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Gather together
Appears in 9 hymnals First Line: Blessed is he that cometh in the name of the Lord Refrain First Line: Come dwell with the Lord in Beulah land
Gather together
[Blessed is He that cometh in the name of the Lord]
Appears in 4 hymnals Composer and/or Arranger: H. Millard Tune Key: A Flat Major Incipit: 53161 51123 5231 Used With Text: "Blessed is He that Cometh!"
[Blessed is He that cometh in the name of the Lord]
[Blessed is he that cometh in the name of the Lord]
Appears in 1 hymnal Composer and/or Arranger: Martin Edward Fallas Shaw, 1875-1958 Tune Sources: Anglican Folk Mass Tune Key: f minor Incipit: 32171 23217 671 Used With Text: Benedictus
[Blessed is he that cometh in the name of the Lord]
[Blessed is he that cometh in the name of the Lord]
Appears in 5 hymnals Composer and/or Arranger: Ch. Gounod Incipit: 33331 22334 33321 Used With Text: Blessed Is He that Cometh
[Blessed is he that cometh in the name of the Lord]
Benedictus
Hymnal: New English Praise #695f (2006) First Line: Blessed is he that cometh in the name of the Lord Lyrics: Blessed is he that cometh in the name of the Lord.
Hosanna in the highest. Languages: English Tune Title: [Blessed is he that cometh in the name of the Lord]
Benedictus
Benedictus Qui Venit
Hymnal: The Church Service Book #112b (1906) First Line: Blessed is He that cometh in the Name of the Lord Topics: The Order of Holy Communion Communion Service Languages: English Tune Title: [Blessed is He that cometh in the Name of the Lord]
Benedictus Qui Venit
"Blessed is He that Cometh!"
Hymnal: Sacred Songs and Solos #369 (1890) First Line: Blessed is He that cometh in the name of the Lord! Refrain First Line: Hosanna! Hosanna! Hosanna in the highest! Topics: The Coming of Christ Scripture: Psalm 118:26 Languages: English Tune Title: [Blessed is He that cometh in the name of the Lord]
"Blessed is He that Cometh!"
Caleb Simper
1857 - 1942 Composer of "[Blessed is He that cometh in the Name of the Lord]" in The Church Service Book
Caleb Simper
Charles F. Gounod
1818 - 1893 Person Name: Ch. Gounod Composer of "MESSIAS" in Heart and Voice Charles F. Gounod (b. Paris, France, 1818; d. St. Cloud, France, 1893) was taught initially by his pianist mother. Later he studied at the Paris Conservatory, won the "Grand Prix de Rome" in 1839, and continued his musical training in Vienna, Berlin, and Leipzig. Though probably most famous for his opera Faust (1859) and other instrumental music (including his Meditation sur le Prelude de Bach, to which someone added the Ave Maria text for soprano solo), Gounod also composed church music-four Masses, three Requiems, and a Magnificat. His smaller works for church use were published as Chants Sacres. When he lived in England (1870-1875), Gounod became familiar with British cathedral music and served as conductor of what later became the Royal Choral Society.
Bert Polman
Charles F. Gounod
Martin Shaw
1875 - 1958 Person Name: Martin Edward Fallas Shaw, 1875-1958 Composer of "[Blessed is he that cometh in the name of the Lord]" in New English Praise Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music.
Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915).
Bert Polman
Martin Shaw
