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As the Disciples, When Thy Son Had Left Them
Author: Percy Dearmer Meter: 11.11.11.5 Appears in 8 hymnals Topics: liturgical Communion Songs
As the Disciples, When Thy Son Had Left Them
AD TUUM NOMEN
Meter: 11.11.11.5 Appears in 6 hymnals Tune Sources: Chartres Antiphoner (1784) Tune Key: G Major Used With Text: As the Disciples, When Thy Son Had Left Them
AD TUUM NOMEN
DIVA SERVATRIX
Meter: 11.11.11.5 Appears in 18 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Tune Sources: Bayeux Antiphoner, 1739 Tune Key: G Major Incipit: 33431 21232 13354 Used With Text: As the disciples, when thy Son had left them
DIVA SERVATRIX
As the Disciples, When Thy Son Had Left Them
Author: Percy Dearmer Hymnal: Rejoice in the Lord #533 (1985) Meter: 11.11.11.5 Lyrics: 1 As the disciples, when thy Son had left them,
met in a lovefeast, joyfully conversing,
all the stored mem'ry of the Lord's last Supper
fondly rehearsing,
2 so may we here, who gather now in friendship,
seek for the spirit of those earlier churches,
welcoming him who stand and for an entrance
patiently searches.
3 As, when their converse closed, and supper ended,
taking the bread and wine, they make thanksgiving,
breaking and blessing, thus to have communion
with Christ the living,
4 so may we here, united in one Body,
make this our lovefeast and commemoration,
that in his Spirit, we may have more worthy
participation.
5 And, as they prayer and sang to thee rejoicing,
ere in the nightfall they embraced and parted,
in their hearts singing as they journeyed homeward,
brave and true-hearted,
6 so, may we here, like grain that once was scattered
over a hillside, now one bread united,
led by the Spirit, do thy work rejoicing,
lamps filled and lighted. Topics: Love Feast Scripture: Acts 2:42 Languages: English Tune Title: AD TUUM NOMEN
As the Disciples, When Thy Son Had Left Them
As the disciples, when thy Son had left them
Author: Percy Dearmer, 1867-1936 Hymnal: Common Praise #280 (2000) Meter: 11.11.11.5 Lyrics: 1 As the disciples, when thy Son had left them,
met in a love-feast, joyfully conversing,
all the stored memory of the Lord's last supper
fondly rehearsing;
2 So may we here, who gather now in friendship,
seek for the spirit of those earlier churches,
welcoming him who stands and for an entrance,
patiently searches.
3 As, when their converse closed and supper ended,
taking the bread and wine they made thanksgiving,
breaking and blessing, thus to have communion
with Christ the living;
4 So may we here, a company of faithful,
make this our love-feast and commemoration,
that in his Spirit we may have more worthy
participation.
5 And as they prayed and sang to thee rejoicing,
ere in the night-fall they embraced and parted,
in their hearts singing as they journeyed homeward,
brave and true-hearted;
6 So may we here, like grain that once was scattered
over a hill-side, now one bread united,
led by the Spirit, do thy work rejoicing,
lamps filled and lighted. Topics: Holy Communion Scripture: Acts 2:42-46 Languages: English Tune Title: DIVA SERVATRIX
As the disciples, when thy Son had left them
As the disciples, when Thy Son had left them
Author: Percy Dearmer Hymnal: Hymns for Children and Grownups to Use Together #132 (1953) Languages: English Tune Title: BAYHEAD
As the disciples, when Thy Son had left them
Percy Dearmer
1867 - 1936 Person Name: Percy Dearmer, 1867-1936 Author of "As the disciples, when Thy Son" in The Book of Praise Dearmer, Percy, M.A., son of Thomas Dearmer, was born in London, Feb. 27, 1867, and educated at Westminster School and at Christ Church, Oxford (B.A. 1890, M.A. 1896). He was ordained D. 1891, P. 1892, and has been since 1901 Vicar of S. Mary the Virgin, Primrose Hill, London. He has been Secretary of the London Branch of the Christian Social Union since 1891, and is the author of The Parson's Handbook, 1st edition, 1899, and other works. He was one of the compilers of the English Hymnal, 1906, acting as Secretary and Editor, and contributed to it ten translations (38, 95, 150, 160, 165, 180, 215, 237, 352, 628) and portions of two others (242, 329), with the following originals:—
1. A brighter dawn is breaking. Easter. Suggested by the Aurora lucis, p. 95, but practically original.
2. Father, Who on man dost shower. Temperance.
3. God, we thank Thee, not in vain. Burial.
4. Holy God, we offer here. Holy Communion.
5. Jesu, good above all other. For Children.
6. Lord, the wind and sea obey Thee. For those at Sea.
7. The winter's sleep was long and deep. St. Philip and St. James. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Percy Dearmer
Ralph Vaughan Williams
1872 - 1958 Person Name: R. Vaughan Williams, 1872 - 1958 Arranger of "DIVA SERVATRIX" in The Book of Praise Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Lee Hastings Bristol
1923 - 1979 Person Name: Lee Hastings Bristol, Jr. (b. 1923) Composer of "BAYHEAD" in More Hymns and Spiritual Songs Born: 1923, Brooklyn, New York.
Died: 1979, Syracuse, New York.
Bristol was educated at Hamilton College, Clinton, New York (BA); Trinity College of Music, London (organ studies); and the Institute for International Studies, Geneva, Switzerland (graduate studies). He worked in New York for the Bristol-Meyers Company (the family business) in advertising and public relations, 1948-62. From 1962-69, he served as president of Westminster Choir College, Princeton, New Jersey. In 1972, the Hymn Society in the United States and Canada made him a fellow of the society. His works include:
The Lamb and Other Carols, 1951
Songs for Liturgy, editor
More Hymns and Spiritual Songs, editor, 1972
Hymns for Children and Grown-Ups
Lyrics:
"Let Us Now Depart in Thy Peace"
Music:
SEDGWICK
--hymntime.com/tch/
Lee Hastings Bristol
