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Text Identifier:"^jesus_stand_among_us_in_thy_risen_power$"✖

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Texts

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Jesus, Stand Among Us

Author: William Pennefather Meter: 6.5.6.5 Appears in 76 hymnals First Line: Jesus, stand among us In Thy risen power
Jesus, Stand Among Us

Tunes

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CASWALL

Appears in 178 hymnals Composer and/or Arranger: F. Filitz, 1804-1876 Tune Key: F Major Incipit: 33221 71122 35544 Used With Text: Jesus, stand among us
CASWALL
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NORTH COATES

Appears in 64 hymnals Composer and/or Arranger: T. R. Matthews, 1826-1910 Tune Key: G Major or modal Incipit: 55661 17716 51133 Used With Text: Jesus, stand among us
NORTH COATES
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GLENFINLAS

Appears in 38 hymnals Composer and/or Arranger: Kenneth G. Finlay, 1882- Tune Key: G Major Incipit: 51232 16512 35565 Used With Text: Jesus, Stand Among Us
GLENFINLAS

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Instances

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Published text-tune combinations (hymns) from specific hymnals
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Jesus, stand among us in thy risen power

Author: William Pennefather, 1816-1873 Hymnal: Complete Anglican Hymns Old and New #362 (2000) Meter: 6.5.6.5 First Line: Jesus, stand among us Lyrics: 1 Jesus, stand among us in thy risen pow'r; let this time of worship be a hallowed hour. 2 Breathe the Holy Spirit into ev'ry heart; bid the fears and sorrows from each soul depart. 3 Thus with quickened footsteps we'll pursue our way, watching for the dawning of eternal day. Topics: Easter; Funerals; Opening Hymn; Year A Easter Day; Year B Easter Day Scripture: John 20:11 Languages: English Tune Title: CASWALL
Jesus, stand among us in thy risen power

Jesus, stand among us in Thy risen power

Author: William Pennefather Hymnal: Songs of Fellowship #304a (1995) First Line: Jesus, stand among us Languages: English Tune Title: NORTH COATES
Jesus, stand among us in Thy risen power

Jesus, stand among us in Thy risen power

Author: William Pennefather Hymnal: Songs of Fellowship #304b (1995) First Line: Jesus, stand among us Languages: English Tune Title: QUIETUDE
Jesus, stand among us in Thy risen power

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People

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People

Anonymous

Person Name: Anon. Composer of "[Jesus, stand among us]" in Hymns of Consecration and Faith In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Composer of "ADSIS JESU" in The Church Hymnary William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman
William Henry Monk

Samuel Sebastian Wesley

1810 - 1876 Person Name: S. S. Wesley (1810-76) Composer of "PROVIDENCE" in A Missionary Hymn Book Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman
Samuel Sebastian Wesley

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