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Text Identifier:"^hail_all_hail_the_joyful_morn$"

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Hail, All Hail The Joyful Morn!

Author: Harriet Auber Meter: 7.7.7.7 Appears in 32 hymnals Lyrics: 1 Hail, all hail the joyful morn! Tell it forth from earth to Heaven, That "to us a Child is born," That "to us a Son is given." 2 Angels bending from the sky, Chanted at the wondrous birth, "Glory be to God on high Peace, good-will to man on earth." 3 Him prophetic strains proclaim King of kings, the Incarnate Word; Great and wonderful His name, Prince of Peace, the Mighty God. 4 Join we then our feeble lays, To the chorus of the sky; And, in songs of grateful praise, Glory give to God on high. Used With Tune: GLEBE FIELD Text Sources: Spirit of the Psalms, 1829

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BACH

Appears in 230 hymnals Incipit: 13556 71725 76655 Used With Text: Hail, all hail the joyful morn
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HERALD ANGELS

Appears in 711 hymnals Composer and/or Arranger: Felix Mendelssohn-Bartholdy (1809-1847) Incipit: 51171 33255 54323 Used With Text: Hail, all hail the joyful morn!
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GLEBE

Appears in 42 hymnals Composer and/or Arranger: J. B. Dykes, (1823-1876) Incipit: 11123 44353 45622 Used With Text: Hail, All Hail the Joyful Morn!

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Hail, All Hail The Joyful Morn!

Author: Harriet Auber Hymnal: The Cyber Hymnal #10209 Meter: 7.7.7.7 Lyrics: 1 Hail, all hail the joyful morn! Tell it forth from earth to Heaven, That "to us a Child is born," That "to us a Son is given." 2 Angels bending from the sky, Chanted at the wondrous birth, "Glory be to God on high Peace, good-will to man on earth." 3 Him prophetic strains proclaim King of kings, the Incarnate Word; Great and wonderful His name, Prince of Peace, the Mighty God. 4 Join we then our feeble lays, To the chorus of the sky; And, in songs of grateful praise, Glory give to God on high. Languages: English Tune Title: GLEBE FIELD
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Hail, All Hail the Joyful Morn!

Author: H. Auber Hymnal: Standard Songs #23 (1905) Topics: Birth of Jesus—Christmas Languages: English Tune Title: GLEBE
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Hail, All Hail the Joyful Morn

Author: H. Auber Hymnal: Gloria Deo #701 (1901) First Line: Hail, all hail the joyful morn! Topics: Christmas Languages: English Tune Title: GLEBE

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Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Felix Mendelssohn-Bartholdy (1809-1847) Composer of "HERALD ANGELS" in Songs of Praise Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

Harriet Auber

1773 - 1862 Person Name: Miss Harriet Auber, 1773-1862 Author of "Hail, all hail the joyful morn!" in Songs of Praise Auber, Harriet, daughter of Mr. James Auber, b. in London, Oct. 4, 1773. During the greater part of her quiet and secluded life she resided at Broxbourne and Hoddesdon, Herts, and died at the latter place on the 20th Jan., 1862. Miss Auber wrote devotional and other poetry, but only a portion of the former was published in her Spirit of the Psalms, in 1829. This collection is mainly her work, and from it some useful versions of the Psalms have been taken and included in modern hymn-books, about 20 appearing in Spurgeon's Our Own Hymn Book, 1866. Miss Auber's name is widely known, but it is principally through her exquisite lyric, "Our blest Redeemer, ere He breathed," and the Epiphany hymn, "Bright was the guiding star that led." (For criticism of her work, see English Psalters, §. 17.) In addition to these and other hymns by Miss Auber, which are annotated under their respective first lines, the following are also in C. V., but principally in America:— 1.  Arise, ye people, and adore.   Easter. 2.  As Thy chosen people, Lord.   Ps. lxciii. 3.  Can guilty man indeed believe?   Ps. xciv. 4.  Delightful is the task to sing.   Ps. cxlvii. 5.  Father of Spirits, Nature's God.   Ps. cxxxi. 6.  Hail, gracious Source of every good.   Ps. Ixv. 7.  Hasten, Lord, the glorious time.   Ps. lxxii. 8.  Jehovah reigns, O earth, rejoice.   Ps. xccii. 9.  Join, all ye servants of the Lord.   H. Scriptures. 10.  Jesus, Lord, to Thee we sing.   Ps. cx. 11.  O all ye lands, rejoice in God.   Ps. lxvi. 12.  O God our Strength, to Thee the song.   Ps. lIxxxi. 13.  O praise our great and gracious Lord.   Ps. lxxviii. 14.  On thy church, O power divine.   Ps. lxvii. 15.  Sweet is the work, O Lord.   Sunday. 16.  That Thou, O Lord, art ever nigh.   Ps. lxxv. 17.  The Lord, Who hath redeemed our souls.   Ps. xxxi. 18.  When all bespeaks a Father's love.   Ps. set. 19.  When dangers press and fears invade.   Ps. lxii. 20.  Who, O Lord, when life is o'er.   Ps. xv. 21.  Whom have we   Lord,  in  heaven, but Thee.   Ps. lxxiii. 22.  Wide, ye heavenly gates, unfold.   Ascension. 23.  With hearts in love abounding.   Ps. xlv. 24.  With joy we hail the sacred day.   Sunday. 25.  Vainly through the night the ranger.   Ps. cxvii. All these psalm-versions and hymns are from her Spirit of the Psalms,   London, 1829. - John Julian, Dictionary of Hymnology (1907) ========================= Auber, Harriet, p. 90, ii. The following versions of psalms from her Spirit of the Psalms, 1829, are also in common use:- 1. Great God, wert Thou extreme to mark. Ps. cxxx. "Thy servants in the temple watched," begins with stanza ii. of this. 2. How blest are they who daily prove. Ps. xli. 3. How blest the children of the Lord. Altered from Ps. cxii. 4. Jehovah, great and awful name. Part of Ps. Ixxviii. 5. 0 Thou Whom heaven's bright host revere. Ps. Ixxxiv. 6. Praise the Lord, our mighty King. Ps. cxxxv. 7. Spirit of peace, Who as a [celestial] Dove. Ps. cxxxiii. 8. Thou by Whose strength the mountains stand. Ps. Ixv. 9. To heaven our longing eyes we raise. Ps. cxxi. 10. Vainly through night's weary hours. Ps. cxxvii. Sometimes "Vainly through the night the ranger." 11. While all the golden harps above. Easter. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in:Hymn Writers of the Church

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "GLEBE" in Gloria Deo As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
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