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The Lord my pasture shall prepare
Author: Joseph Addison Appears in 559 hymnals Lyrics: 1 The Lord my pasture shall prepare,
And feed me with a shepherd’s care;
His presence shall my wants supply,
And guard me with a watchful eye;
My noon-day walks He shall attend
And all my midnight hours defend.
2 Though in the paths of death I tread,
With gloomy horrors overspread,
My steadfast heart shall fear no ill,
For Thou, O Lord, art with me still;
Thy friendly crook shall give me aid,
And guide me through the dreadful shade. Topics: The Catechism Works and Attributes of God; Second Sunday after Easter; Fifteenth Sunday after Trinity Used With Tune: ST. CATHERINE
The Lord my pasture shall prepare
ST. CATHERINE
Appears in 786 hymnals Composer and/or Arranger: Henry Frederick Hemy; J. G. Walton Tune Key: G Major Incipit: 32117 12671 17651 Used With Text: The Lord My Pasture Shall Prepare
ST. CATHERINE
PATER OMNIUM
Meter: 8.8.8.8.8.8 Appears in 89 hymnals Composer and/or Arranger: Henry J. E. Holmes Tune Key: F Major Incipit: 12354 21234 36511 Used With Text: The Lord my pasture shall prepare
PATER OMNIUM
The Lord my Pasture Shall Prepare
Hymnal: Union Hymnal #S9 (1897) Tune Title: [The Lord my pasture shall prepare]
The Lord my Pasture Shall Prepare
The Lord My Pasture Shall Prepare
Author: Joseph Addison Hymnal: Christian Hymns #315 (1935) Lyrics: 1 The Lord my pasture shall prepare,
And feed me with a shepherd's care;
His presence shall my wants supply,
And guard me with a watchful eye;
My noonday walks He shall attend,
And all my midnight hours defend.
2 When in the sultry glebe I faint,
Or on the thirsty mountain pant,
To fertile vales and dewy meads
My weary, wand'ring steps He leads;
Where peaceful rivers, soft and slow,
Amid the verdant landscape flow.
3 Tho' in the paths of death I tread,
With gloomy horrors overspread,
My steadfast heart shall feel no ill,
For Thou, O Lord, art with me still;
Thy friendly crooks shall give me aid,
And guide me through the dismal shade. Languages: English Tune Title: [The Lord my pasture shall prepare]
The Lord My Pasture Shall Prepare
The Lord my pasture shall prepare
Author: Jos. Addison Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #659 (1894) Lyrics: 1 The Lord my pasture shall prepare,
And feed me with a shepherd's care;
His presence shall my wants supply,
And guard me with a watchful eye;
My noonday steps he shall attend,
And all my midnight hours defend.
2 When in the sultry glebe I faint,
Or on the thirsty mountain pant,
To fertile vales and dewy meads,
My weary, wandering steps He leads,
Where peaceful rivers, soft and slow,
Amid the verdant landscape flow.
3 Though in the paths of death I tread,
With gloomy horrors overspread,
My steadfast heart shall fear no ill,
For Thou, O Lord, art with me still;
Thy friendly crook shall give me aid,
And guide me through the dreadful shade.
Amen. Topics: Home and Personal Use Languages: English Tune Title: [The Lord my pasture shall prepare]
The Lord my pasture shall prepare
Joseph Addison
1672 - 1719 Author of "The Lord my pasture shall prepare" in The Hymnal Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time.
i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :—
1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:—
"David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.)
2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:—
“I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum)
Then follows the hymn:—"When all Thy mercies, 0 my God."
3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:—
“For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum
Joseph Addison
Joseph Haydn
1732 - 1809 Person Name: Fr. Jos. Haydn Composer of "BROWNELL" in The National Hymn Book of the American Churches Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music.
Bert Polman
Joseph Haydn
Henri F. Hemy
1818 - 1888 Person Name: Henry Frederick Hemy Composer of "ST. CATHERINE" in Evangelical Lutheran hymnal Henri F. Hemy, born in the United Kingdom. Hemy spent time at sea as a young man, emigrating to Australia in 1850 with his family. Unable to make a decent living in Melbourne, he returned to Newcastle England. He was organist at St. Andrews Roman Catholic Church in Newcastle, later teaching professor of music at Tynemouth and at St. Cuthbert's College in Durham. He was pianist to Lord Ravensworth, Music Director of Ushaw College, and his orchestra played at fashionable venues in the region. He sang baritone as well. He composed waltzes, polkas, quadrilles, and galops. 3 music works: Easy Hymn Tunes for Catholic Schools; Royal Modern Tutor for Pianoforte; Crown of Jesus. He was active in local politics and published a manifesto in the daily newspaper. He lost a ward election. He also painted artwork. He set most of Longfellow's works to music.
John Perry
Henri F. Hemy
