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Thou, plenteous Source of light and love
Author: John Hampden Gurney Appears in 2 hymnals
Thou, plenteous Source of light and love
Thou Plenteous Source Of Light And Love
Author: John H. Gurney Hymnal: The Cyber Hymnal #9587 Meter: 8.6.8.6 D First Line: Thou plenteous source of light and love, Lyrics: 1 Thou plenteous source of light and love,
From whom all grace proceeds,
Chase from our souls the gloom of night,
And make us hate its deeds:
In armor clad of heavenly proof
We will not fear or fly,
But bravely through opposing hosts
Press onward to the sky.
2 If long and doubtful seem the strife,
Our pains and trials sore,
Such are the ills of mortal life,
And such our Savior bore:
Once, humbled from His lofty throne,
He dwelt in weakness here,
And His has been the struggling sigh,
And His the falling tear.
3 When time has run its destined course,
And all our years are fled,
He comes, with monarch’s pomp and power,
To wake and judge the dead:
Then help us, Lord, while sinners’ hearts
Shall sicken with dismay,
To lift our heads, and joyful hail
Redemption’s perfect day. Languages: English Tune Title: ANCYRA
Thou Plenteous Source Of Light And Love
Thou, plenteous Source of light and love
Author: John Hampden Gurney Hymnal: Hymns for Public Worship in the Diocese of Fredericton. 2nd ed. #d207 (1870)
Thou, plenteous Source of light and love
John Hampden Gurney
1802 - 1862 Person Name: John H. Gurney Author of "Thou Plenteous Source Of Light And Love" in The Cyber Hymnal Gurney, John Hampden, M.A., eldest son of Sir John Gurney, a Baron of the Exchequer, was born in Serjeants’ Inn, London, Aug. 15, 1802, and educated at Trinity College, Cambridge, where he graduated in 1824. On taking Holy Orders he became Curate of Lutterworth (1827-1844), and subsequently Rector of St. Mary's, Marylebone, and Prebendary of St. Paul's Cathedral. He died in London, March 8, 1862. The Society for Promoting Christian Knowledge and other religious societies had his cordial sympathy, and received his active support. His publications include several small volumes in prose, and the following:—
(1) Church Psalmody; Hints for the improvement of a Collection of Hymns published by the Society for Promoting Christian Knowledge, 1853; (2) A Collection of Hymns for Public Worship. Lutterworth, 1838. This contains 300 hymns, and is known as his Lutterworth Collection; (3) Psalms and Hymns for Public Worship, selected for some of the Churches of Marylebone. London, 1851. This collection of 300 hymns and psalm versions is known as his Marylebone Collection. The Preface is signed by "Charles Baring," "Thomas Garnier," and "John Hampden Gurney," but the work was practically done by Gurney.
To the Lutterworth Collection 1838, he contributed :—
1. Earth to earth, and dust to dust. Burial.
2. Great King of nations, hear our prayer. Fast Day.
3. Lord, as to Thy dear Cross we flee. Lent.
4. Lord, at Thy word the constant sun. Harvest.
5. Saviour, what wealth was Thine. Passiontide.
6. Soon to the dust we speed. Heaven anticipated.
7. Thou God of mercy and of might. Good Friday.
8. Thou plenteous source of light and love. Advent.
9. Thou Who of old didst raise. Ascension.
10. Through centuries of sin and woe. For Peace.
11. We praise Thee, everlasting God. Te Deum.
These hymns were all signed "J. H. G.," and Nos. 1, 2, 3, 7, 8, 9 and 11, were repeated in the Marylebone Collection, 1851; and to these were added:—
12. Fair waved the golden corn. Child's Hymn.
13. How vast the debt we owe. Offertory.
14. Lord of the Harvest, Thee we hail. Harvest. This is No. 4 above rewritten.
15. Lord, we lift our eyes above. Love of Christ.
In addition to these we are specially indebted to Gurney for, "We saw Thee not when Thou didst come" (q.v.), and "Yes, God is good," &c. (q.v.). Several of the above-named hymns are in extensive use in Great Britain and America. The most popular are annotated under their respective first lines.
-- John Julian, Dictionary of Hymnology (1907)
John Hampden Gurney
B. C. Unseld
1843 - 1923 Person Name: Benjamin Carl Unseld Composer of "ANCYRA" in The Cyber Hymnal Benjamin Carl Unseld, 1843-1923
Born: October 18, 1843, Shepherdstown, West Virginia.
Died: November 19, 1923.
Buried: Elmwood Cemetery, Shepherdstown, West Virginia.
After leaving school at age 14, Unseld worked as a clerk in a country store. He received his first musical instruction around age 15, from a companion who had attended a singing school. He was shown the representation of the scale in the old Carmina Sacra, and had it sung for him. At the friend’s suggestion, he got permission from his pastor to practice on the church organ. Since both boys worked, their only chance to practice was after the store closed at 9:00 p.m., and occasionally at noontime. They went to the church together and took turns, one at the keyboard and the other at the bellows.
Shortly after the Battle of Antietam in September 1862, some of which Unseld witnessed, he left home and became a bookkeeper in the general offices of a railroad in Columbia, Pennsylvania. He sang in a choir, and gained further practice reading music. He rented a melodeon and spent much time in his room improvising on it. He bought a copy of Woodbury’s Harmony and Musical Composition, and studied it as well as he could without a teacher. He accepted an invitation to play the organ in the local Methodist church, on the condition that he received the tunes early in the week so he could learn them. This was his first position as an organist.
In the spring of 1866, he entered the Musical Institute in Providence, Rhode Island, conducted by Eben Tourjée (founder of the New England Conservatory in Boston, Massachusetts, and father of Lizzie Tourjée). There he studied voice, piano, organ, and harmony. After learning of Unseld’s business experience, Dr. Tourjée made him secretary of the school; in 1867, Unseld became the first secretary of the New England Conservatory.
Starting in 1870, Unseld attended schools led by Theodore F. Seward. There he met George Webb, Lowell Mason, James McGranahan, Charles Case, and other notables in the music community. In 1874, Unseld taught at Fisk University in Nashville, Tennessee, and helped train Fisk’s Jubilee Singers for their European trip. In 1877 and 1878, he was organist and choir master at St. James’ Episcopal Church, Lancaster, Pennsylvania.
In 1879, Unseld moved to New York City, and for 15 years taught, led choirs, composed and published. In New York, his musical headquarters was the publishing house of Biglow & Main Company, where he was in almost daily contact with the popular composers and teachers of the day: Ira Sankey, Horatio Palmer, Hubert Main, Robert Lowry, et al. In 1894, Unseld moved to Cincinnati, Ohio, and worked as an editor for the Fillmore Music House. In 1898, he moved to Dayton, Ohio, and worked in a similar capacity for the Lorenz Publishing Company. He moved back to New York City in 1901, then to Hagerstown, Maryland in 1905. He and his wife Sallie were apparently living in Tennessee as of 1920. Unseld’s works include:
The Choral Standard (New York: Fillmore Brothers, 1895)
Progress in Song, with E. T. Hildebrand (Cincinnati, Ohio: The Fillmore Brothers Company)
Unseld was inducted into the Southern Gospel Music Association Hall of Fame in 2004.
Sources--
Hall, pp. 239-44
Music--
Ancyra
Euphemia
He Is Risen
Hordville
Make Haste!
Meschach
Twilight Is Falling
Unseld
Wonderful Message
--www.hymntime.com/tch
B. C. Unseld
