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Text Identifier:"^when_i_call_answer_me_o_god_of_justice$"

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Psalm 4: Have Mercy, Lord

Appears in 4 hymnals First Line: When I call, answer me, O God of justice Refrain First Line: Have mercy, Lord, and hear my prayer Text Sources: Psalm: The Grail; Antiphon: Liturgy of the Hours

Tunes

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Tune authorities

GELINEAU PSALM 4

Appears in 1 hymnal Composer and/or Arranger: Joseph Gelineau, 1920-; Robert J. Batastini Tune Key: g minor Incipit: 11142 Used With Text: Lord, let your face shine on us

[Have mercy, Lord, and hear my prayer]

Appears in 4 hymnals Composer and/or Arranger: Eugene Englert; A. Gregory Murray; Joseph Gelineau, SJ Tune Key: g minor Incipit: 13233 Used With Text: Psalm 4: Have Mercy, Lord

[Lord, let your face shine on us]

Appears in 1 hymnal Composer and/or Arranger: Robert LeBlanc; A. Gregory Murray; Joseph Gelineau, SJ Tune Key: g minor Used With Text: Psalm 4: Have Mercy, Lord

Instances

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Published text-tune combinations (hymns) from specific hymnals

Psalm 4: Have Mercy, Lord

Hymnal: RitualSong #29a (1996) First Line: When I call, answer me, O God of justice Refrain First Line: Have mercy, Lord, and hear my prayer Topics: Easter 3 Year B Languages: English Tune Title: [Have mercy, Lord, and hear my prayer]
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Psalm 4: Have Mercy, Lord

Hymnal: RitualSong #29b (1996) First Line: When I call, answer me, O God of justice Refrain First Line: Lord, let your face shine on us Topics: Easter 3 Year B Languages: English Tune Title: [Lord, let your face shine on us]

Lord, let your face shine on us

Author: The Grail Hymnal: Together in Song #2 (1999) First Line: When I call, answer me, O God of justice Topics: Adversity; Assurance; Comfort; Evening; Inner Peace; Light; Mercy of God; Personal Petition Scripture: Psalm 4 Languages: English Tune Title: GELINEAU PSALM 4

People

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Authors, composers, editors, etc.

Robert J. Batastini

b. 1942 Composer (Antiphon) of "GELINEAU PSALM 4" in Together in Song Robert J. Batastini is the retired vice president and senior editor of GIA Publications, Inc., Chicago. Bob has over fifty-five years of service in pastoral music ministry, having served several parishes in the Archdiocese of Chicago and one in the Diocese of Joliet. He served as executive editor and project director for the Worship hymnals (three editions), Gather hymnals (three editions), Catholic Community Hymnal, and as executive editor of RitualSong. In 1993 he became the first recipient of the Father Lawrence Heimann Citation for lifetime contribution to church music and liturgy in the U.S., awarded by St. Joseph's College, Rensselaer, Indiana, and was named "Pastoral Musician of the Year-2000" by the National Association of Pastoral Musicians (NPM). At its 2006 conference, he was named a Fellow of the Hymn society in the United States and Canada. In his retirement he is active in the music ministry of St. Francis de Sales Parish, Holland, MI. Nancy Naber, from www.giamusic.com/bios/

Eugene Englert

Person Name: EE Composer (Antiphon) of "[Have mercy, Lord, and hear my prayer]" in Worship (3rd ed.)

Joseph Gelineau

1920 - 2008 Person Name: JG Composer (Gelineau Tone) of "[Have mercy, Lord, and hear my prayer]" in Worship (3rd ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiƩred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com
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