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It Is Good to Sing Your Praises
Meter: 8.7.8.7 D Appears in 29 hymnals Lyrics: 1 It is good to sing your praises
and to thank you, O Most High,
showing forth your loving kindness
when the morning lights the sky.
It is good when night is falling
of your faithfulness to tell,
while with sweet, melodious praises
songs of adoration swell.
2 You have filled my heart with gladness
through the works your hands have wrought;
you have made my life victorious;
great your works and deep your thought.
You, O Lord, on high exalted,
reign forevermore in might;
all your enemies shall perish,
sin be banished from your sight.
3 But the good shall live before you,
planted in your dwelling place,
fruited trees and ever verdant,
nourished by your boundless grace.
In his goodness to the righteous
God his righteousness displays;
God, my rock, my strength and refuge,
just and true are all your ways. Topics: Biblical Names and Places Lebanon; Delight; Elements of Worship Call to Worship; Elements of Worship Gathering; Elements of Worship Praise and Adoration; God as Refuge; God as Deliverer; God's Sovereignty; God's Wonders; God's Faithfulness; Gratitude; Joy; Judgment; Life Stages Old Age; Musical Instruments; Ten Commandments 4th Commandment (remember the Sabbath); The Creation; Year B, Ordinary Time after Pentecost, June 12-18 (if after Trinity Sunday); Year C, Ordinary Time after Epiphany, 8th Sunday; Year C, Ordinary Time after Pentecost, May 24-28 (if after Trinity Sunday) Scripture: Psalm 92 Used With Tune: ELLESDIE Text Sources: Psalter, 1912
It Is Good to Sing Your Praises
HASTINGS-ON-HUDSON
Meter: 8.7.8.7 D Appears in 2 hymnals Composer and/or Arranger: Harold W. Friedell, 1905-1958 Tune Key: E Flat Major Incipit: 65533 2111 Used With Text: It Is Good to Sing Thy Praises
HASTINGS-ON-HUDSON
It Is Good to Sing Thy Praises
Author: Anonymous Hymnal: African Methodist Episcopal Church Hymnal #17 (2011) Meter: 8.7.8.7 D Lyrics: 1 It is good to sing Thy praises
And to thank Thee, O Most High,
Showing forth Thy loving-kindness
When the morning lights the sky.
It is good when night is falling
Of Thy faithfulness to tell,
While with sweet, melodious praises
Songs of adoration swell.
2 Thou hast filled my heart with gladness
Through the works Thy hands have wrought;
Thou hast made my life victorious,
Great Thy works and deep Thy thought.
Thou, O Lord, on high exalted,
Reignest evermore in might;
All Thine enemies shall perish,
Sin be banished from Thy sight.
3 But the good shall live before Thee,
Planted in Thy dwelling place,
Fruitful trees and ever verdant,
Nourished by Thy boundless grace.
In His goodness to the righteous
God His righteousness displays;
God, my rock, my strength and refuge,
Just and true are all His ways.
Amen.
Topics: Worship and Praise Adoration; Adoration; Peace Scripture: Psalm 138:2 Languages: English Tune Title: ELLESDIE
It Is Good to Sing Thy Praises
It Is Good to Sing Thy Praises
Hymnal: The Hymnbook #20 (1955) Meter: 8.7.8.7 D Lyrics: 1 It is good to sing Thy praises
And to thank Thee, O Most High,
Showing forth Thy loving-kindness
When the morning lights the sky.
It is good when night is falling
Of Thy faithfulness to tell,
While with sweet, melodious praises
Songs of adoration swell.
2 Thou hast filled my heart with gladness
Thro' the works Thy hands have wrought;
Thou hast made my life victorious,
Great Thy works and deep Thy thought.
Thou, O Lord, on high exalted,
Reignest evermore in might;
All Thy enemies shall perish,
Sin be banished from Thy sight.
3 But the good shall live before Thee,
Planted in Thy dwelling place,
Fruitful trees and ever verdant,
Nourished by Thy boundless grace.
In His goodness to the righteous
God His righteousness displays;
God my rock, my strength and refuge,
Just and true are all His ways.
Amen. Topics: Worship Adoration and Praise; Adoration and Praise; God Strength and Refuge; Victory Scripture: Psalm 92 Tune Title: ELLESDIE
It Is Good to Sing Thy Praises
It is Good to Sing Thy Praises
Hymnal: Psalter Hymnal (Red) #189 (1934) Meter: 8.7.8.7 D Lyrics: 1 It is good to sing Thy praises
And to thank Thee, O Most High,
Showing forth Thy loving-kindness
When the morning lights the sky.
It is good when night is falling
Of Thy faithfulness to tell,
While with sweet, melodious praises
Songs of adoration swell.
2 Thou hast filled my heart with gladness
Thro' the works Thy hands have wrought;
Thou hast made my life victorious,
Great Thy works and deep Thy thought.
Thou, O Lord, on high exalted,
Reignest evermore in might;
All Thy enemies shall perish,
Sin be banished from Thy sight.
3 But the good shall live before Thee,
Planted in Thy dwelling-place,
Fruitful trees and ever verdant,
Nourished by Thy boundless grace.
In His goodness to the righteous
God His righteousness displays;
God my rock, my strength and refuge,
Just and true are all His ways. Topics: Eternity of God; Morning; Music; Opening of Services; Praise for God's Perfections; Praise in Worship; Sabbath; Sanctification Scripture: Psalm 92 Languages: English Tune Title: ELLESDIE (DISCIPLE)
It is Good to Sing Thy Praises
Wolfgang Amadeus Mozart
1756 - 1791 Person Name: Wolfgang A. Mozart Composer of "ELLESDIE" in Hymns for the Family of God Wolfgang Amadeus Mozart Austria 1756-1791. Born at Salzburg, Austria, the son of Leopold Mozart, a minor composer and violinist, and youngest of seven children, he showed amazing ability on violin and keyboard from earliest childhood, even starting to compose music at age four when his father would play a piece and Mozart would play it exactly as did his father. At five, he composed some of his own music, which he played to his father, who wrote it down. When Mozart was eight, he wrote his first symphony, probably transcribed by his father. In his early years his father was his only teacher, teaching his children languages and academic subjects, as well as fundamentals of their strict Catholic faith. Some of his early compositions came as a surprise to his father, who eventually gave up composing himself when he realized how talented his son was. His family made several European journeys and he and his sister, Nanneri, performed as child prodigies, at the court of Prince-elector Maximillian II of Bavaria in Munich, and at the Imperial Courts in Vienna and Prague. A long concert tour followed, for 3.5 years, taking the family to courts in Munich, Mannheim, Paris, London, Dover, The Hague, Amsterdam, Utrecht, Mechelen, and again to Paris, and back home via Zurich, Donaueschingen, and Munich. During these trips Mozart met many musicians, acquainting himself with the works of other composers. He met Johann Christian Bach in London in 1764. Family trips were challenging, and travel conditions were primitive. They had to wait for invitations and reimbursements from nobility, and they endured long, near-fatal illnesses far from home. First Leopold (1764) got sick, then both children (1765). They traveled again to Vienna in 1767 and stayed there over a year. After a year back in Salzburg, Leopold and Wolfgang went to Italy (1769-1771), Leopold wished to display his son’s abilities as a performer and maturing composer. In Bologna, Italy, Wolfgang was accepted as a member of the famous Academia Filamonica. In Rome he heard Gregorio Allegri’s Miserere twice in performance. Back in the Sistine Chapel, Mozart wrote the whole performance out from memory, thus producing the first unauthorized copy of this closely guarded property of the Vatican. In the next few years Mozart wrote several operas performed with success in Italy, but his father’s hopes of securing a professional appointment for his son were not realized. At age 17 he was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. After returning to Salzburg, Mozart was employed as a court musician by the ruler of Salzburg, Prince Archbishop Hieronymus Colloredo. This gave Mozart ample opportunity to develop relationships with other musicians and his admirers, resulting in his development of new symphonies, sonatas, string quartets, masses, serenades, and some minor operas. In 1775 he wrote his only violin concertos, five in all. Again, he was discontent with work in Salzburg and traveled to find more opportunity to write operas. He and his father again visited Munich and Vienna, but neither visit was successful with the exception of his opera ‘La finta giardiniera’ in Munich. In 1777 he resigned his Salzburg position and went to Augsburg, Mannheim, Paris, and Munich again. In Mannheim he met and fell in love with Aloysia Weber, one of four daughters of a musical family. He could find no real employment there and left for Paris in 1778. He might have had a position as organist at Versailles, but he was not interested in that. He fell into debt and started pawning valuables. During these events his mother died. Meanwhile his father was still trying to find him a position in Salzburg. After checking out several other European cities and Munich, he again encountered Aloysia, but she was no longer interested in him, so he returned to Salzburg, having written another symphony, concerto, and piano sonata, and took the new appointment his father had found. However, he was still in discontent. Visiting Vienna in 1781, he was dismissed from his Salzburg position. He wrote another opera, ‘Idomeneo’, in 1781, that was successful in Munich. Two months later he was summoned to Vienna, where his employer, Archbishop Colloredo, wanted him around due to his notoriety. Mozart wished to meet the emperor and perform for him, and finally got that opportunity. It resulted in a part-time position and substantial commissions. Colloredo became a nemesis to Mozart’s career, finally releasing Mozart from his employ with a literal kick in the pants, much against his father’s wishes. However, he was now independent. Mozart then decided to settle in Vienna as a free lance performer and composer. He lived with the Fridolin Weber family, who had moved from Mannheim to Vienna. Fridolin, the father, had died, and they were taking in lodgers to make ends meet. His career there went well, and he performed as a pianist before the Emperor, establishing himself as the finest keyboard player in Vienna. He wrote another opera in 1782, again achieving success. Mozart had now become a prolific and influential composer of the Classical period and was known throughout Europe. Aloysia was now married to actor, Joseph Lange, and Mozart’s interest shifted to her sister, Constanze. In 1782 he married Constanze Weber Mozart Nissen. The marriage started out with a brief separation, and there was a problem getting Mozart’s father’s permission, which finally came. They had six children, but only two survived infancy: Carl and Franz. He lived in Vienna and achieved some notoriety, composing many of his best-known symphonies, concertos, and operas. In 1782-83 he became intimately acquainted with Johann Sebastian Bach and George Friederic Handel, as his friend, Gottfried van Swieten, owned many manuscripts of the Baroque masters, which Mozart studied intently. He altered his style of composition as a result. That year Mozart and his wife visited his father and sister, and he composed a liturgical piece, a Mass, with a singing part for his wife. He also met Joseph Hadyn in Vienna in 1784 and they became friends. They even played together in a string quartet from time to time. Mozart wrote six quartets dedicated to Hadyn. In 1785 Hadyn told Leopold Mozart, “Your son is the greatest composer known to me by person and repute, he has taste, and what is more, the greatest skill in composition”. Over the next several years Mozart booked several piano concertos in various places as a sole performer to delighted audiences, making substantial remuneration for his work. He and his wife then adopted a more luxurious lifestyle. They moved to an expensive apartment and he bought a fine fortepiano and billiard table. They sent their son, Karl, to an expensive boarding school and also kept servants. In 1784 Mozart became a Freemason and even composed Masonic music. Over the next several years he did little operatic writing and focused on his career as a piano soloist and writer of concertos. He again began operatic collaboration in 1785, creating ‘The marriage of Figaro’, then ‘Don Giovanni’ in 1787. That year his father died. Also that year he obtained a steady post under Emperor Joseph II as his chamber composer. This was part-time employment that was important when hard times arrived. However, Joseph aimed at keeping Mozart from leaving Vienna for better work. The Austrio-Turkish War made life difficult for musicians, and his aristocracy support had declined. He moved to save on expenses, but that did not help much, and he was reduced to borrowing funds from his friends, and pleading for loans. During this period he produced his last three symphonies. In 1789 he then set up on a journey to Leipzig, Dresden, and Berlin hoping to improve his fortunes. In 1790 he was highly productive, producing concertos, an opera, ‘The magic flute’, a series of string quintets, a motet, and an (unfinished) Requiem. Finances began to improve and he begin paying back his debts. Public reaction to his works also brought him great satisfaction. In 1791, while in Prague for the premiere of his opera, ‘La clemenza di Tito’, he fell ill. He continued professional functions for a short time, but had to go home and be nursed by his wife over the next couple of months. He died at Vienna, Austria, at the age of 35, a small thin man with undistinguishing characteristics. He was buried in a modest grave, having had a small funeral. Beethoven composed his early works in the shadow of Mozart, and Joseph Hadyn wrote “posterity will not see such a talent (as Mozart) again in 100 years”. 600+ works. Side note: Mozart enjoyed billiards, dancing, and had a pet canary, a starling, a dog, and a horse for recreational riding. He liked off-color humor. He wore elegant clothing when performing and had a modest tenor voice.
John Perry
Wolfgang Amadeus Mozart
Hubert P. Main
1839 - 1925 Arranger of "ELLESDIE" in The Hymnbook Hubert Platt Main DD USA 1839-1925. Born at Ridgefield, CT, he attended singing school as a teenager. In 1854 he went to New York City and worked as an errand boy in a wallpaper house. The next year he became an errand boy in the Bristow & Morse Piano Company. He was an organist, choir leader, and compiled books of music. He also helped his father edit the “Lute Songbook” by Isaac Woodbury. In 1866 he married Olphelia Louise Degraff, and they had two sons: Lucius, and Hubert. In 1867 he filled a position at William B Bradbury’s publishing house. After Bradbury’s death in 1868 the Bigelow & Main Publishers were formed as its successor. He also worked with his father until his father’s death in 1873. Contributors to their efforts were Fanny Crosby, Ira Sankey, Wilbur Crafts, and others. In addition to publishing, Main wrote 1000+ pieces of music, including part song, singing school songs, Sunday school music, hymns, anthems, etc. He also arranged music and collected music books. He 1891 he sold his collection of over 3500 volumes to the Newberry Library in Chicago, IL, where they were known as the Main Library. Some of his major publications include: “Book of Praise for the Sunday school” (1875), “Little pilgrim songs” (1884), “Hymns of Praise” (`1884), “Gems of song for the Sunday school” (1901), “Quartettes for men’s voices: Sacred & social selections” (1913). In 1922 Hope Publishing Company acquired Bigelow & Main. He was an editor, author, compiler, and composer, as well as publisher. He died in Newark, NJ.
John Perry
Hubert P. Main
