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Text Identifier:"^lord_from_whose_hand_we_take_our_charge$"

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Tunes

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ST. CATHERINE

Appears in 813 hymnals Composer and/or Arranger: Henri F. Hemy, 1818-1888; J. G. Walton, 1821-1905 Tune Key: G Major Incipit: 32117 12671 17651 Used With Text: Lord, from whose hand we take our charge
Audio

MELITA

Meter: 8.8.8.8.8.8 Appears in 514 hymnals Composer and/or Arranger: John Bacchus Dykes, 1823 - 1876 Tune Key: C Major Incipit: 13355 66551 27554 Used With Text: Lord, from Whose hand

Instances

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Published text-tune combinations (hymns) from specific hymnals

Lord, from whose hand we take our charge

Hymnal: Songs of Praise #346 (1926) Meter: 8.8.8.8.8.8

Lord, from whose hand we take our charge

Author: W. Charter Piggott, 1872- Hymnal: The Hymnal #479 (1956) Topics: Children; Faith; Freedom; Home; Stewardship; Truth; Wisdom, God's, Man's; Works; The Kingdom of God on Earth Home, Marriage, Parents Scripture: Hebrews 12:5-6 Tune Title: ST. CATHERINE

Lord, from Whose hand

Author: W. Charter Piggott, 1872-1943 Hymnal: The Book of Praise #367 (1972) Meter: 8.8.8.8.8.8 First Line: Lord, from Whose hand we take our charge Topics: The Church Pastors and Teachers Languages: English Tune Title: MELITA

People

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Authors, composers, editors, etc.

Henri F. Hemy

1818 - 1888 Person Name: Henri F. Hemy, 1818-1888 Composer of "ST. CATHERINE" in The Hymnal Henri F. Hemy, born in the United Kingdom. Hemy spent time at sea as a young man, emigrating to Australia in 1850 with his family. Unable to make a decent living in Melbourne, he returned to Newcastle England. He was organist at St. Andrews Roman Catholic Church in Newcastle, later teaching professor of music at Tynemouth and at St. Cuthbert's College in Durham. He was pianist to Lord Ravensworth, Music Director of Ushaw College, and his orchestra played at fashionable venues in the region. He sang baritone as well. He composed waltzes, polkas, quadrilles, and galops. 3 music works: Easy Hymn Tunes for Catholic Schools; Royal Modern Tutor for Pianoforte; Crown of Jesus. He was active in local politics and published a manifesto in the daily newspaper. He lost a ward election. He also painted artwork. He set most of Longfellow's works to music. John Perry

John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes, 1823 - 1876 Composer of "MELITA" in The Book of Praise As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

James G. Walton

1821 - 1905 Person Name: J. G. Walton, 1821-1905 Composer of "ST. CATHERINE" in The Hymnal Born: Feb­ru­a­ry 19, 1821, Clith­er­oe, Lan­ca­shire, Eng­land. Died: Sep­tem­ber 1, 1905, Brad­ford, New York. Little is known of Wal­ton’s life. His works in­clude: Plain Song Mu­sic for the Ho­ly Com­mun­ion Of­fice, 1874 (ed­it­or) Music: ST. CATHERINE --www.hymntime.com/tch
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