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Text Identifier:"^purer_yet_and_purer_i_would_be_in_mind$"

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Purer yet and purer I would be in mind

Author: Johann Wolfgang von Goethe Appears in 231 hymnals Topics: The Christian Life Aspiration and Prayer Used With Tune: LYNDHURST

Tunes

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GOETHE

Meter: 6.5.6.5 D Appears in 110 hymnals Composer and/or Arranger: Anonymous Tune Key: A Flat Major Incipit: 56711 75565 56713 Used With Text: Purer Yet and Purer
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[MARY MAGDALENE]

Meter: 6.5.6.5 D Appears in 86 hymnals Composer and/or Arranger: John B. Dykes Tune Key: F Major Incipit: 11234 33321 71123 Used With Text: Purer yet and purer
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PENITENCE

Appears in 302 hymnals Composer and/or Arranger: S. Lane (1843-1903) Incipit: 33436 51352 13343 Used With Text: Purer yet and purer

Instances

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Purer yet and purer

Author: Anon. Hymnal: Joyful Lays #81 (1884) First Line: Purer yet and purer I would be in mind Lyrics: 1 Purer yet and purer I would be in mind, Dearer yet and dearer Every duty find; Hoping still, and trusting God without a fear, Patiently believing He will make all clear. 2 Calmer yet and calmer Trial bear and pain, Surer yet and surer Peace at last to gain; Suffering still and doing, To his will resigned, And to God subduing Heart and will and mind. 3 Quicker yet and quicker Ever onward press, Firmer yet and firmer Step as I progress; Higher yet and higher Out of clouds and night, Nearer yet and nearer, Rising to the light. Scripture: Romans 8:29 Languages: English Tune Title: [Purer yet and purer I would be in mind]
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Purer Yet, and Purer

Author: Anon. Hymnal: Young People's Songs of Praise #149 (1902) First Line: Purer yet and purer, I would be in mind Topics: Submission Scripture: Matthew 5:8 Tune Title: [Purer yet and purer, I would be in mind]
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Purer Yet and Purer

Author: Unknown Hymnal: Popular Hymns Number 2 #71 (1901) First Line: Purer yet and purer, I would be in mind Languages: English Tune Title: [Purer yet and purer, I would be in mind]

People

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Anonymous

Author of "Purer yet and purer" in The Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "[MARY MAGDALENE]" in The Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

S. J. Vail

1818 - 1884 Composer of "LYNDHURST" in Great Songs of the Church In his youth Silas Jones Vail learned the hatter's trade at Danbury, Ct. While still a young man, he went to New York and took employment in the fashionable hat store of William H. Beebe. Later he established himself in business as a hatter at 118 Fulton Street, where he was for many years successful. But the conditions of trade changed, and he could not change with them. After his failure in 1869 or 1870 he devoted his entire time and attention to music. He was the writer of much popular music for use in churches and Sunday schools. Pieces of music entitled "Scatter Seeds of Kindness," "Gates Ajar," "Close to Thee," "We Shall Sleep, but not Forever," and "Nothing but Leaves" were known to all church attendants twenty years ago. Fanny Crosby, the blind authoress, wrote expressly for him many of the verses he set to music. --Vail, Henry H. (Henry Hobart). Genealogy of some of the Vail family descended from Jeremiah Vail at Salem, Mass., 1639, p. 234.
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