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Text Identifier:"^angels_rejoiced_and_sweetly_sung$"

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Angels rejoiced and sweetly sung

Author: William Hurn Appears in 49 hymnals Used With Tune: CHRISTMAS

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CHRISTMAS MORNING

Appears in 988 hymnals Tune Key: D Major Incipit: 17654 32156 67711 Used With Text: Angels rejoiced and sweetly sung
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CHRISTMAS

Appears in 683 hymnals Composer and/or Arranger: George F. Handel Incipit: 34517 65123 34555 Used With Text: Angels rejoiced and sweetly sung
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NEWBOLD

Appears in 60 hymnals Incipit: 55651 72112 34653 Used With Text: The Angels' Song

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Angels Rejoiced and Sweetly Sung

Author: William Hurn Hymnal: Select Hymns and Psalms #187 (1914) Languages: English Tune Title: [Angels rejoiced and sweetly sung]
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Christmas Song

Author: Hurn Hymnal: The Christian Sunday School Hymnal #141 (1883) First Line: Angels rejoiced and sweetly sung Refrain First Line: Ring the merry, merry, merry Lyrics: 1 Angels rejoiced and sweetly sung At our Redeemer's birth; Mortals, awake! let every tongue Proclaim his matchless worth. Refrain: Ring the merry, merry, merry, merry Christmas bells; Chime on, Chime on, Glory, glory, glory, glory be to God who dwells on high; Good will to men, ye fallen race, Arise, and shout for joy. 2 Glory to God, who dwells on high, And sent his only Son To take a servant's form, and die For evils we have done. [Refrain] 3 Good-will to men; ye fallen race! Arise, and shout for joy; He comes, with rich, abounding grace, To save, and not destroy. [Refrain] 4 Lord, send the gracious tidings forth, And fill the world with light; That Jew and Gentile, through the earth, May know thy saving might. [Refrain] Scripture: Luke 2:13 Tune Title: [Angels rejoiced and sweetly sung]
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Christmas Song

Author: Hurn Hymnal: Bright Gems #21 (1881) First Line: Angels rejoiced and sweetly sung Refrain First Line: Ring the merry, merry, merry, merry Christmas bells Languages: English Tune Title: [Angels rejoiced and sweetly sung]

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George Frideric Handel

1685 - 1759 Person Name: George F. Handel Composer of "[Angels rejoiced and sweetly sung]" in Select Hymns and Psalms George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Composer of "JAZER" in The Brethren Hymnal William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Edmund S. Lorenz

1854 - 1942 Person Name: E. S. Lorenz Composer of "SALVATION MORNING" in The Otterbein Hymnal Pseudonymns: John D. Cresswell, L. S. Edwards, E. D. Mund, ==================== Lorenz, Edmund Simon. (North Lawrence, Stark County, Ohio, July 13, 1854--July 10, 1942, Dayton, Ohio). Son of Edward Lorenz, a German-born shoemaker who turned preacher, served German immigrants in northwestern Ohio, and was editor of the church paper, Froehliche Botschafter, 1894-1900. Edmund graduated from Toledo High School in 1870, taught German, and was made a school principal at a salary of $20 per week. At age 19, he moved to Dayton to become the music editor for the United Brethren Publishing House. He graduated from Otterbein College (B.A.) in 1880, studied at Union Biblical Seminary, 1878-1881, then went to Yale Divinity School where he graduated (B.D.) in 1883. He then spent a year studying theology in Leipzig, Germany. He was ordained by the Miami [Ohio] Conference of the United Brethren in Christ in 1877. The following year, he married Florence Kumler, with whom he had five children. Upon his return to the United States, he served as pastor of the High Street United Brethren Church in Dayton, 1884-1886, and then as president of Lebanon Valley College, 1887-1889. Ill health led him to resign his presidency. In 1890 he founded the Lorenz Publishing Company of Dayton, to which he devoted the remainder of his life. For their catalog, he wrote hymns, and composed many gospel songs, anthems, and cantatas, occasionally using pseudonyms such as E.D. Mund, Anna Chichester, and G.M. Dodge. He edited three of the Lorenz choir magazines, The Choir Leader, The Choir Herald, and Kirchenchor. Prominent among the many song-books and hymnals which he compiled and edited were those for his church: Hymns for the Sanctuary and Social Worship (1874), Pilgerlieder (1878), Songs of Grace (1879), The Otterbein Hymnal (1890), and The Church Hymnal (1934). For pastors and church musicians, he wrote several books stressing hymnody: Practical Church Music (1909), Church Music (1923), Music in Work and Worship (1925), and The Singing Church (1938). In 1936, Otterbein College awarded him the honorary D.Mus. degree and Lebanon Valley College the honorary LL.D. degree. --Information from granddaughter Ellen Jane Lorenz Porter, DNAH Archives
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