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Text Identifier:"^for_all_thy_care_we_bless_thee$"

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For all Thy care we bless Thee

Author: Sarah Doudney Appears in 13 hymnals Used With Tune: SAVOY CHAPEL

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HOMELAND

Appears in 142 hymnals Composer and/or Arranger: Arthur S. Sullivan Incipit: 13366 55431 17113 Used With Text: For all Thy care we bless Thee
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SAVOY CHAPEL

Appears in 88 hymnals Composer and/or Arranger: J. Baptiste Calkin Incipit: 55332 21114 43222 Used With Text: For all Thy care we bless Thee
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DAY OF RESURRECTION

Appears in 1 hymnal Composer and/or Arranger: George B. Nevin Incipit: 55671 32117 21566 Used With Text: For all thy care we bless thee

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For All Thy Care We Bless Thee

Author: Sarah Doudney Hymnal: The Cyber Hymnal #1427 Meter: 7.6.7.6 D Lyrics: 1. For all Thy care we bless Thee, O Father, God of might! For golden hours of morning, And quiet hours of night! Thine is the arm that shields us When danger threatens nigh, And Thine the hand that yields us Rich gifts of earth and sky. 2. For all Thy love we bless Thee; No mortal lips can speak Thy comfort to the weary, Thy pity for the weak: By Thee life’s path is brightened, With sunshine and with song, And heavy loads are lightened, The feeble hearts made strong. 3. For all Thy truth we bless Thee; Our human vows are frail, But through the strife of ages Thy Word can never fail; The kingdoms shall be broken, The mighty ones will fall, The promise Thou hast spoken Shall triumph over all. 4. O teach us how to praise Thee, And touch our lips with fire! Yea, let Thy Dove descending, Our hearts and minds inspire; Thus toiling, watching, singing, We tread our onward way, And every hour is bringing Nearer the dawn of day. Languages: English Tune Title: SAVOY CHAPEL
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For all Thy care we bless Thee

Author: S. Doudney Hymnal: Songs of Worship #95 (1887) Languages: English Tune Title: [For all Thy care we bless Thee]
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For All Thy Care We Bless Thee

Author: Sarah Doudney Hymnal: Life Songs No. 2 #277 (1938) Languages: English Tune Title: HOMELAND

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Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Composer of "HOMELAND" in A Hymnal for Joyous Youth Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Sarah Doudney

1841 - 1926 Author of "For all Thy care we bless Thee" in A Hymnal for Joyous Youth Doudney, Sarah, daughter of Mr. George E. Doudney, of Cosham, Hants, was born near Portsmouth, but removed into a remote village in Hampshire at an early age. Her first efforts in literature were made when she was quite young, her poem, "The Lessons of the Water-Mill," a popular song, especially in America, having been written when she was only fifteen. Known mainly to the reading public through her stories, A Woman's Glory, Stepping Stones, and others, and through her contributions to the Sunday Magazine, Good Words, and other serials, her works, including fiction, and sacred and secular poems, have been widely read and appreciated. Her sacred poems are the least numerous of her writings. Some of these, as, "The Master hath come, and He calls us to follow," and "Saviour, now the day is ending," for use at the close of Evening Service, and of more than usual merit, create the desire for more of a like kind. Greater use, however, may be made of what she has written than has been done. By being buried in magazine literature, her hymns are somewhat difficult to trace. Her Psalms of Life was published by Houlston in 1871. In the Sunday School Union Songs of Gladness, 1871, the following were given;— 1. He hath gone into His garden. The Vineyard of the Lord. 2. In Thy holy garden ground. The Vineyard of the Lord. 3. Land of peace, and love, and brightness. Heaven. 4. Saviour, now the day is ending. Sunday Evening. 5. The Master hath come, and He calls us to follow. Jesus and Mary of Bethany. 6. We praise our Lord to-day. Sunday. 7. We sing a loving Jesus. Praise of Jesus. Of these, Nos. 1, 2, 3, are in her Psalms of Life, 1871, and all have passed from the Songs of Gladness into other collections. Her:— 8. Room for the wanderer, room. Christ's Invitation. is in W. B. Stevenson's School Hymnal, 1880. -- John Julian, Dictionary of Hymnology (1907) ================== Doudney, Sarah, p. 307, i. Other hymns in common use:— 1. For all Thy care we bless Thee. Morning. 2. Lord of the golden harvest. Harvest. 3. Now the solemn shadows darken. Evening. Nos. 1, 2, are from Miss Doudney's Psalms of Life, 1871, and No. 3 is in Mrs. Brock's Children's Hymn Book, 1881. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Baptiste Calkin

1827 - 1905 Composer of "SAVOY CHAPEL" in The Cyber Hymnal John Baptiste Calkin United Kingdom 1827-1905. Born in London, he was reared in a musical atmosphere. Studying music under his father, and with three brothers, he became a composer, organist, and music teacher. At 19, he was appointed organist, precenter, and choirmaster at St. Columbia's College, Dublin, Ireland, 1846 to 1853. From 1853 to 1863 we was organist and choirmaster at Woburn Chapel, London. From 1863 to 1868, he was organist of Camden Road Chapel. From 1870 to 1884 he was organist at St. Thomas's Church, Camden Town. In 1883 he became professor at Guildhall School of Music and concentrated on teaching and composing. He was also a professor of music and on the council of Trinity College, London, and a member of the Philharmonic Society (1862). In 1893 he was a fellow of the College of Organists. John and wife, Victoire, had four sons, each following a musical carer. He wrote much music for organ and scored string arrangements, sonatas, duos, etc. He died at Hornsey Rise Gardens. John Perry
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