DNAH Archives

W. E. Penn

1832 - 1895 Composer of "[All praise to the Son]" in Harvest Bells Nos. 1, 2 and 3 Penn, William Evander. (Near village of Old Jefferson, Rutherford County, Tennessee, August 11, 1832--April 29, 1895, Eureka Springs, Arkansas). Southern Baptist. Evangelist in Texas and other states, 1875-1895. Compiled three hymnals titled Harvest Bells (1881, 1884, 1887) for use in his meetings. His hymns were primarily revivalistic in emphasis. His finest hymn, "There is a rock in a weary land, Its shadow falls on the burning sand" was paid the compliment of being reworked and issued under the name of Edward Husband in D.B. Towner's Revival Hymns (Chicago, 1905). He and his wife Corilla Frances Sayle adopted three children. Ordained December 4, 1880. --David W. Music, and additional information from the DNAH Archives See: Linder, Michael. (1985). William Evander Penn : his contribution to church music (Unpublished doctoral dissertation). Southwestern Baptist Theological Seminary, Fort Worth, Texas. The Life and Labors of Major W. E. Penn. (1896). St. Louis: C. B. Woodward Printing).
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