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Text Identifier:"^holy_spirit_come_to_us_kindle_in_us_the$"

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Holy Spirit, Come to Us

Appears in 7 hymnals First Line: Holy Spirit, come to us, Kindle in us the fire of your love

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TUI AMORIS IGNEM

Meter: Irregular Appears in 12 hymnals Composer and/or Arranger: Jacques Berthier Tune Key: e minor Incipit: 55551 27112 33434 Used With Text: Holy Spirit, Come to Us (Tui amoris ignem)

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Holy Spirit, Come to Us

Hymnal: Voices Together #58 (2020) Meter: Irregular Topics: Footwashing; Church; Footwashing; God Love of; Heritage Before 1500; Holy Spirit; Jesus Christ Teachings of; Love for Others; Pentecost; Praying Short Prayer Responses; Unity; Week of Prayer for Christian Unity Scripture: John 13:34-35 Tune Title: TUI AMORIS IGNEM

Veni Sancte Spiritus (Holy Spirit, come to us)

Author: Taizé Community Hymnal: More Voices #75 (2007) Topics: Confession, Lament, and Healing; Baptism; Christian Year Advent; Christian Year Lent; Discernment; Healing; Holy Spirit; Service Music Gathering Scripture: Luke 1:35 Languages: English; Latin Tune Title: [Veni Sancte Spiritus]
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Holy Spirit, Come to Us (Tui amoris ignem)

Author: Taizé Community Hymnal: Glory to God #284 (2013) Meter: Irregular First Line: Holy Spirit, come to us (Veni Sancte Spiritus) Topics: Gift of the Holy Spirit Scripture: Acts 2:1-4 Languages: English; Latin Tune Title: TUI AMORIS IGNEM

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Communauté de Taizé

Person Name: Taizé Community Author of "Holy Spirit, Come to Us (Tui amoris ignem)" in Glory to God

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Composer of "[Holy Spirit, come to us]" in Gather Comprehensive, Second Edition Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman