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Text Identifier:"^how_good_it_is_to_thank_you_lord$"

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Psalm 92

Meter: 8.6.8.6 Appears in 2 hymnals First Line: How good it is to thank you, Lord Topics: God Faithfulness of; Joy; Morning; Music and Song Scripture: Psalm 92:1-4 Used With Tune: ST. FULBERT Text Sources: Church Hymnary, Fourth Edition, 2005

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ST. FULBERT

Meter: 8.6.8.6 Appears in 143 hymnals Composer and/or Arranger: Henry John Gauntlett (1705-1876) Tune Key: D Major Incipit: 55126 54353 56171 Used With Text: Psalm 92

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Psalm 92

Hymnal: Church Hymnary (4th ed.) #56 (2005) Meter: 8.6.8.6 First Line: How good it is to thank you, Lord Topics: God Faithfulness of; Joy; Morning; Music and Song Scripture: Psalm 92:1-4 Languages: English Tune Title: ST. FULBERT

Psalm 92

Hymnal: Hymns of Glory, Songs of Praise #56 (2008) Meter: 8.6.8.6 First Line: How good it is to thank you, Lord Topics: God Faithfulness of; Joy; Morning; Music and Song Scripture: Psalm 92:1-4 Languages: English Tune Title: ST. FULBERT

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Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett (1705-1876) Composer of "ST. FULBERT" in Church Hymnary (4th ed.) Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman
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