You help make Hymnary.org possible. More than 10 million people from 200+ countries found hymns, liturgical resources and encouragement on Hymnary.org in 2025, including you. Every visit affirms the global impact of this ministry.

If Hymnary has been meaningful to you this year, would you take a moment today to help sustain it? A gift of any size—paired with a note of encouragement if you wish—directly supports the server costs, research work and curation that keep this resource freely available to the world.

Give securely online today, or mail a check to:
Hymnary.org
Calvin University
3201 Burton Street SE
Grand Rapids, MI 49546

Thank you for your partnership, and may the hope of Advent fill your heart.

Search Results

Text Identifier:"^gracious_king_enthroned_above$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

Gracious King enthroned above

Author: John W. Wayland Appears in 3 hymnals

Tunes

tune icon
Tune authorities
Page scans

[Gracious King enthroned above]

Meter: 7.5.7.5.7.7.7.5 Appears in 2 hymnals Composer and/or Arranger: Benjamin C. Unseld Tune Key: G Major Incipit: 32156 15123 22321 Used With Text: Gracious King Enthroned Above

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

Gracious King Enthroned Above

Author: John W. Wayland Hymnal: The New Christian Hymnal #217 (1929) Meter: 7.5.7.5.7.7.7.5 Lyrics: 1. Gracious King enthroned above, I would come to Thee; Longing for Thy smile of love, Lord, I come to Thee. Help of all our helpless race, All our hope is in Thy grace; Show to me Thy smiling face-- Lord, I come to Thee. 2. In the merit of Thy Son, Lord, I come to Thee; Christ for me hast favor won-- Lord, I come to Thee. Let me now be reconciled, Though a wand'rer from the wild; O receive me as a child-- Lord, I come to Thee. 3. With the Spirit for my guide, Lord, I come to Thee; All myself in Thee to hide, Lord, I come to Thee. Cares unbidden fill my breast; Sorrow has my soul oppressed; Give a fainting pilgrim rest- Lord, I come to Thee. 4. Wash me in the cleansing flood-- Lord, I come to Thee; Make me white in Jesus' blood-- Lord, I come to Thee. Lord of love, bid sorrow cease; Source of joy, my joy increase; Father, fill my soul with peace, For I come to Thee. Topics: The Christian Life Repentance Languages: English Tune Title: [Gracious King enthroned above]
Page scan

Gracious King enthroned above

Author: J. W. Wayland Hymnal: The Brethren Hymnal #62 (1901) Languages: English Tune Title: LORD, I COME TO THEE

Gracious King enthroned above

Author: John W. Wayland Hymnal: Hymnal, Church of the Brethren #d122 (1925) Languages: English

People

person icon
Authors, composers, editors, etc.

B. C. Unseld

1843 - 1923 Person Name: Benjamin C. Unseld Composer of "[Gracious King enthroned above]" in The New Christian Hymnal Benjamin Carl Unseld, 1843-1923 Born: Oc­to­ber 18, 1843, Shep­herd­stown, West Vir­gin­ia. Died: No­vem­ber 19, 1923. Buried: Elm­wood Ceme­te­ry, Shep­herd­stown, West Vir­gin­ia. After leav­ing school at age 14, Un­seld worked as a clerk in a coun­try store. He re­ceived his first mu­sic­al in­struct­ion around age 15, from a com­pan­ion who had at­tend­ed a sing­ing school. He was shown the rep­re­sen­ta­tion of the scale in the old Car­mi­na Sac­ra, and had it sung for him. At the friend’s sug­gest­ion, he got per­mis­sion from his pas­tor to prac­tice on the church or­gan. Since both boys worked, their on­ly chance to prac­tice was af­ter the store closed at 9:00 p.m., and oc­casion­al­ly at noon­time. They went to the church to­ge­ther and took turns, one at the key­board and the other at the bel­lows. Shortly af­ter the Bat­tle of An­tie­tam in Sep­tem­ber 1862, some of which Un­seld wit­nessed, he left home and be­came a book­keep­er in the gen­er­al of­fic­es of a rail­road in Co­lum­bia, Penn­syl­van­ia. He sang in a choir, and gained fur­ther prac­tice read­ing mu­sic. He rent­ed a mel­o­de­on and spent much time in his room im­pro­vis­ing on it. He bought a co­py of Wood­bur­y’s Har­mo­ny and Mu­sic­al Com­po­si­tion, and stu­died it as well as he could with­out a teach­er. He ac­cept­ed an in­vi­ta­tion to play the or­gan in the lo­cal Meth­od­ist church, on the con­di­tion that he re­ceived the tunes ear­ly in the week so he could learn them. This was his first po­si­tion as an or­ga­nist. In the spring of 1866, he en­tered the Mu­sic­al In­sti­tute in Pro­vi­dence, Rhode Is­land, con­duct­ed by Eben Tour­jée (found­er of the New Eng­land Con­serv­a­to­ry in Bos­ton, Mass­a­chu­setts, and fa­ther of Liz­zie Tour­jée). There he stu­died voice, pi­a­no, or­gan, and har­mo­ny. Af­ter learn­ing of Un­seld’s bus­i­ness ex­per­i­ence, Dr. Tour­jée made him sec­re­ta­ry of the school; in 1867, Un­seld be­came the first sec­re­ta­ry of the New Eng­land Con­ser­va­to­ry. Starting in 1870, Un­seld at­tend­ed schools led by The­o­dore F. Sew­ard. There he met George Webb, Low­ell Mason, James Mc­Gran­a­han, Charles Case, and other not­a­bles in the mu­sic com­mun­i­ty. In 1874, Uns­eld taught at Fisk Un­i­ver­si­ty in Nash­ville, Ten­nes­see, and helped train Fisk’s Ju­bi­lee Sing­ers for their Eur­o­pe­an trip. In 1877 and 1878, he was or­gan­ist and choir mas­ter at St. James’ Epis­co­pal Church, Lan­cas­ter, Penn­syl­van­ia. In 1879, Un­seld moved to New York Ci­ty, and for 15 years taught, led choirs, com­posed and pub­lished. In New York, his mu­sic­al head­quar­ters was the pub­lish­ing house of Big­low & Main Com­pa­ny, where he was in al­most dai­ly con­tact with the pop­u­lar com­pos­ers and teach­ers of the day: Ira San­key, Ho­ra­tio Palm­er, Hu­bert Main, Ro­bert Low­ry, et al. In 1894, Un­seld moved to Cin­cin­na­ti, Ohio, and worked as an ed­it­or for the Fill­more Mu­sic House. In 1898, he moved to Day­ton, Ohio, and worked in a sim­i­lar ca­pa­ci­ty for the Lo­renz Pub­lishing Com­pa­ny. He moved back to New York Ci­ty in 1901, then to Ha­gers­town, Ma­ry­land in 1905. He and his wife Sal­lie were ap­par­ent­ly liv­ing in Ten­nes­see as of 1920. Un­seld’s works in­clude: The Chor­al Stan­dard (New York: Fill­more Bro­thers, 1895) Progress in Song, with E. T. Hil­de­brand (Cin­cin­na­ti, Ohio: The Fill­more Bro­thers Com­pa­ny) Unseld was in­duct­ed in­to the South­ern Gos­pel Mu­sic As­so­ci­a­tion Hall of Fame in 2004. Sources-- Hall, pp. 239-44 Music-- Ancyra Euphemia He Is Ris­en Hordville Make Haste! Meschach Twilight Is Fall­ing Unseld Wonderful Mess­age --www.hymntime.com/tch

John W. Wayland

Author of "Gracious King Enthroned Above" in The New Christian Hymnal
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.