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O come, loud anthems let us sing
Meter: 8.8.8.8 Appears in 259 hymnals Topics: National Days; Processionals General; Thanksgiving and Harvest Used With Tune: PARK STREET Text Sources: Tate and Brady
O come, loud anthems let us sing
OLD HUNDRED
Meter: 8.8.8.8 Appears in 2,086 hymnals Incipit: 11765 12333 32143 Used With Text: O come, loud anthems let us sing
OLD HUNDRED
HERR JESU CHRIST
Meter: 8.8.8.8 Appears in 220 hymnals Composer and/or Arranger: Anonymous Tune Sources: Cantionale Germanicum (Dresden, Germany: 1628) Tune Key: F Major Incipit: 13532 34565 32117 Used With Text: O Come, Loud Anthems Let Us Sing
HERR JESU CHRIST
[O come, loud anthems let us sing]
Meter: 8.8.8.8 Appears in 321 hymnals Composer and/or Arranger: Venua Tune Key: G Major Incipit: 11112 32171 33334 Used With Text: O come, loud anthems let us sing
[O come, loud anthems let us sing]
O come, loud anthems let us sing
Author: N. Tate; N. Brady Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #472 (1894) Meter: 8.8.8.8 Lyrics: 1 O come, loud anthems let us sing,
Loud thanks to our almighty King,
And high our grateful voices raise,
As our salvation's Rock we praise,
As our salvation's Rock we praise,
2 Into his presence let us haste
To thank Him for his favors past;
To Him address in joyful songs,
The praise that to His Name belongs,
The praise that to His Name belongs.
3 For God the Lord, enthroned in state,
Is with unrivaled glory, great;
The depths of earth are in His hand,
Her secret wealth at His command,
Her secret wealth at His command,.
4 Oh, let us to His courts repair,
And bow with adoration there:
Low on our knees with reverence fall,
And on the Lord our Maker call,
And on the Lord our Maker call.
Amen. Languages: English Tune Title: [O come, loud anthems let us sing]
O come, loud anthems let us sing
O come, loud Anthems let us sing
Hymnal: The Psalms of David #XCV (1767) Lyrics: 1 O come, loud Anthems let us sing,
Loud Thanks to our Almighty King:
For we our Voices high should raise,
When our Salvation's Rock we praise.
2 Into his Presence let us haste
To thank him for his Favours past;
To him address in joyful Songs,
The Praise that to his Name belongs.
3 For GOD the LORD, enthron'd in State,
Is with unrivaled Glory great;
A King superior far to all,
Whom Gods the Heathen falsely call.
4 The Depths of Earth are in his Hand,
Her secret Wealth at his Command;
The Strength of Hills that threat the Skies,
Subjected to his Empire lies.
5 The rolling Ocean's vast Abyss
By the same sov'reign Right is his:
'Tis mov'd by his Almighty Hand,
That form'd and fix'd the solid Land.
6 O let us to his Courts repair,
And bow with Adoration there:
Down on our Knees devoutly, all,
Before the LORD our Maker fall.
7 For he's our GOD, our Shepherd he,
His Flock and Pasture Sheep are we;
If then you'll (like his Flock) draw near,
To Day if you his Voice will hear.
8 Let not your harden'd Hearts renew,
Your Fathers' Crimes and Judgments too;
Nor here provoke my Wrath, as they,
In desart Plains of Meribah.
9 When thro' the Wilderness they mov'd,
And me with fresh Temptations prov'd,
They still, thro' Unbelief, rebell'd,
While they my wond'rous Works beheld.
10 They forty Years my Patience griev'd,
Tho' daily I their Wants reliev'd:
Then--'Tis a faithless Race, I said,
Whose Hearts from me have always stray'd;
11 They ne'er will tread my righteous Path,
Therefore to them in settled Wrath,
Since they despis'd my Rest, I sware,
That they should never enter there. Topics: Description of Fear and Service of the Lord; Songs of Praise to God his Majesty and Attributes Scripture: Psalm 95 Languages: English Tune Title: [O come, loud Anthems let us sing]
O come, loud Anthems let us sing
O Come, Loud Anthems Let Us Sing
Hymnal: The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America #18 (1940) Refrain First Line: Great is the Lord! what tongue can frame Tune Title: [O come, loud anthems let us sing]
O Come, Loud Anthems Let Us Sing
Anonymous
Composer of "HERR JESU CHRIST" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
John Warrington Hatton
1710 - 1793 Person Name: John Hatton Composer of "DUKE STREET" in Many Voices; or, Carmina Sanctorum, Evangelistic Edition with Tunes John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident.
Bert Polman
John Warrington Hatton
J. W. Elliott
1833 - 1915 Composer of "CHURCH TRIUMPHANT" in Church Hymnal J.W. Elliott was a popular composer of the Victorian period, and is best known for his nursery rhyme music and for his work on hymnals in the 1870s. He was born James William Elliott, in Warwick, England, on February 13, 1833. As a child, he sang as a chorister in the Leamington Parish Church. In those days, choristers were given lessons in all facets of church music, including organ lessons, counterpoint studies, and more in exchange for providing an extraordinary level of service to their parish church (services throughout the week, all holidays, extra services, etc.). The result is that most choristers who completed their studies received an excellent music education, and James was no exception. After starting his career as an organist and choirmaster for a countryside church, his talent became obvious. He moved to London, where he assisted Sir Arthur Sullivan (of Gilbert and Sullivan fame) in editing Church Hymns. In addition, James worked for a music publisher.
His compositions include two operettas, numerous anthems, service music, works for instruments including the very popular harmonium, and most particularly for Nursery Rhymes and Nursery Songs, his children’s music score that sets many of the Nursery Rhymes to delightful music. Several of his hymn tunes are still in use today in many hymnals, most notably his hymn tune “Day of Rest.” He was heavily involved in the preparation of the musical edition of Church Hymns in 1874, the Choral Service Book of 1892, and transcriptions of hymn tunes using harmonies different than the traditional ones found in hymnals. He died in St. Marylebone, London, on February 5, 1915.
--www.nursery-songs.com/
J. W. Elliott
