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Text Identifier:"^oriente_ni_occidente_hay$"

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Oriente ni Occidente Hay

Author: John Oxenham, 1852-1941; J. R. de Balloch Appears in 8 hymnals First Line: Oriente ni occidente hay Topics: Hermandad Used With Tune: MCKEE

Tunes

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ST. PETER

Appears in 731 hymnals Composer and/or Arranger: Alexander R. Reinagle Incipit: 51765 54332 14323 Used With Text: Oriente Ni Occidente
Audio

MCKEE

Meter: 8.6.8.6 Appears in 112 hymnals Composer and/or Arranger: Harry T. Burleigh Tune Sources: Melodía folclórica norteamericana Incipit: 15555 77656 11511 Used With Text: Ni oriente ni occidente

Instances

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Published text-tune combinations (hymns) from specific hymnals

Oriente ni Occidente Hay

Author: John Oxenham, 1852-1941; J. R. de Balloch Hymnal: Himnos de Vida y Luz #277 (1990) First Line: Oriente ni occidente hay Topics: Hermandad Languages: Spanish Tune Title: MCKEE

En Cristo no hay oriente ni occidente

Author: Juanita Rodríguez de Balloch (1894-1959); William Arthur Dunkerley (1852-1941) Hymnal: Praise y Adoración #342b (2016) First Line: Oriente ni occidente hay Topics: Humanidad Languages: Spanish

Oriente ni Occidente Hay en Cristo

Author: John Oxenham, 1852-1941; J. R. de Balloch, 1894-1959 Hymnal: Himnario Metodista #350 (1973) Languages: Spanish Tune Title: ST. PETER

People

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Authors, composers, editors, etc.

John Oxenham

1852 - 1941 Person Name: John Oxenham, 1852-1941 Author of "Oriente ni Occidente Hay en Cristo" in Cántico Nuevo John Oxenham is a pseudonym for William Arthur Dunkerley, and is used as the name authority by the Library of Congress.

Alexander Robert Reinagle

1799 - 1877 Person Name: Alexander R. Reinagle, 1799-1877 Composer of "ST. PETER" in Cántico Nuevo Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry

H. T. Burleigh

1866 - 1949 Person Name: Harry T. Burleigh, 1866-1949 Adapter of "MCKEE" in Himnos de Vida y Luz Harry T. Burleigh (b. Erie, PA, 1866; d. Stamford, CT, 1949) began his musical career as a choirboy in St. Paul's Cathedral, Erie, Pennsylvania. He also studied at the National Conservatory of Music, New York City, where he was befriended by Antonín Dvořák and, according to tradition, provided Dvořák with some African American musical themes that became part of Dvořák's New World Symphony. Burleigh composed at least two hundred works but is most remem­bered for his vocal solo arrangements of African American spirituals. In 1944 Burleigh was honored as a Fellow of the Hymn Society in the United States and Canada. Bert Polman
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