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Text Identifier:"^there_is_a_little_lonely_fold$"

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There is a little, lonely fold

Author: Anon. Appears in 34 hymnals Used With Tune: [There is a little, lonely fold]

Tunes

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AZMON

Appears in 1,096 hymnals Composer and/or Arranger: Carl Gotthilf Gläser (1784-1829) Incipit: 51122 32123 34325 Used With Text: There is a little, lonely fold
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BINGHAM

Meter: 8.6.8.6 Appears in 14 hymnals Composer and/or Arranger: Anonymous Tune Key: B Flat Major Incipit: 51123 56671 32751 Used With Text: There Is a Little Lonely Fold
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TAMPICO

Appears in 7 hymnals Tune Key: E Flat Major Incipit: 13553 46643 5532 Used With Text: There is a little lonely fold

Instances

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Published text-tune combinations (hymns) from specific hymnals
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There Is a Little Lonely Fold

Author: Maria G. Saffery Hymnal: The Cyber Hymnal #6752 Meter: 8.6.8.6 Lyrics: 1. There is a little lonely fold, Whose flock one Shepherd keeps, Through summer’s heat and winter’s cold, With eye that never sleeps. 2. By evil beast, or burning sky, Or damp of midnight air, Not one in all that flock shall die Beneath that Shepherd’s care. 3. For if, unheeding or beguiled, In danger’s path they roam, His pity follows through the wild And guards them safely home. 4. O gentle Shepherd, still behold Thy helpless charge in me; And take a wanderer to Thy fold That trembling turns to Thee. Languages: English Tune Title: BINGHAM
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There is a little, lonely fold

Author: Anon. Hymnal: Good-Will Songs #146 (1890) Languages: English Tune Title: [There is a little, lonely fold]
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Fear not, Little Flock

Author: Maria Grace Saffery Hymnal: Evangel Songs #20 (1894) First Line: There is a little lonely fold Languages: English Tune Title: [There is a little lonely fold]

People

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Authors, composers, editors, etc.

C. G. Gläser

1784 - 1829 Person Name: Carl Gotthilf Gläser (1784-1829) Composer of "AZMON" in Carmina Sanctorum Carl Gotthelf Gläser Germany 1781-1829. Born at Weissenfels, Burgenlandkreis, Sachsen-Anhalt, Germany, he received musical training from his father, after which he attended St. Thomas school in Leipzig. He became an author and composer. At Barmen he taught voice, piano, and violin. He also wrote and conducted chorale music. He died at Barmen. John Perry

Anonymous

Person Name: Anon. Author of "There is a little, lonely fold" in Good-Will Songs In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Arthur Sullivan

1842 - 1900 Person Name: Sullivan Composer of "WANSFELL" in New Manual of Praise Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman
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