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I Could Not Do Without
Author: F. R. Havergal Appears in 189 hymnals First Line: I could not do without Thee Lyrics: 1 I could not do without Thee,
O Saviour of the lost,
Whose wondrous love redeemed me,
At such tremendous cost;
Thy righteousness, Thy pardon,
Thy precious blood must be
My only hope and comfort,
My glory and my plea.
2 I could not do without Thee,
I cannot stand alone,
I have no strength or goodness,
No wisdom of my own;
But Thou, beloved Saviour,
Art all in all to me,
And weakness will be power
If leaning hard on Thee.
3 I could not do without Thee,
For, oh, the way is long,
And I am often weary,
And sigh replaces song:
How could I do without Thee?
I do not know the way;
Thou knowest, and Thou leadest,
And wilt not let me stray.
4 I could not do without Thee,
For years are fleeting fast,
And soon in solemn silence,
The river must be passed;
But Thou wilt never leave me,
And tho' the waves roll high,
I know Thou wilt be near me,
And whisper "It is I." Amen. Topics: Christ Christ Precious; Christ Christ Precious; Christ Christ Precious; Christ Christ Precious; Christ Christ Precious; Christ Christ Precious; Christ Christ Precious; Christ Christ Precious; Special Selections Choir or Quartet Used With Tune: UNION SQUARE
I Could Not Do Without
[I could not do without Thee]
Appears in 86 hymnals Composer and/or Arranger: Sigismond Thalberg Incipit: 55564 55333 57155 Used With Text: I Could not do Without Thee
[I could not do without Thee]
I Could Not Do Without Thee
Author: Frances R. Havergal Hymnal: Hymnal for Church and Home #232 (1927) Lyrics: 1 I could not do without Thee,
O Savior of the lost,
Whose wondrous love redeem'd me,
At such tremendous cost;
Thy righteousness, Thy pardon,
Thy precious blood must be
My only hope and comfort,
My glory and my plea.
2 I could not do without Thee,
I cannot stand alone,
I have no strength or goodness,
No wisdom of my own;
But Thou, beloved Savior,
Art all in all to me;
And weakness will be power
If leaning hard on Thee.
3 I could not do without Thee,
For, Oh, the way is long,
And I am often weary,
And sigh replaces song:
How could I do without Thee?
I do not know the way;
Thou knowest, and Thou leadest,
And wilt not let me stray.
4 I could not do without Thee,
O Jesus, Savior dear;
E’en when my eyes are holden,
I know that Thou art near.
How dreary and how lonely
This changeful life would be,
Without the sweet communion,
The secret rest with Thee!
5 I could not do without Thee,
For years are fleeting fast,
And soon in solemn loneliness
The river must be pass'd;
But Thou wilt never leave me,
And tho' the waves roll high,
I know Thou wilt be near me,
And whisper, "It is I." Topics: Following Christ Languages: English Tune Title: [I could not do without thee]
I Could Not Do Without Thee
I Could Not Do Without Thee
Author: Frances R. Havergal Hymnal: Hymnal for Church and Home (2nd ed.) #232 (1928) Lyrics: 1 I could not do without Thee,
O Savior of the lost,
Whose precious blood redeemed me;
At such tremendous cost;
Thy righteousness, Thy pardon,
Thy precious blood must be
My only hope and comfort,
My glory and my plea.
2 I could not do without Thee,
I cannot stand alone,
I have no strength or goodness,
No wisdom of my own;
But Thou, beloved Savior,
Art all in all to me,
And weakness will be power
If leaning hard on Thee.
3 I could not do without Thee,
For, oh, the way is long,
And I am often weary,
And sigh replaces song:
How could I do without Thee?
I do not know the way;
Thou knowest, and Thou leadest,
And wilt not let me stray.
4 I could not do without Thee,
O Jesus, Savior dear;
E’en when my eyes are holden,
I know that Thou art near.
How dreary and how lonely
This changeful life would be,
Without the sweet communion,
The secret rest with Thee!
5 I could not do without Thee,
For years are fleeting fast,
And soon in solemn loneliness
The river must be pass'd;
But Thou wilt never leave me,
And tho' the waves roll high,
I know Thou wilt be near me,
And whisper, "It is I." Topics: Following Christ Languages: English Tune Title: [I could not do without thee]
I Could Not Do Without Thee
I could not do without Thee
Author: Frances R. Havergal Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #603 (1894) Meter: 7.6 D Lyrics: 1 I could not do without Thee,
O Saviour of the lost,
Whose precious blood redeemed me
At such tremendous cost;
Thy righteousness, Thy pardon,
Thy precious blood, must be
My only hope and comfort,
My glory and my plea.
2 I could not do without Thee,
I cannot stand alone,
I have no strength or goodness,
No wisdom of my own;
But Thou, belovèd Saviour,
Art all in all to me,
And weakness will be power
If leaning hard on Thee.
3 I could not do without Thee,
For, oh, the way is long,
And I am often weary,
And sight replaces song;
How could I do without Thee?
I do not know the way;
Thou knowest, and Thou leadest,
And wilt not let me stray.
4 I could not do without Thee,
O Jesus, Saviour dear;
E'en when my eyes are holden,
I know that Thou art near.
How dreary and how lonely
This changeful life would be,
Without the sweet communion,
The secret rest with Thee!
5 I could not do without Thee;
No other friend can read
The spirit's strange deep longings,
Interpreting its need;
No human heart could enter
Each dim recess of mine,
And soothe, and hush, and calm it,
O blessèd Lord, but Thine.
6 I could not do without Thee,
For years are fleeting fast,
And soon in solemn loneliness
The river must be passed;
But Thou wilt never leave me,
And though the waves roll high,
I know Thou wilt be near me,
And whisper, "It is I."
Amen. Topics: Parochial Missions; Consecration; Humility Languages: English Tune Title: [I could not do without Thee]
I could not do without Thee
P. P. Bilhorn
1865 - 1936 Person Name: Bilhorn Author (4th verse) of "I Could Not Do Without Thee" in Hymns of the Second Coming of Our Lord Jesus Christ Pseudonyms: W. Ferris Britcher, Irene Durfee; C. Ferris Holden, P. H. Roblin (a anagram of his name)
================
Peter Philip Bilhorn was born, in Mendota, IL. His father died in the Civil War 3 months before he was born. His early life was not easy. At age 8, he had to leave school to help support the family. At age 15, living in Chicago, he had a great singing voice and sang in German beer gardens there. At this time, he and his brother also formed the Eureka Wagon & Carriage Works in Chicago, IL. At 18 Peter became involved in gospel music, studying under George F. Root and George C. Stebbins. He traveled to the Dakotas and spent some time sharing the gospel with cowboys there. He traveled extensively with D. L. Moody, and was Billy Sunday's song leader on evangelistic endeavors. His evangelistic work took him into all the states of the Union, Great Britain, and other foreign countries. In London he conducted a 4000 voice choir in the Crystal Palace, and Queen Victoria invited him to sing in Buckinghm Palace. He wrote some 2000 gospel songs in his lifetime. He also invented a folding portable telescoping pump organ, weighing 16 lbs. It could be set up in about a minute. He used it at revivals in the late 19th century. He founded the Bilhorn Folding Organ Company in Chicago. IL, and his organ was so popular it was sold all over the world. He edited 10 hymnals and published 11 gospel songbooks. He died in Los Angeles, CA, in 1936.
John Perry
P. P. Bilhorn
Johann Sebastian Bach
1685 - 1750 Person Name: J. S. Bach Composer of "PASSION CHORALE" in Songs for the Lord's House Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
Arthur Sullivan
1842 - 1900 Person Name: Sullivan Composer of "LUX MUNDI" in Fellowship Hymns Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
