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Responsive Sentences
Appears in 30 hymnals First Line: The Lord be with you: And with thy spirit Used With Tune: [The Lord be with you: And with thy spirit]
Responsive Sentences
[The Lord be with you]
Appears in 3 hymnals Tune Key: F Major Incipit: 12312 32212 3212 Used With Text: The Lord be with you
[The Lord be with you]
[The Lord be with you]
Appears in 4 hymnals Tune Key: F Major Incipit: 33333 3 Used With Text: The Lord be with you
[The Lord be with you]
[The Lord be with you]
Appears in 1 hymnal Composer and/or Arranger: John Merbecke; Arthur Hutchings Tune Key: E Flat Major Used With Text: The Sursum Corda
[The Lord be with you]
The Lord Be With You
Hymnal: Inter-Church Hymnal #466 (1930) First Line: The Lord be with you, and with thy spirit Languages: English Tune Title: [The Lord be with you, and with thy spirit]
The Lord Be With You
The Lord be with you. And with thy spirit
Hymnal: Hymns of the Christian Life #530 (1925) Languages: English Tune Title: [The Lord be with you. And with thy spirit]
The Lord be with you. And with thy spirit
The Lord be with you. And with thy spirit
Hymnal: Services for Congregational Worship. The New Hymn and Tune Book #554a (1914) Languages: English Tune Title: THE LORD BE WITH YOU
The Lord be with you. And with thy spirit
Thomas Tallis
1505 - 1585 Person Name: Thomas Tallis, d. 1585 Composer of "[The Lord be with you]" in Pilgrim Hymnal Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
Healey Willan
1880 - 1968 Person Name: Healey Willan, 1880-1968 Arranger of "[The Lord be with you]" in Common Praise (1998) Healey Willan (b. Balham, London, England, October 12, 1880; d. Toronto, Ontario, February 16, 1968), theory teacher, composer and organist, was born into an Anglo-Catholic family in England and served several churches in the London area, becoming known especially for his adaptations of Gregorian chant to be able to be sung in English translation. In 1913 he moved to Canada where he led the theory department and was organist at the Toronto Conservatory of Music. He also was organist at St. Paul’s, Canada’s largest Anglican church, and after 1921 at the smaller Church of St. Mary Magdalene. By invitation, he composed an anthem for the coronation of Queen Elizabeth II, a singular honor for one not residing in England.
Emily Brink
Healey Willan
Martin Shaw
1875 - 1958 Person Name: Martin Edward Fallas Shaw, 1875-1958 Composer of "[The Lord be with you]" in New English Praise Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music.
Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915).
Bert Polman
Martin Shaw
