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Text Identifier:"^o_changeless_christ_for_ever_new$"

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O Changeless Christ

Author: Timothy Dudley-Smith Meter: 8.6.8.6 Appears in 6 hymnals First Line: O changeless Christ, for ever new

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WILTSHIRE

Meter: 8.6.8.6 Appears in 143 hymnals Composer and/or Arranger: George Thomas Smart (1776-1867) Tune Key: A Major Incipit: 53511 71432 23555 Used With Text: O changeless Christ, for ever new
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WESTMINSTER

Meter: 8.6.8.6 Appears in 97 hymnals Composer and/or Arranger: James Turle; Norman Warren Tune Key: B Flat Major Incipit: 35511 76553 71255 Used With Text: O Changeless Christ
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BEULAH

Appears in 19 hymnals Composer and/or Arranger: G. M. Garrett (1834-1897) Tune Key: E Flat Major Incipit: 32315 45357 6532 Used With Text: O changeless Christ, for ever new

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Published text-tune combinations (hymns) from specific hymnals

O changeless Christ, for ever new

Author: Timothy Dudley-Smith (born 1926) Hymnal: Hymns for Today's Church (2nd ed.) #108 (1987) Topics: God, Saviour Growing, Teaching, Serving; Epiphany 6, Revelation Parables; Christ the Teacher; Pentecost 3 The Church's Confidence in Christ; Last Sunday after Pentecost Citizens of Heaven Languages: English Tune Title: BEULAH
Text

O changeless Christ, for ever new

Author: Timothy Dudley-Smith, 1926- Hymnal: Together in Song #254 (1999) Meter: 8.6.8.6 Lyrics: 1 O changeless Christ, for ever new, who walked our earthly ways, still draw our hearts as once you drew the hearts of other days. 2 As once you spoke by plain and hill or taught by shore and sea, so be today our teacher still, O Christ of Galilee. 3 As wind and storm their Master heard and his command fulfilled, may troubled hearts receive your word, the tempest-tossed be stilled. 4 And as of old to all who prayed your healing hand was shown, so be your touch upon us laid, unseen but not unknown. 5 In broken bread, in wine outpoured, your new and living way proclaim to us, O risen Lord, O Christ of this our day. 6 O changeless Christ, till life is past your blessing still be given; then bring us home, to taste at last the timeless joys of heaven. Topics: Eternal Life; Eucharist; Jesus Christ Earthly life; Jesus Christ Redeemer Scripture: Hebrews 13:8 Languages: English Tune Title: ST BOTOLPH
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O Changeless Christ

Author: Timothy Dudley-Smith Hymnal: Voices United #350 (1996) Meter: 8.6.8.6 First Line: O changeless Christ, for ever new Lyrics: 1 O changeless Christ, for ever new, who walked our earthly ways, still draw our hearts as once you drew the hearts of other days. 2 As once you spoke by plain and hill or taught by shore and sea, so be today our teacher still, O Christ of Galilee. 3 As wind and storm their master heard and his command fulfilled, may troubled hearts receive your word, the tempest-tossed be stilled. 4 And as of old who prayed your healing hand was shown, so be your touch upon us laid, unseen but not unknown. 5 In broken bread, in wine outpoured, your new and living way proclaim to us, O risen Lord, O Christ of this our day. 6 O changeless Christ, till life is past your blessing still be given; then bring us home, to taste at last the timeless joys of heaven. Topics: Jesus Christ Life and Teachings; Healing; Heaven(s)/Paradise; Jesus Christ Life and Ministry; Jesus Christ Master; Jesus Christ Miracles; Jesus Christ Physician; Jesus Christ Teacher/Teachings; Peace (Inner, Calmness, Serenity; Proper 12 Year C Tune Title: WESTMINSTER

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Timothy Dudley-Smith

1926 - 2024 Person Name: Timothy Dudley-Smith (b. 1926) Author of "O changeless Christ, for ever new" in Ancient and Modern Timothy Dudley-Smith (b. 1926) Educated at Pembroke College and Ridley Hall, Cambridge, Dudley-Smith has served the Church of England since his ordination in 1950. He has occupied a number of church posi­tions, including parish priest in the diocese of Southwark (1953-1962), archdeacon of Norwich (1973-1981), and bishop of Thetford, Norfolk, from 1981 until his retirement in 1992. He also edited a Christian magazine, Crusade, which was founded after Billy Graham's 1955 London crusade. Dudley-Smith began writing comic verse while a student at Cambridge; he did not begin to write hymns until the 1960s. Many of his several hundred hymn texts have been collected in Lift Every Heart: Collected Hymns 1961-1983 (1984), Songs of Deliverance: Thirty-six New Hymns (1988), and A Voice of Singing (1993). The writer of Christian Literature and the Church (1963), Someone Who Beckons (1978), and Praying with the English Hymn Writers (1989), Dudley-Smith has also served on various editorial committees, including the committee that published Psalm Praise (1973). Bert Polman

Norman Warren

1934 - 2019 Composer (descant) of "WESTMINSTER" in Voices United

James Turle

1802 - 1882 Composer of "WESTMINSTER" in Voices United TURLE, JAMES (1802–1882), organist and composer, son of James Turle, an amateur 'cello-player, was born at Taunton, Somerset, on 5 March 1802. From July 1810 to December 1813 he was a chorister at Wells Cathedral under Dodd Perkins, the organist. At the age of eleven he came to London, and was articled to John Jeremiah Goss, but he was largely self-taught. He had an excellent voice and frequently sang in public. John Goss [q. v.], his master's nephew, was his fellow student, and thus the future organists of St. Paul's Cathedral and Westminster Abbey were pupils together. Turle was organist of Christ Church, Surrey (Blackfriars Road), 1819–1829, and of St. James's, Bermondsey, 1829–31. His connection with Westminster Abbey began in 1817, when he was only fifteen. He was at first pupil of and assistant to G. E. Williams, and subsequently deputy to Thomas Greatorex [q. v.], Williams's successor as organist of the abbey. On the death of Greatorex on 18 July 1831, Turle was appointed organist and master of the choristers, an office which he held for a period of fifty-one years. Turle played at several of the great musical festivals, e.g. Birmingham and Norwich, under Mendelssohn and Spohr, but all his interests were centred in Westminster Abbey. His playing at the Handel festival in 1834 attracted special attention. At his own request the dean and chapter relieved him of the active duties of his post on 26 Sept. 1875, when his service in D was sung, and Dr. (now Professor Sir John Frederick) Bridge, the present organist, became permanent deputy-organist. Turle continued to hold the titular appointment till his death, which took place at his house in the Cloisters on 28 June 1882. The dean offered a burial-place within the precincts of the abbey, but he was interred by his own express wish beside his wife in Norwood cemetery. A memorial window, in which are portraits of Turle and his wife, was placed in the north aisle of the abbey by one of his sons, and a memorial tablet has been affixed to the wall of the west cloister. Turle married, in 1823, Mary, daughter of Andrew Honey, of the exchequer office. She died in 1869, leaving nine children. Henry Frederic Turle [q. v.] was his fourth son. His younger brother Robert was for many years organist of Armagh Cathedral. Turle was an able organist of the old school, which treated the organ as essentially a legato instrument. He favoured full ‘rolling’ chords, which had a remarkable effect on the vast reverberating space of the abbey. He had a large hand, and his ‘peculiar grip’ of the instrument was a noticeable feature of his playing. His accompaniments were largely traditional of all that was best in his distinguished predecessors, and he greatly excelled in his extemporaneous introductions to the anthems. Like Goss, he possessed great facility in reading from a ‘figured bass.’ Of the many choristers who passed through his hands, one of the most distinguished is Mr. Edward Lloyd, the eminent tenor singer. His compositions include services, anthems, chants, and hymn-tunes. Several glees remain in manuscript. In conjunction with Professor Edward Taylor [q. v.] he edited ‘The People's Music Book’ (1844), and ‘Psalms and Hymns’ (S. P. C. K. 1862). His hymn-tunes were collected by his daughter, Miss S. A. Turle, and published in one volume (1885). One of these, ‘Westminster,’ formerly named ‘Birmingham,’ has become widely known, and is very characteristic of its composer. --en.wikisource.org/
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