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Text Identifier:"^jesus_full_of_all_compassion$"

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Jesus, full of all compassion

Author: Daniel Turner Appears in 156 hymnals Lyrics: 1 Jesus, full of all compassion, Hear thy humble suppliant's cry; Let me know thy great salvation; See, I languish, faint and die; Guilty, but with heart relenting, Overwhelmed with helpless grief, Prostrate at thy feet repenting, Send, O send me quick relief! 2 Whither should my soul be flying But to him who comfort gives? Whither from the dread of dying But to him who ever lives? While I view thee, wounded, grieving, Breathless on the cursed tree, Fain I'd feel my heart believing Thou didst suffer thus for me. 3 With thy righteousness and Spirit I am more than angels blessed; Heir with thee, all things inherit, Peace and joy, and endless rest: Saved! the deed shall spread new glory Through the shining realms above; Angels sing the pleasing story, All enraptured with thy love. Topics: The Sinner Repentance and Acceptance Used With Tune: DEERHURST

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BARTIMAEUS

Meter: 8.7.8.7 Appears in 63 hymnals Composer and/or Arranger: Daniel Read Tune Key: E Flat Major Incipit: 12321 56716 53256 Used With Text: Jesus, Full of All Compassion
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DEERHURST

Meter: 8.7.8.7 D Appears in 74 hymnals Composer and/or Arranger: J. Langran (1835-1909) Tune Key: E Flat Major Incipit: 35317 12343 25765 Used With Text: Jesus, Full of All Compassion
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AUTUMN

Appears in 462 hymnals Incipit: 12321 65312 32352 Used With Text: Jesus, full of all compassion

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Jesus, Full of All Compassion

Author: Daniel Turner Hymnal: The Cyber Hymnal #3263 Meter: 8.7.8.7 First Line: Jesus, Jesus, full of all compassion Lyrics: 1. Jesus, Jesus, full of all compassion, Hear Thy humble suppliant’s cry; Let me know Thy great salvation, See, I languish, faint and die. 2. Guilty, but with heart relenting, Overwhelmed with helpless grief, Prostrate at Thy feet repining, Send, O send me quick relief. 3. Whither should a wretch be flying, But to Him who comfort gives? Whither, from the dread of dying, But to Him who ever lives? 4. While I view Thee, wounded, grieving, Breathless, on the cursèd tree, Fain, I’d feel my heart believing, That Thou sufferedst thus for me. 5. With Thy righteousness and Spirit, I am more than angels blest; Heir with Thee, all things inherit, Peace, and joy, and endless rest. 6. Saved! The deed shall spread new glory Through the shining realms above; Angels sing the pleasing story, All enraptured with Thy love. Languages: English Tune Title: BARTIMAEUS
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Jesus, Full of All Compassion

Hymnal: A Companion to the Canadian Sunday School Harp #43 (1899) Languages: English
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Jesus, Full of All Compassion

Author: Daniel Turner Hymnal: The Church Hymnal #237 (1941) Meter: 8.7.8.7 D Topics: The Gospel Repentance Languages: English Tune Title: DEERHURST

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I. B. Woodbury

1819 - 1858 Person Name: Isaac Beverly Woodbury (1819-1858) Composer of "DORRNANCE (Talmar)" in Songs of Praise Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins Composer of "WRAYSBURY" in Book of Worship with Hymns and Tunes Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Daniel Read

1757 - 1836 Composer of "BARTIMAEUS" in The Cyber Hymnal Daniel Read; b. 1757, Rehoboth, Mass.; d. 1837, New Haven, Conn.An American composer and a primary figure in early American classical music. He was one of the “Yankee Tunesmiths” (1st New England School of Music) when classical music was popular in Europe. Read was a private in Massachusetts militia and later a comb maker and owner of a general store in New Haven, CN. He was only the 3rd composer in the U. S. to put out a collection of his own music. His work, “The American Singing Book” went through 5 editions, making him the most popular composer in the nation. Others often plagarized his tunes in those days. Tunebook sales supplemented his general store income, including “The Columbian Harmonist” (3 volumnes) with 3 revisions, and “The New Haven Collection of Sacred Music” 1818. Read also published “The American Musical magazine” in 12 annual issues in 1786 and 1787. In later years he came to appreciate European music more and imitated that styling in devotional music. Some of Read's music is still being performed, and selections have been published in “The Sacred Harp”, 1991 Edition, and the “Stoughton Music Society” (Centennial Collection 1980). John Perry