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Text Identifier:"^daylight_fades_in_days_when_deathless$"

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Daylight Fades

Author: Peter J. Scagnelli, b. 1949 Meter: 8.7.8.7 D Appears in 2 hymnals First Line: Daylight fades in days when deathless Topics: Easter Vigil ; Easter; Easter 3, Year A; Easter 3, Year B; Easter Season; Faith; Light; Paschal Mystery; Peace; Praise; Victory over Sin and Death Scripture: Luke 24:28-35 Used With Tune: DOMHNACH TRIONOIDE

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HYMN TO JOY

Meter: 8.7.8.7 D Appears in 519 hymnals Composer and/or Arranger: Ludwig van Beethoven, 1770-1827; Edward Hodges, 1796-1867 Tune Key: G Major or modal Incipit: 33455 43211 23322 Used With Text: Daylight Fades

DOMHNACH TRIONOIDE

Meter: 8.7.8.7 D Appears in 4 hymnals Composer and/or Arranger: Richard Proulx, b. 1937 Tune Sources: Gaelic Meldoy Tune Key: f minor Incipit: 12332 71112 33445 Used With Text: Daylight Fades

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Daylight Fades

Author: Peter J. Scagnelli, b. 1949 Hymnal: Worship (3rd ed.) #448 (1986) Meter: 8.7.8.7 D First Line: Daylight fades in days when deathless Topics: Easter Vigil ; Easter; Easter 3, Year A; Easter 3, Year B; Easter Season; Faith; Light; Paschal Mystery; Peace; Praise; Victory over Sin and Death Scripture: Luke 24:28-35 Languages: English Tune Title: DOMHNACH TRIONOIDE

Daylight Fades

Author: Peter J. Scagnelli, b. 1949 Hymnal: RitualSong #597 (1996) Meter: 8.7.8.7 D First Line: Daylight fades in days when deathless Topics: Easter; Faith; Paschal Mystery; Peace; Praise Scripture: Luke 24:28-35 Languages: English Tune Title: HYMN TO JOY

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Richard Proulx

1937 - 2010 Person Name: Richard Proulx, b. 1937 Harmonizer of "DOMHNACH TRIONOIDE" in Worship (3rd ed.) Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Ludwig van Beethoven

1770 - 1827 Person Name: Ludwig van Beethoven, 1770-1827 Composer of "HYMN TO JOY" in RitualSong A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Edward Hodges

1796 - 1867 Person Name: Edward Hodges, 1796-1867 Arranger of "HYMN TO JOY" in RitualSong Born: Ju­ly 20, 1796, Bris­tol, Eng­land. Died: Sep­tem­ber 1, 1867, Clif­ton, Bris­tol, Eng­land. Buried: Church of St. Mary the Vir­gin, Stan­ton Drew (about eight miles south of Bristol). Hodges’ mu­sic­al gift showed it­self at an ear­ly age; by 1819, he was play­ing the or­gan at St. James’ Church in Bris­tol, and at St. Nicholas’, 1821-1838. He al­so had an in­ter­est­ing me­chan­ic­al bent, and spurred sev­er­al tech­ni­cal im­prove­ments in or­gan de­sign. He com­posed a num­ber of serv­ic­es and an­them piec­es, and Cam­bridge Un­i­ver­si­ty award­ed him a doc­tor­ate in mu­sic in 1825. Hodges event­u­al­ly em­i­grat­ed, ac­cept­ing a post at the ca­thed­ral in To­ron­to, Ca­na­da, in 1838. The next year, he be­came mu­sic di­rect­or at Trin­i­ty Par­ish in New York Ci­ty. He be­came the or­gan­ist at Trin­i­ty Church when it opened in 1846 (the church had its or­gan built to his spe­ci­fi­ca­tions). He re­tired for health rea­sons in 1859, and re­turned to his native Eng­land in 1863. Hodges’ works in­clude: An Apol­o­gy for Church Mu­sic and Mu­sic­al Fes­tiv­als, in Ans­wer…to the Stan­dard and the Re­cord (Lond­on: 1834) Essays on the Ob­jects of Mu­sic­al Study (Bris­tol, Eng­land: 1838) An Es­say on the Cul­ti­va­tion of Church Mu­sic (New York: 1841) Contributions to the Quar­ter­ly Mu­sic­al Mag­a­zine & Mu­sic­al World Trin­i­ty Col­lect­ion of Church Mu­sic (Bos­ton, Mass­a­chu­setts: 1864) (ed­it­or) Music-- BRISTOL GLOUCESTER HABAKKUK HYMN TO JOY --www.hymntime.com/
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