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Text Identifier:"^though_dark_the_night_and_clouds_look_bl$"

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A little talk with Jesus

Appears in 77 hymnals First Line: Tho' dark the night and clouds look black Refrain First Line: A little talk with Jesus makes my heart more light Topics: Prayer Used With Tune: [Tho' dark the night and clouds look black]

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[Though dark the night, and clouds look black]

Appears in 70 hymnals Composer and/or Arranger: H. Wright; Robert Harkness Incipit: 55545 65311 77674 Used With Text: A Little Talk with Jesus
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[Tho' dark the night, and clouds look black]

Appears in 1 hymnal Composer and/or Arranger: E. Revere Incipit: 33234 44345 56667 Used With Text: A Little Talk with Jesus

Instances

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A Little Talk with Jesus

Author: Anon. Hymnal: Alexander's New Revival Hymns #108 (1922) First Line: Though dark the night, and clouds look black Refrain First Line: A little talk with Jesus makes it right, all right Lyrics: 1 Though dark the night, and clouds look black And stormy overhead, And trials of almost ev’ry kind Across my path are spread; How soon I conquer all, AS to the Lord I call: A little talk with Jesus makes it right, all right! Refrain: A little talk with Jesus makes it right, all right! A little talk with Jesus makes it right, all right! In trials of ev’ry kind, Praise God, I always find A little talk with Jesus makes it right, all right! 2 When those who once were dearest friends Begin to persecute, And more who once profess’d to love Have distant grown, and mute,— I tell Him all my grief, He quickly sends relief: A little talk with Jesus makes it right, all right! [Refrain] 3 And thus, by frequent little talks, I gain the victory, And march along with cheerful song, Enjoying liberty; With Jesus as my Friend, I’ll prove unto the end, A little talk with Jesus makes it right, all right! [Refrain] Scripture: Luke 24:32 Languages: English Tune Title: [Though dark the night, and clouds look black]
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A Little Talk with Jesus

Hymnal: Melodies of Salvation #140 (1900) First Line: Though dark the night, and clouds look black Refrain First Line: A little talk with Jesus makes it right, all right Languages: English Tune Title: [Though dark the night, and clouds look black]
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A Little Talk

Author: Anon. Hymnal: Gospel Herald in Song #160 (1899) First Line: Though dark the night, and clouds look black Refrain First Line: A little talk with Jesus makes it right, all right Topics: Comfort - Comforter; Familiar Hymns; Gospel Scripture: Hebrews 12:2 Languages: English Tune Title: [Though dark the night, and clouds look black]

People

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Anonymous

Person Name: Anon. Author of "A Little Talk with Jesus" in Alexander's New Revival Hymns In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Robert Harkness

1880 - 1961 Arranger of "[Though dark the night, and clouds look black]" in Alexander's New Revival Hymns After attending a revival meeting by Reuben Torrey and Charles M. Alexander, Harkness became Alexander’s pianist. He came to Christ shortly thereafter (on a bicycle, he said), and made several round the world tours with Torrey and Alexander. Harkness was especially well known for his program The Music of the Cross, and as the author of correspondence courses in hymn playing. He wrote over 2,000 hymns and Gospel songs in his lifetime. (hymntime.com/tch)

J. H. Hall

1855 - 1941 Person Name: J. H. H. Arranger of "[Tho' dark the night and clouds look black]" in Songs of Cheer for Children Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch
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