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Text Identifier:"^laudate_dominum_laudate_dominum$"

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Texts

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Sing, Praise, and Bless the Lord (Laudate Dominum)

Author: Taizé Community Meter: 6.6.8.6.6.8 Appears in 19 hymnals Topics: Adoration; Praise Scripture: Psalm 117:1 Used With Tune: LAUDATE DOMINUM (Taizé)

Tunes

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LAUDATE DOMINUM (Taizé)

Meter: 6.6.8.6.6.8 Appears in 32 hymnals Composer and/or Arranger: Jacques Berthier Tune Key: a minor Incipit: 11176 71112 12332 Used With Text: Sing, Praise, and Bless the Lord (Laudate Dominum)

Instances

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Published text-tune combinations (hymns) from specific hymnals

Laudate Dominum

Author: Taizé Community Hymnal: Worship (3rd ed.) #519 (1986) Topics: Faithfulness of God; Life; Love of God for Us; Mercy; Praise; Universe; World Scripture: Psalm 117 Languages: English Tune Title: [Laudate Dominum, laudate Dominum]
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Sing, Praise, and Bless the Lord (Laudate Dominum)

Author: Taizé Community Hymnal: Glory to God #635 (2013) Meter: 6.6.8.6.6.8 Topics: Adoration; Praise Scripture: Psalm 117:1 Languages: English; Latin Tune Title: LAUDATE DOMINUM (Taizé)

Laudate Dominum (Sing praise, and bless the Lord) (Alabad al Señor)

Author: Taizé Community Hymnal: Global Praise 2 #12 (2000) First Line: Laudate Dominum Topics: Songs for Worship Praise and Thanksgiving Languages: English; Latin; Spanish Tune Title: [Laudate Dominum]

People

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Authors, composers, editors, etc.

Communauté de Taizé

Person Name: Taizé Community Author of "Laudate Dominum" in Worship (3rd ed.)

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, b. 1923 Composer of "[Laudate Dominum, laudate Dominum]" in Worship (3rd ed.) Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman
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