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Text Identifier:"^what_shall_i_render_to_my_god_wesley$"

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NAOMI

Meter: 8.6.8.6 Appears in 491 hymnals Composer and/or Arranger: Hans G Nageli, 1773-1836 Tune Key: G Major or modal Incipit: 33354 32343 36654 Used With Text: What Shall I Render to My God
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MEAR

Appears in 309 hymnals Incipit: 15533 13223 15455 Used With Text: What shall I render to my God
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WARWICK

Appears in 279 hymnals Composer and/or Arranger: Samuel Stanley Incipit: 13516 56532 13561 Used With Text: What shall I render to my God

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What Shall I Render to My God? (Wesley)

Author: Charles Wesley, 1707-1788 Hymnal: The Cyber Hymnal #7676 Meter: 8.6.8.6 First Line: What shall I render to my God Lyrics: 1. What shall I render to my God For all His mercy’s store? I’ll take the gifts He hath bestowed, And humbly ask for more. 2. The sacred cup of saving grace I will with thanks receive, And all His promises embrace, And to His glory live. 3. My vows I will to His great name Before His people pay, And all I have, and all I am, Upon His altar lay. 4. Thy lawful servant, Lord, I owe To Thee whate’er is mine, Born in Thy family below, And by redemption thine. 5. Thy hands created me, Thy hands From sin have set me free, The mercy that hath loosed my bands Hath bound me fast to Thee. 6. The God of all redeeming grace My God I will proclaim, Offer the sacrifice of praise, And call upon His name. 7. Praise Him, ye saints, the God of love, Who hath my sins forgiven, Till, gathered to the church above, We sing the songs of Heaven. Languages: English Tune Title: GERONTIUS
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What Shall I Render to My God

Author: Samuel S Wesley, 1810-1876 Hymnal: The A.M.E. Zion Hymnal #479 (1999) Meter: 8.6.8.6 Lyrics: 1 What shall I render to my God For all His mercy’s store? I’ll take the gifts He hath bestowed, And humbly ask for more. 2 My vows I will to His great name Before His people pay, And all I have, and all I am, Upon His altar lay. 3 Thy lawful servant, Lord, I owe To Thee whate’er is mine, Born in Thy family below, And by redemption Thine. 4 The God of all-redeeming grace My God I will proclaim, Offer the sacrifice of praise, And call upon His name. 5 Praise Him, ye saints, the God of love, Who hath my sins forgiven, Till, gathered to the Church above, We sing the songs of heaven. AMEN. Topics: Consecration Languages: English Tune Title: NAOMI

What shall I render to my God

Author: Charles Wesley Hymnal: Hymns and Psalms #703 (1983) Languages: English Tune Title: EPWORTH

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Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel S Wesley, 1810-1876 Author of "What Shall I Render to My God" in The A.M.E. Zion Hymnal Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Hans G. Nägeli

1773 - 1836 Person Name: Hans G Nageli, 1773-1836 Composer of "NAOMI" in The A.M.E. Zion Hymnal Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi. Bert Polman

Samuel Wesley

1691 - 1739 Person Name: Samuel Wesley, Sr. Author of "What shall I render to my God" in The Evangelical Hymnal Samuel Wesley, M.A., the younger, was the eldest child of Samuel and Susanna Wesley, and was born in or near London in 1691. He received his early education from his mother, who always took a special interest in him as her firstborn. In 1704 he went to Westminster School, where he was elected King's Scholar in 1707. Westminster had, under the mastership of Dr. Busby for 55 years, attained the highest reputation for scholarship, and Samuel Wesley, as a classical scholar, was not unworthy of his school. In 1709, Dr. Spratt, Bishop of Rochester, patronised the young scholar, and frequently invited him to Bromley. In 1711 he went with a Westminster studentship to Christ Church, Oxford, and having taken his degree, returned to Westminster as an Usher. He then received Holy Orders and became an intimate friend of Bishop Atterbury, who was then Dean of Westminster. His intimacy with this prelate was a bar to his advancement, and he was bitterly disappointed at not being appointed undermaster at Westminster when that post was vacant. But he was faithful to his friend in his adversity, and the banished prelate warmly appreciated his attachment. In 1732 he was invited, without solicitation, to accept the headmastership of the Free School at Tiverton, and here he spent the remainder of his life. He strongly disapproved of John and Charles Wesley's proceedings; but though the brothers expressed their opinions to one another with characteristic frankness, the disagreement did not cause any interruption in the friendly relations between them. Samuel Wesley was universally acknowledged to be an honest, conscientious and deeply religious man. He was a most uncompromising High Churchman both in the political and the theological sense of that term; and there is no doubt that he was the mainstay of the Wesley family at Epworth. His kindness to his father and mother was unbounded, and he acted like a father to his younger brothers and sisters. He also took a great interest in works of charity, and was one of the first promoters of the Westminster Infirmary. He died at Tiverton in the 49th year of his age, Nov. 6, 1739. His epitaph in Tiverton Churchyard does not exaggerate his merits, when it describes him as— "a man for his uncommon wit and learning, For the benevolence of his temper, and simplicity of manner, Deservedly loved and esteemed by all: An excellent Preacher; But whose best sermon Was the constant example of an edifying life: So continually and zealously employed In acts of beneficence and charity, That he truly followed His blessed Master's example In going about doing good; Of such scrupulous integrity, That he declined occasions of advancement in the world, Through fear of being involved in dangerous compliances; And avoided the usual ways to preferment As studiously as many others seek them." Samuel Wesley published in 1736 A Collection of Poems on several occasions, some of which are full of a rather coarse humour, but all of a good moral and religious tendency. This work was reprinted in 1743, and again by W. Nichols in 1862. Dr. Adam Clarke specifies eight hymns of S. Wesley's composition which were in use among the Methodists of that time (1823). The Wesleyan Hymn Book of the present day contains five, the best-known of which is "The Lord of Sabbath let us praise." Six of his hymns are in common use, and are annotated as follows:— 1. From whence these dire portents around. 2. Hail, Father, Whose creating call. 3. Hail, God the Son in glory crowned. 4. Hail, Holy Ghost, Jehovah, Third. 5. The Lord of Sabbath, let ns praise. 6. The morning flowers display their sweets. -- Excerpts from John Julian, Dictionary of Hymnology (1907)
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