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Text Identifier:"^o_lord_to_thee_i_cry_thou_art_my_rock_an$"

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O Lord, to Thee I cry

Meter: 6.6.8.6 Appears in 28 hymnals Scripture: Psalm 28:1-2 Used With Tune: SCOTT Text Sources: United Presbyterian Book of Psalms, U.S.A., 1871

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WIRKSWORTH

Meter: 6.6.8.6 Appears in 62 hymnals Tune Sources: Adapted from James Green's Psalm Tunes, London, 1724. Based on a harmonization by S.S. Wesley, 1810 - 1876. Tune Key: f minor Incipit: 15432 15765 45321 Used With Text: O Lord, to Thee I cry

OWEN

Meter: 6.6.8.6 Appears in 1 hymnal Composer and/or Arranger: Adrian Hartog Tune Key: G Major Incipit: 33134 54133 432 Used With Text: O Lord, to Thee I Cry
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WOOD

Meter: 6.6.8.6 Appears in 3 hymnals Composer and/or Arranger: Darius E. Jones Tune Key: F Major Incipit: 32161 23531 23212 Used With Text: Invocation and Confident Petition

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O Lord, to Thee I Cry

Hymnal: Psalter Hymnal (Red) #55 (1934) Meter: 6.6.8.6 Lyrics: 1 O Lord, to Thee I cry; Thou art my rock and trust; O be not silent, lest I die And slumber in the dust, O be not silent, lest I die And slumber in the dust. 2 O hear me when in prayer Thy favor I entreat; Hear, while I lift imploring hands Before Thy mercy-seat, Hear, while I lift imploring hands Before Thy mercy-seat. 3 O let me have no part With those that hate the right; For as their works, so their reward: Jehovah will requite, For as their works, so their reward: Jehovah will requite. 4 But blessed be the Lord Who hearkens when I cry; The Lord, my strength, my help, my shield, On Him will I rely, The Lord, my strength, my help, my shield, On Him will I rely. 5 His help makes glad my heart, And songs of praise I sing; Jehovah is His people's strength, The stronghold of their king, Jehovah is His people's strength, The stronghold of their king. 6 Bless Thy inheritance, Our Savior, be, I pray; Supply Thou all Thy people's need, And be their constant stay Supply Thou all Thy people's need, And be their constant stay. Topics: God the Hearer of Prayer; Prayer; God or Christ as Rock; Trust Scripture: Psalm 28 Languages: English Tune Title: SELVIN

O Lord, to thee I cry, Thou art my rock and trust

Author: C. U. Link Hymnal: The Pathway of Praise No. 1 #d93 (1904)

O Lord, to thee I cry, Thou art my rock and trust

Author: C. U. Link Hymnal: Songs for Young and Old #d103 (1927)

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Ludwig van Beethoven

1770 - 1827 Person Name: Beethoven Composer of "[O Lord, to thee I cry]" in Bible Songs A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Chas. H. Gabriel

1856 - 1932 Composer of "[O Lord, to Thee I cry]" in Bible Songs No. 4 Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

James McGranahan

1840 - 1907 Composer of "O LORD, TO THEE I CRY" in Bible Songs James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry
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