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Text Identifier:"^god_my_father_loving_me$"

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God my Father, loving me

Author: George Wallace Briggs Appears in 16 hymnals Topics: Home and Family Hymns for Children Used With Tune: INNOCENTS

Tunes

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INNOCENTS

Appears in 476 hymnals Tune Sources: The Parish Choir, 1850 Tune Key: E Major Incipit: 34517 65123 54323 Used With Text: God my Father, loving me
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VIENNA

Appears in 202 hymnals Composer and/or Arranger: Justin H. Knecht Tune Key: G Major or modal Incipit: 32135 43671 27654 Used With Text: God My Father, Loving Me
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PEACEFIELD

Meter: 7.7.7.7 Appears in 7 hymnals Tune Sources: Old Irish melody Tune Key: E Flat Major Incipit: 33453 32333 52113 Used With Text: God, my Father, loving me

Instances

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Published text-tune combinations (hymns) from specific hymnals

God My Father, Loving Me

Author: George W. Briggs, 1875- Hymnal: The Children's Hymnbook #166 (1962) Topics: Living For Jesus Languages: English Tune Title: VIENNA

God, My Father, Loving Me

Author: George W. Briggs, b. 1875 Hymnal: Worship and Service Hymnal #498 (1957) Topics: Special Subjects and Occasions Childhood Languages: English Tune Title: VIENNA

God, My Father, Loving Me

Author: George W. Briggs Hymnal: Youth Worship and Sing #6 (1959) First Line: God my Father, loving me Languages: English Tune Title: VIENNA

People

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Authors, composers, editors, etc.

G. W. Briggs

1875 - 1959 Person Name: George Wallace Briggs Author of "God my Father, loving me" in The Mennonite Hymnal George Wallace Briggs is a Canon of Worcester Cathedral and one of the most distinguished British hymn writers and hymnologists of today. Six of his hymns appear in the Episcopal Hymnal of 1940 (American). Another hymn on the Bible entitled "Word of the living God" was written for the 25th Anniversary of the British Bible Reading Fellowship and was sung in Westminster Abbey on June 5, 1947. It has been widely used since that time. Canon Briggs is a leading member of the Hymn Society of Great Britain and Ireland. He is also the composer of several hymn times, six of which have appeared in British hymnals. In addition to his work as a clergy man of the Church of England and an hymnologist, he has interest himself actively in the field of religious education, being largely responsible for two books with wide circulation in Britain, "Prayers and Hymns for used in Schools" and "The Daily Service." These books have had great influence on the worship practices of British schools, public and private. It is of historic interest that he is the author of one of the prayers used at the time of the famous meeting of Churchill and Roosevelt on H.M.S. Prince of Wales in 1941 when the Atlantic Charter was framed. --Ten New Hymns on the Bible, 1952. Used by permission.

Martin Shaw

1875 - 1958 Person Name: Martin Shaw 1875-1958 Composer of "GENTLE JESUS" in The Australian Hymn Book with Catholic Supplement Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music. Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915). Bert Polman

Justin Heinrich Knecht

1752 - 1817 Person Name: Justin H. Knecht, 1752-1817 Composer of "VIENNA" in Worship and Service Hymnal Justin Heinrich Knecht Germany 1752-1817. Born at Biberach Baden-Wurttemberg, Germany, he attended a Lutheran college in Esslingen am Neckar from 1768-1771. Having learned the organ, keyboard, violin and oratory, he became a Lutheran preceptor (professor of literature) and music director in Biberach. It was a free imperial city until 1803 and had a rich cultural life. He became organist of St. Martin’s Church in 1792, used by both Lutherans and Catholics, and was there for many years. He led an energetic, busy musical life, composing for both the theatre and church, organizing subscription concerts, teaching music theory, acoustics, aesthetics, composition, and instruments at the Gymnasium, affiliated to the Musikschule in 1806. He went to Stuttgart in 1806 in hopes of a post there as Kapellmeister, serving two years as Konzertmeister, but he was appointed Direktor Beim Orchester by the King of Wurttemberg in 1807. However, he returned to his former life in 1808 and remained there the rest of his life. He died at Biberach. He wrote 10 vocals, 11 opera and stage works, one symphony, 3 chamber music instrumentals, 7 organ works, 4 piano works, and 6 music theories. He was an author composer, editor, contributor, musician, compiler, and lyricist. John Perry
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