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Text Identifier:"^si_al_cruel_enemigo_temes_combatir_si_la$"

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La Luz De Dios

Author: Desconocido Appears in 7 hymnals First Line: Si al cruel enemigo temes combatir Refrain First Line: Deja penetrar la luz Scripture: John 1:5 Used With Tune: [Si al cruel enemigo temes combatir]

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[Si al cruel enemigo temes combatir]

Appears in 98 hymnals Composer and/or Arranger: Charles H. Gabriel Tune Key: A Flat Major Incipit: 53322 11677 75443 Used With Text: Deja Penetrar La Luz

Instances

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Published text-tune combinations (hymns) from specific hymnals

La Luz De Dios

Author: Desconocido Hymnal: Himnos de Gloria #134 (1949) First Line: Si al cruel enemigo temes combatir Refrain First Line: Deja penetrar la luz Scripture: John 1:5 Languages: Spanish Tune Title: [Si al cruel enemigo temes combatir]

La Luz De Dios

Author: Desconocido Hymnal: Himnos de Gloria #134 (1970) First Line: Si al cruel enemigo temes combatir Refrain First Line: Deja penetrar la luz Scripture: John 1:5 Languages: Spanish Tune Title: [Si al cruel enemigo temes combatir]
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La Luz De Dios

Author: Desconocido Hymnal: Himnos de Gloria #134 (1921) First Line: Si al cruel enemigo temes combatir Refrain First Line: Deja penetrar la luz Scripture: John 1:5 Languages: Spanish Tune Title: [Si al cruel enemigo temes combatir]

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Anonymous

Person Name: Desconocido Author of "La Luz De Dios" in Himnos de Gloria In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Chas. H. Gabriel

1856 - 1932 Composer of "[Si al cruel enemigo temes combatir]" in Himnos de Gloria Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman
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