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With joy shall I behold the day
Author: James Merrick Appears in 29 hymnals
With joy shall I behold the day
With joy shall I behold the day
Hymnal: Hymnal #199 (1871) Lyrics: 1 With joy shall I behold the day
That calls my willing soul away,
To dwell among the blest:
For, lo! my great Redeemer's power
Unfolds the everlasting door,
And points me to His Rest.
2 Ev'n now, to my expecting eyes,
The heaven-built towers of Salem rise;
Their glory I survey;
I view her mansions that contain
The angel host, a beauteous train,
And shine with cloudless day.
3 Thither, from earth's remotest end,
Lo! the redeem'd of God ascend,
Borne on immortal wing;
There, crown'd with everlasting joy,
In ceaseless hymns their tongues employ,
Before th' Almighty King.
4 Mother of cities! o'er thy head
Bright peace, with healing wings outspread,
For evermore shall dwell:
Let me, blest seat! my name behold
Among thy citizens enroll'd
And bid the world farewell. Languages: English
With joy shall I behold the day
With joy shall I behold the day
Hymnal: The Lecture-Room Hymn-Book #T71 (1855)
With joy shall I behold the day
With joy shall I behold the day
Hymnal: The Lecture-Room Hymn-Book #H28 (1855)
With joy shall I behold the day
James Merrick
1720 - 1769 Author of "With joy shall I behold the day" Merrick, James , M.A., was born in 1720, and educated at Oxford, where he became a Fellow of Trinity College. He entered Holy Orders, but his health would not admit of parish work. He died at Reading, 1769. His publications include:—
(1) Messiah, a Divine Essay. Humbly dedicated to the Reverend the Vice-Chancellor of the University of Oxford and the Visitors of the Free School in Reading. By James Merrick, Ætat. 14, Senior Scholar of the School at their last Terminal Visitation, the 7th of October, 1734. Reading. (2) The Destruction of Troy. Translated from the Greek of Tryphiodorus into English Verse, with Notes, &c. 1742. (3) Poems on Sacred Subjects. Oxford . 1763. (4) The Psalms of David Translated or Paraphrased in English Verse. By James Merrick, M.A., late Fellow of Trinity College, Oxford. Reading. J. Carnan and Co. 1765. 2nd ed. 1766. A few only of these paraphrases were divided into stanzas. In 1797 the Rev. W. D. Tattersall pulished the work "Divided into stanzas for Parochial Use, and paraphrased in such language as will be intelligible to every capacity . . . with a suitable Collect to each Psalm from the Works of Archbishop Parker."
Merrick's paraphrases, although weak and verbose, were in extensive use in the early part of the present century, both in the Church of England and with Nonconformists. They have, however, fallen very much into disuse. Those in modern hymn-books, mainly in the form of centos, include:—
1. Blest Instructor, from Thy ways. Ps. xix.
2. Descend, O Lord! from heaven descend. Ps. cxliv. (In time of National Peril.)
3. Far as creation's bounds extend. Ps. cxlv.
4. God of my strength, the wise, the just. Ps. xxxi.
5. He who with generous pity glows. Ps. xli.
6. How pleasant, Lord.Thy dwellings are. Ps. lxxxiv.
7. Lift up your voice and thankful sing. Ps. cxxxvi.
8. Lo, my Shepherd's hand divine. Ps. xxiii.
9. Lord, my Strength, to Thee I pray. Ps. xxviii.
10. My heart its noblest theme has found. Ps.xlv.
11. O let me, [gracious] heavenly Lord extend. Ps. xxxix.
12. O turn, great Ruler of the skies. Ps. li.
13. Praise, O praise the Name divine. Ps. cl.
14. Sing, ye sons of [men] might, O sing. Ps. xxix.
15. Teach me, O teach me, Lord, Thy way. Ps. cxix.
16. The festal morn, my [O] God, is come. Ps. cxxii, (Sunday Morning.)
17. The morn and eve Thy praise resound. Ps. lxv. (Harvest.)
18. To Thy pastures, fair and large. Ps. xxiii.
From his Poems on Sacred Subjects, 1763, the following centos have also come into common use: --
19. Author of good, to Thee we turn. Resignation.
20. Eternal God, we look to Thee. Resignation.
21. 'Tis enough, the hour is come. Nunc Dimittis.
John Julian, Dictionary of Hymnology (1907)
James Merrick
Edward Harwood
1707 - 1787 Person Name: Edmund Harwood Composer of "" in Hymnal Edward Harwood (of Darwen) (1707–1787) was an English composer of hymns, anthems and songs. His setting of Alexander Pope's The Dying Christian (Vital spark of heav'nly flame) was enormously popular at one time and was widely performed at funerals.
Edward Harwood was born at Hoddlesden, near Darwen, Lancashire, in 1707. His early training was as a hand-loom weaver, but he subsequently became a professional musician in Liverpool. His first collection of psalmody, A set of hymns and psalm tunes, was published in London in 1781 and a second collection, entitled A Second Set of Hymns and Psalm Tunes/ was published at Chester in 1786. He died in 1787.
Harwood's setting of Pope's ode "Vital spark of heav'nly flame" was first published in Harwood's A set of hymns and psalm tunes: it is written in the style of a glee, and in the original publication is written for the most part for three voices (two trebles and bass), with a fourth (tenor) part being added for the last few bars only. It was, however, often arranged for the more usual four part-choir. The piece was very popular in the first half of the 19th century, being widely sung among Anglicans, Methodists and dissenters, and Lightwood noted in 1935 that it 'certainly had a long and prosperous run, and even now it is not quite extinct'. However, it was not always a great favourite with the clergy, whose objections were mainly to do with the text, which is not explicitly religious (also, it's a poem written by a Catholic, after the last words of the Emperor Hadrian).
--en.wikipedia.org/wik
Edward Harwood
