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Full Salvation
Author: Louise M. Rouse Appears in 76 hymnals First Line: Precious Savior, thou hast saved me Refrain First Line: Glory, glory, Jesus saves me Used With Tune: [Precious Savior, thou hast saved me]
Full Salvation
[Precious Saviour, Thou hast sav'd me]
Appears in 41 hymnals Composer and/or Arranger: Miss Dora Boole Incipit: 51334 33113 27672 Used With Text: Full Salvation
[Precious Saviour, Thou hast sav'd me]
[Precious Savior, Thou hast saved me]
Appears in 10 hymnals Composer and/or Arranger: S. H. Prather Incipit: 32132 11616 55671 Used With Text: Glory, Glory, Jesus Saves Me
[Precious Savior, Thou hast saved me]
ST. AMBROSE
Meter: 8.7.8.7 D Appears in 4 hymnals Composer and/or Arranger: Richard Cecil Incipit: 56517 12123 21765 Used With Text: Glory to the Lamb!
ST. AMBROSE
Full Salvation
Author: Louise M. Rouse Hymnal: Great Gospel Songs #159 (1929) First Line: Precious Savior, Thou hast saved me Refrain First Line: Glory, glory, Jesus saves me Lyrics: 1 Precious Savior, Thou hast saved me;
Thine, and only Thine I am;
Oh! the cleansing blood has reached me!
Glory, glory, to the Lamb!
Refrain:
Glory, glory, Jesus saves me,
Glory, glory to the Lamb!
Oh! the cleansing blood has reached me!
Glory, glory, to the Lamb!
2 Long my yearning heart was trying
To enjoy this perfect rest;
But I gave all trying over;
Simply trusting, I was blest. [Refrain]
3 Trusting, trusting ev’ry moment;
Feeling now the blood applied;
Lying at the cleansing fountain;
Dwelling in my Savior’s side. [Refrain]
4 Consecrated to thy service,
I will live and die to thee;
I will witness to thy glory
Of salvation full and free. [Refrain]
5 Yes, I will stand up for Jesus;
He has sweetly saved my soul,
Cleansed me from inbred corruption,
Sanctified, and made me whole. [Refrain] Languages: English Tune Title: [Precious Savior, Thou hast saved me]
Full Salvation
Glory, Glory, Jesus Saves Me
Author: Dora Boole Hymnal: Soul Inspiring Songs #198 (1929) First Line: Precious Saviour, Thou hast saved me Lyrics: 1 Precious Saviour, Thou hast saved me;
Thine, and only Thine I am;
Oh, the cleansing blood has reached me!
Glory, glory, to the Lamb!
Refrain:
Glory, glory, Jesus saves me!
Glory, glory to the Lamb!
Oh, the cleansing blood has reached me,
Glory, glory, to the Lamb.
2 Long my yearning heart was trying
To enjoy this perfect rest;
But I gave all trying over;
Simply trusting, I was blest. [Refrain]
3 Trusting, trusting ev’ry moment;
Feeling now the blood applied;
Lying at the cleansing fountain;
Dwelling in my Saviour’s side. [Refrain]
4 Consecrated to Thy service,
I will live and die for Thee;
I will witness to Thy glory
Of salvation full and free. [Refrain]
5 Yes, I will stand up for Jesus;
He has sweetly saved my soul,
Cleansed me from inbred corruption,
Sanctified and me whole. [Refrain]
6 Glory to the blood that bought me,
Glory for its cleansing pow’r!
Glory to the blood that keeps me,
Glory, glory, evermore! [Refrain] Languages: English Tune Title: [Precious Savior, Thou hast saved me]
Glory, Glory, Jesus Saves Me
Glory, Glory, Jesus Saves Me
Author: Louise M. Rouse Hymnal: Burning Bush Songs No. 1 #42 (1902) First Line: Precious Savior, Thou hast saved me Scripture: Revelation 5:12 Languages: English Tune Title: [Precious Savior, Thou hast saved me]
Glory, Glory, Jesus Saves Me
Louisa M. R. Stead
1850 - 1917 Person Name: Louise M. Rouse Author of "Full Salvation" in Beulah Songs Louisa (Louise) Maria Rouse Stead Wodehouse
b. Dover, Kent, 1 February 1846 [registered Louisa Maria Rouse, but often known as Louise]
d. Penkridge, Southern Rhodesia, 18 January 1917
She grew up in England, in Kent and Sussex, becoming governess to a family in Lyminge, Kent, before emigrating to America, c. 1871. While living in Cincinnati, Ohio, she attended a camp meeting in Urbana, Ohio, and wrote her first hymn, ‘Precious Saviour, thou hast saved me’, which was published in Winnowed Hymns, 1873, with music by Dora Boole. In September 1873 she married George Stead, of Hempstead, Long Island, at St Paul Methodist Episcopal Church, Cincinnati, and moved to Hempstead. Her verses, ‘Saved from the power and the bondage of sin’ were published in The Advocate of Christian Holiness, August 1875. She was apparently in England from April to July 1876, with their infant daughter, Louise, when her husband drowned in Hempstead Bay in May 1876, while saving the life of his little boy (a son from his previous marriage). In 1880, she was still living in Hempstead with Louise (aged 5), but shortly afterwards went to South Africa, where she married Robert Wodehouse in Port Elizabeth in January 1882. Her best known-hymn, ‘Tis so sweet to trust in Jesus’, with music by William J. Kirkpatrick, was published in Songs of Triumph, 1882. They served as missionaries in Africa for about 15 years, before returning to Long Island, USA, where he was pastor of the Methodist Episcopal Church at East Meadow for several years. They returned to Africa in January 1901, to work in Umtali, Rhodesia. After retiring in 1911, she lived near Mutambara mission station, fifty miles from Umtali. Her daughter Louise (sometimes known as Lillie), followed her mother to Africa, where she married the Rev. David A. Carson, and was able to care for her mother in her later years.
Gordon Taylor (research for Companion to the 2015 Song Book of the Salvation Army)
Louisa M. R. Stead
W. Howard Doane
1832 - 1915 Person Name: W. H. Doane Composer of "[Precious Saviour, Thou hast saved me]" in Notes of Gladness An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks.
Bert Polman
============
Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
===================
Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:—
(1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c.
His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c.
- John Julian, Dictionary of Hymnology (1907)
W. Howard Doane
R. Cecil
1748 - 1810 Person Name: Richard Cecil Composer of "ST. AMBROSE" in Redemption Songs Cecil, Richard, M.A., born in London, Nov. 8, 1748, and educated at Queen's Coll., Oxford. Ordained deacon in 1776, and priest in 1777. He became the Vicar of two churches near Lewes shortly after; chaplain of St. John's Chapel, Bedford Row, London, 1780; and Vicar of Chobham and Bisley, 1800. He died in 1810. His poem:—
Cease here longer to detain me. Desiring Heaven. In 9 stanzas of 4 lines, is supposed to be addressed by a dying infant to his mother. It was written for his wife on the death of a child “only one month old, being removed at daybreak, whose countenance at the time of departure was most heavenly." It was first published in Mrs. Cecil's Memoir of him, prefixed to his Remains, 1811, and is headed “Let me go, for the day breaketh." In the American hymn-books it is usually abbreviated, as in the Plymouth Collection, 1855, and others. [William T. Brooke]
--John Julian, Dictionary of Hymnology (1907)
R. Cecil
