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Invitatory Psalm: Psalm 95
Appears in 12 hymnals First Line: O come and sing to God, the Lord Lyrics: 1 O come and sing to God, the Lord,
To him our voices raise;
Let us in our most joyful songs,
The Lord, our Savior, praise.
2 Before his presence let us come
With praise and thankful voice;
Let us sing psalms to him with joy,
With grateful hearts rejoice.
3 He is a great and mighty king,
Above all gods his throne;
The depths of earth are in his hand,
The mountains are his own.
4 To him the spacious sea belongs,
He made its waves and tides;
And by his hand the rising land
Was formed and still abides.
5 O come, and bowing down to him
Our worship let us bring;
Yes, let us kneel before the Lord,
Our Maker and our King. Topics: Gathering; Joy; Music Ministry; Power of God; Praise; Service Music for Mass Entrance Song (Gathering of Processional); Morning Prayer Invitatory Psalm; Morning Prayer Hymn Scripture: Psalm 95:1-6 Used With Tune: [O come and sing to God, the Lord] Text Sources: The Psalter, 1912, alt.
Invitatory Psalm: Psalm 95
ST. PETER (Reinagle)
Meter: 8.6.8.6 Appears in 758 hymnals Composer and/or Arranger: Alexander Robert Reinagle Tune Key: E Flat Major Incipit: 51765 54332 14323 Used With Text: O Come and Sing to God, the Lord
ST. PETER (Reinagle)
[O come and sing to God, the Lord]
Appears in 2 hymnals Composer and/or Arranger: Michael Joncas, b. 1951 Tune Key: G Major or modal Incipit: 51711 75676 62122 Used With Text: Invitatory Psalm: Psalm 95
[O come and sing to God, the Lord]
O Come and to Jehovah Sing
Hymnal: Psalter Hymnal (Red) #195 (1934) Meter: 8.6.8.6 Lyrics: 1 O come and to Jehovah sing,
To Him our voices raise;
Let us in our most joyful songs
The Lord our Savior praise,
The Lord our Savior praise.
2 Before His presence let us come
With praise and thankful voice;
Let us sing psalms to Him with grace,
With grateful hearts rejoice,
With grateful hearts rejoice.
3 Jehovah is a mighty King,
Above all gods His throne;
The depths of earth are in His hand,
The mountains are His own,
The mountains are His own.
4 To Him the spacious sea belongs,
He made its waves and tides;
And by His hand the rising land
Was formed and still abides,
Was formed and still abides.
5 O come, and bowing down to Him,
Our worship let us bring;
Yea, let us kneel before the Lord,
Our Maker and our King,
Our Maker and our King. Topics: Creation; Joy; Opening of Services; Praise for God's Perfections; Praise for God's Works; Praise in Worship Languages: English Tune Title: CHOPIN
O Come and to Jehovah Sing
O Come and to Jehovah Sing
Author: Anonymous Hymnal: The Cyber Hymnal #4721 Meter: 8.6.8.6 Lyrics: 1. O Come and to Jehovah sing,
To Him our voices raise;
Let us in our most joyful songs
The Lord our Savior praise,
The Lord our Savior praise.
2. Before His presence let us come
With praise and thankful voice;
Let us sing psalms to Him with grace,
With grateful hearts rejoice,
With grateful hearts rejoice.
3. Jehovah is a mighty King,
Above all gods His throne;
The depths of earth are in His hand,
The mountains are His own,
The mountains are His own.
4. To Him the spacious sea belongs,
He made its waves and tides;
And by His hand the rising land
Was formed, and still abides,
Was formed, and still abides.
5. O come, and bowing down to Him
Our worship let us bring;
Yea, let us kneel before the Lord,
Our maker and our king,
Our maker and our king. Languages: English Tune Title: CHOPIN
O Come and to Jehovah Sing
O Come and to Jehovah Sing
Hymnal: Psalter Hymnal (Blue) #185 (1976) Meter: 8.6.8.6 Topics: Praise To God, Jesus Christ; Worship; Opening Of The Service Scripture: Psalm 95 Languages: English Tune Title: CHOPIN
O Come and to Jehovah Sing
Anonymous
Author of "O Come and Sing to God, the Lord" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Alexander Robert Reinagle
1799 - 1877 Composer of "ST. PETER (Reinagle)" in The Cyber Hymnal Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington.
John Perry
Alexander Robert Reinagle
I. B. Woodbury
1819 - 1858 Person Name: Isaac Baker Woodbury Composer of "CHOPIN" in Psalter Hymnal (Blue) Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris.
He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina.
He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857.
--Leonard Ellinwood, DNAH Archives
I. B. Woodbury
