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Text Identifier:"^glory_be_to_god_on_high_and_on_earth$"

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Glory be to God on high

Appears in 262 hymnals First Line: Glory be to God on high, and on earth peace, good will towards men Topics: Musical Aids to Worship Used With Tune: [Glory be to God on high] Text Sources: Before 500, A.D.

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[Glory be to God on high]

Appears in 96 hymnals Tune Key: F Major Incipit: 17123 43221 Used With Text: Canticle of God's Glory
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GLORIA IN EXCELSIS

Appears in 44 hymnals Composer and/or Arranger: William Croft Incipit: 17653 21171 Used With Text: Glory be to God on high

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Glory be to God on high and on earth peace, goodwill toward men

Hymnal: The Praise Hymnal #312b (1908) Languages: English Tune Title: [Glory be to God on high and on earth peace, goodwill toward men]
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Glory be to God on high, And on earth peace, goodwill towards men

Hymnal: Carmina Sanctorum #C11 (1885) Languages: English Tune Title: [Glory be to God on high, And on earth peace, goodwill towards men]

Glory Be to God

Hymnal: Christian Hymnal #67 (1963) First Line: Glory be to God on high: and on earth peace, good will toward men Tune Title: [Glory be to God on high: and on earth peace, good will toward men]

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William Croft

1678 - 1727 Composer of "GLORIA IN EXCELSIS" in The Riverdale Hymn Book William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript. Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844

Anonymous

Person Name: Unknown Composer of "[Glory be to God on high, and on earth peace, good-will towards men]" in Melodies for Little People In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Winfred Douglas

1867 - 1944 Arranger and Harmonizer of "[Glory be to God on high]" in The Hymnal Charles Winfred Douglas (b. Oswego, NY, 1867; d. Santa Rosa, CA, 1944), an influential leader in Episcopalian liturgical and musical life. Educated at Syracuse University and St. Andrews Divinity School, Syracuse, New York, he moved to Colorado for his health. There he studied at St. Matthew's Hall, Denver, and founded the Mission of the Transfiguration in Evergreen (1897). Ordained a priest in the Episcopal Church in 1899, he also studied in France, Germany and England, where he spent time with the Benedictines of Solesmes on the Island of Wight from 1903 to 1906. For much of his life, Douglas served as director of music at the Community of St. Mary in Peekskill, New York, and had associations with cathedrals in Denver, Colorado, and Fond du Lac, Wisconsin. He promoted chanting and plainsong in the Episcopal Church through workshops and publications such as The American Psalter (1929), the Plainsong Psalter (1932), and the Monastic Diurnal (1932). His writings include program notes for the Denver Symphony Orchestra, various hymn preludes; organ, as well as the book, Church Music in History and Practice (1937). He was editor of both the Hymnal 1916 and its significant successor, Hymnal 1940, of the Episcopal Church. Douglas's other achievements include a thorough knowledge of the life and culture of Hopi and Navajo natives, among whom he lived for a number of years. Bert Polman
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