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Text Identifier:"^dios_eterno_en_tu_presencia_nuestros_sig$"

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Dios Eterno, en Tu Presencia

Author: Juan Bautista Cabrera, 1837-1916 Appears in 20 hymnals First Line: ¡Dios eterno! en tu presencia Used With Tune: NEW YEAR

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ARMSTRONG

Appears in 60 hymnals Composer and/or Arranger: B. Richards Tune Key: F Major or modal Incipit: 34556 55333 52123 Used With Text: ¡Dios eterno! en tu presencia
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NEW YEAR

Appears in 260 hymnals Composer and/or Arranger: Johann M. Haydn, 1737-1806 Tune Key: G Major or modal Incipit: 12345 43211 14321 Used With Text: Dios Eterno, en Tu Presencia
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AUSTRIA

Appears in 774 hymnals Composer and/or Arranger: F. J. Haydn Tune Key: F Major or modal Incipit: 12324 32716 54323 Used With Text: ¡Dios eterno! en tu presencia

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Dios eterno, en tu presencia

Author: Juan B. Cabrera Hymnal: El Himnario Presbiteriano #297 (1999) Meter: 8.7.8.7 D Lyrics: 1 Dios eterno, en tu presencia nuestros siglos horas son; y un segundo, la existencia de cualquier generación. Mas aquél que a tu lado quiere ya volar con fe, en su curso prolongado lento siempre el tiempo ve. 2 Otro año ha fenecido que la vida ya acortó; y al descanso apetecido poco mas nos acercó. Gracias mil por tus mercedes hoy tu iglesia, Dios, te da; ya que todo tú lo puedes tu poder nos sostendrá. 3 Ven, proteges las familias visitando cada hogar. ¡Oh Señor!, si nos auxilias nada nos podrá faltar. Que te alabe el ser humano de este mundo por doquier; que tu santo nombre ensalce y te sirva haciendo el bien. Topics: Año Nuevo; Año Nuevo Scripture: Psalm 90 Languages: Spanish Tune Title: CUERNAVACA
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Dios eterno, en tu presencia

Author: Juan Bautista Cabrera, 1837-1916 Hymnal: Culto Cristiano #320 (1964) Meter: 8.7.8.7.8.7.8.7 Lyrics: 1 Dios eterno, en tu presencia Nuestros siglos horas son, Y un segundo la existencia De la actual generación, Mas el hombre que a tu lado Quiere ya volar con fe, En su curso prolongado Lento el tiempo siempre ve. 2 Otro año ha fenecido Que la vida ya acortó, Y el descanso apetecido Poco más se aproximó. Gracias mil por tus mercedes Hoy tu iglesia, Dios, te da; Y pues todo Tú lo puedes, Tu poder nos mantendrá. 3 Tú proteges las familias Visitando cada hogar; ¡Oh Señor!, si nos auxilias, ¿Qué nos puede aquí faltar? Por doquier que te ame el hombre Y te sirva haciendo el bien, Sea, ¡oh Dios¡, tu santo nombre Ensalzado siempre. Amén. Topics: Ocasiones Especiales Principio y Fin del Añor; Special Occasion Beginning and End of the Year Languages: Spanish Tune Title: SAINT HILARY

¡Dios Eterno! en Tu Presencia

Author: Juan Bautista Cabrera, 1837-1916 Hymnal: Himnos de Vida y Luz #288 (1990) Topics: Familia Languages: Spanish Tune Title: [¡Dios eterno! en tu presencia]

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Joseph Haydn

1732 - 1809 Person Name: F. J. Haydn Composer of "AUSTRIA" in Himnario provisional con los cánticos Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

Michael Haydn

1737 - 1806 Person Name: Johann M. Haydn, 1737-1806 Composer of "NEW YEAR" in Cántico Nuevo Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: J. B. Cabrera Author of "¡Dios eterno! en tu presencia" in Himnario provisional con los cánticos Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)
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