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Text Identifier:"^the_night_is_come_like_to_the_day$"

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The night is come like to the day

Author: Sir Thomas Browne (cento), 1605-82 Appears in 11 hymnals Used With Tune: CHATHAM

Tunes

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OAKLEY

Appears in 5 hymnals Composer and/or Arranger: R. Vaughan Williams Incipit: 13454 34517 3454 Used With Text: The night is come like to the day

CHATHAM

Appears in 1 hymnal Composer and/or Arranger: P. W. Whitlock Incipit: 12343 66655 17632 Used With Text: The night is come like to the day
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COLCHESTER

Appears in 23 hymnals Composer and/or Arranger: Samuel Sebastian Wesley (1810-1876) Incipit: 35142 17151 76254 Used With Text: The night is come, like to the day

Instances

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Published text-tune combinations (hymns) from specific hymnals

The night is come like to the day

Hymnal: The Oxford Hymn Book #31 (1925) Meter: 8.8.8.8.8.8 Languages: English
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The night is come, like to the day

Author: Thomas Browne (1605-1682) Hymnal: The Oxford Hymn Book #31 (1920) Languages: English Tune Title: COLCHESTER

The night is come like to the day

Author: Sir Thomas Browne (cento), 1605-82 Hymnal: Songs of Praise #41a (1925) Languages: English Tune Title: OAKLEY

People

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Authors, composers, editors, etc.

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley (1810-1876) Composer of "COLCHESTER" in The Oxford Hymn Book Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: R. Vaughan Williams, 1872-1958 Composer of "OAKLEY" in The Cambridge Hymnal Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Josiah Booth

1852 - 1930 Person Name: J. Booth Composer of "PENIEL" in Worship Song Josiah Booth (27 March 1852 – 29 December 1929) was an English organist and composer, known chiefly for his hymn-tunes. See also in: Wikipedia
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