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ADMAH
Meter: 8.8.8.8.8.8 Appears in 16 hymnals Composer and/or Arranger: Lowell Mason Tune Sources: Carmina Sacra (Boston, Massachusetts: J. H. Wilkins & R. B. Carter, 1844), p. 42 Tune Key: G Major Incipit: 11712 34321 71345 Used With Text: Thee Will I Love, My Strength, My Tower (Wesley)
ADMAH
My hope is built on nothing less
Author: Edward Mote Appears in 1,147 hymnals Used With Tune: ADMAH
My hope is built on nothing less
When gathering clouds around I view
Appears in 277 hymnals Used With Tune: ADMAH
When gathering clouds around I view
Thee Will I Love, My Strength, My Tower (Wesley)
Author: Johann Scheffler; John Wesley Meter: 8.8.8.8.8.8 Appears in 167 hymnals First Line: Thee will I love, my strength, my tower Lyrics: 1. Thee will I love, my strength, my tower,
Thee will I love, my joy, my crown,
Thee will I love with all my power,
In all Thy works, and Thee alone;
Thee will I love, till the pure fire
Fill my whole soul with chaste desire.
2. Ah, why did I so late Thee know,
Thee, lovelier than the sons of men!
Ah, why did I no sooner go
To Thee, the only ease in pain!
Ashamed, I sigh, and inly mourn,
That I so late to Thee did turn.
3. In darkness willingly I strayed,
I sought Thee, yet from Thee I roved;
Far wide my wandering thoughts were spread,
Thy creatures more than Thee I loved;
And now if more at length I see,
’Tis through Thy light and comes from Thee.
4. I thank Thee, uncreated sun,
That Thy bright beams on me have shined;
I thank Thee, who hast overthrown
My foes, and healed my wounded mind;
I thank Thee, whose enlivening voice
Bids my freed heart in Thee rejoice.
5. Uphold me in the doubtful race,
Nor suffer me again to stray;
Strengthen my feet with steady pace
Still to press forward in Thy way;
My soul and flesh, O Lord of might,
Fill, satiate, with Thy heavenly light.
6. Give to mine eyes refreshing tears,
Give to my heart chaste, hallowed fires,
Give to my soul, with filial fears,
The love that all Heaven’s host inspires;
That all my powers, with all their might,
In Thy sole glory may unite.
7. Thee will I love, my joy, my crown,
Thee will I love, my Lord, my God;
Thee will I love, beneath Thy frown,
Or smile, Thy scepter, or Thy rod;
What though my flesh and heart decay?
Thee shall I love in endless day! Used With Tune: ADMAH Text Sources: Heilige Seelenlust, 1657; Translation in Hymns and Sacred Poems, 1739
Thee Will I Love, My Strength, My Tower (Wesley)
O Master, it is good to be
Author: Arthur Penrhyn Stanley Hymnal: Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) #85 (1902) Languages: English Tune Title: ADMAH
O Master, it is good to be
When gathering clouds around I view
Hymnal: Book of Hymns and Tunes, comprising the psalms and hymns for the worship of God, approved by the general assembly of 1866, arranged with appropriate tunes... by authority of the assembly of 1873 #92a (1874) Languages: English Tune Title: ADMAH
When gathering clouds around I view
My heart is full of Christ, and longs
Author: Charles Wesley Hymnal: The Primitive Methodist Church Hymnal #197 (1902) Languages: English Tune Title: ADMAH
My heart is full of Christ, and longs
A. Williams
1731 - 1776 Composer of "ADMAH" in Book of Worship Aaron Williams (b. London, England, 1731; d. London, 1776) was a singing teacher, music engraver, and clerk at the Scottish Church, London Wall. He published various church music collections, some intended for rural church choirs. Representative of his compilations are The Universal Psalmodist (1763)— published in the United States as The American Harmony (1769)—The Royal Harmony (1766), The New Universal Psalmodist (1770), and Psalmody in Miniature (1778). His Harmonia Coelestis (1775) included anthems by noted composers.
Bert Polman
A. Williams
Edward Mote
1797 - 1874 Author of "My hope is built on nothing less" in Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) Mote, Edward, was born in Upper Thames Street, London, Jan. 21, 1797. Through the preaching of the Rev. J. Hyatt, of Tottenham Court Road Chapel, he underwent a great spiritual change; and ultimately he became a Baptist minister. For the last 26 years of his life he was pastor at Horsham, Sussex, where he died Nov. 13, 1874. Mr. Mote published several small pamphlets; and also:-
Hymns of Praise. A New Selection of Gospel Hymns, combining all the Excellencies of our spiritual Poets, with many Originals. By E. Mote. London. J. Nichols, 1836. The Originals number nearly 100.
Concerning the authorship of one of these original hymns much uncertainty has existed. The hymn is:—
1. Nor earth, nor hell my soul can move. [Jesus All in All.] In 6 stanzas of 4 lines, with a refrain. Mr. Mote's explanation, communicated to the Gospel Herald, is:—
"One morning it came into my mind as I went to labour, to write an hymn on the ‘Gracious Experience of a Christian.' As I went up Holborn I had the chorus,
‘On Christ the solid Rock I stand,
All other ground is sinking sand.’
In the day I had four first verses complete, and wrote them off. On the Sabbath following I met brother King as I came out of Lisle Street Meeting . . . who informed me that his wife was very ill, and asked me to call and see her. I had an early tea, and called afterwards. He said that it was his usual custom to sing a hymn, read a portion, and engage in prayer, before he went to meeting. He looked for his hymnbook but could find it nowhere. I said, ‘I have some verses in my pocket; if he liked, we would sing them.' We did; and his wife enjoyed them so much, that after service he asked me, as a favour, to leave a copy of them for his wife. 1 went home, and by the fireside composed the last two verses, wrote the whole off, and took them to sister King. . . As these verses so met the dying woman's case, my attention to them was the more arrested, and I had a thousand printed for distribution. I sent one to the Spiritual Magazine, without my initials, which appeared some time after this. Brother Rees, of Crown Street, Soho, brought out an edition of hymns [1836], and this hymn was in it. David Denham introduced it [1837] with Rees's name, and others after... . Your inserting this brief outline may in future shield me from the charge of stealth, and be a vindication of truthfulness in my connection with the Church of God."
The form in which the hymn is usually found is:—
2. My hope is built on nothing less (st. ii.), sometimes in 4 stanzas, and at others in 5 st., and usually without the refrain. The original in the author's Hymns of Praise, 1836, is No. 465, and entitled, "The immutable Basis of a Sinner's hope." Bishop Bickersteth calls it a "grand hymn of faith." It dates circa 1834, and is in extensive use. [Rev. W. R. Stevenson, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Edward Mote
John Wesley
1703 - 1791 Translator (from German) of "Thee Will I Love, My Strength, My Tower (Wesley)" in The Cyber Hymnal John Wesley, the son of Samuel, and brother of Charles Wesley, was born at Epworth, June 17, 1703. He was educated at the Charterhouse, London, and at Christ Church, Oxford. He became a Fellow of Lincoln College, Oxford, and graduated M.A. in 1726. At Oxford, he was one of the small band consisting of George Whitefield, Hames Hervey, Charles Wesley, and a few others, who were even then known for their piety; they were deridingly called "Methodists." After his ordination he went, in 1735, on a mission to Georgia. The mission was not successful, and he returned to England in 1738. From that time, his life was one of great labour, preaching the Gospel, and publishing his commentaries and other theological works. He died in London, in 1791, in his eighty-eighth year. His prose works are very numerous, but he did not write many useful hymns. It is to him, however, and not to his brother Charles, that we are indebted for the translations from the German.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872
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John Wesley, M.A., was born at Epworth Rectory in 1703, and, like the rest of the family, received his early education from his mother. He narrowly escaped perishing in the fire which destroyed the rectory house in 1709, and his deliverance made a life-long impression upon him. In 1714 he was nominated on the foundation of Charterhouse by his father's patron, the Duke of Buckingham, and remained at that school until 1720, when he went up, with a scholarship, from Charterhouse to Christ Church, Oxford. Having taken his degree, he received Holy Orders from the Bishop of Oxford (Dr. Potter) in 1725. In 1726 he was elected Fellow of Lincoln College, and remained at Oxford until 1727, when he returned into Lincolnshire to assist his father as curate at Epworth and Wroot. In 1729 he was summoned back to Oxford by his firm friend, Dr. Morley, Rector of Lincoln, to assist in the College tuition. There he found already established the little band of "Oxford Methodists" who immediately placed themselves under his direction. In 1735 he went, as a Missionary of the Society for the Propagation of the Gospel, to Georgia, where a new colony had been founded under the governorship of General Oglethorpe. On his voyage out he was deeply impressed with the piety and Christian courage of some German fellow travellers, Moravians. During his short ministry in Georgia he met with many discouragements, and returned home saddened and dissatisfied both with himself and his work; but in London he again fell in with the Moravians, especially with Peter Bohler; and one memorable night (May 24, 1738) he went to a meeting in Aldersgate Street, where some one was reading Luther's preface to the Epistle to the Romans. There, "About a quarter before nine, while he was describing the change which God works in the heart through faith in Christ, I felt my heart strangely warmed. I felt I did trust in Christ, Christ alone, for salvation; and an assurance was given me, that He had taken away my sins, even mine, and saved me from the law of sin and death." From that moment his future course was sealed; and for more than half a century he laboured, through evil report and good report, to spread what he believed to be the everlasting Gospel, travelling more miles, preaching more sermons, publishing more books of a practical sort, and making more converts than any man of his day, or perhaps of any day, and dying at last, March 2, 1791, in harness, at the patriarchal age of 88.
The popular conception of the division of labour between the two brothers in the Revival, is that John was the preacher, and Charles the hymnwriter. But this is not strictly accurate. On the one hand Charles was also a great preacher, second only to his brother and George Whitefield in the effects which he produced. On the other hand, John by no means relegated to Charles the exclusive task of supplying the people with their hymns. John Wesley was not the sort of man to depute any part of his work entirely to another: and this part was, in his opinion, one of vital importance. With that wonderful instinct for gauging the popular mind, which was one element in his success, he saw at once that hymns might be utilized, not only for raising the devotion, but also for instructing, and establishing the faith of his disciples. He intended the hymns to be not merely a constituent part of public worship, but also a kind of creed in verse. They were to be "a body of experimental and practical divinity." "In what other publication," he asks in his Preface to the Wesleyan Hymn Book, 1780 (Preface, Oct. 20,1779), "have you so distinct and full an account of Scriptural Christianity; such a declaration of the heights and depths of religion, speculative and practical; so strong cautions against the most plausible errors, particularly those now most prevalent; and so clear directions for making your calling and election sure; for perfecting holiness in the fear of God?" The part which he actually took in writing the hymns, it is not easy to ascertain; but it is certain that more than thirty translations from the German, French and Spanish (chiefly from the German) were exclusively his; and there are some original hymns, admittedly his composition, which are not unworthy to stand by the side of his brother's. His translations from the German especially have had a wide circulation. Although somewhat free as translations they embody the fire and energy of the originals.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
John Wesley
New Hymn and Tune Book
Publication Date: 1889 Publisher: A.M.E. Z. Book Concern Publication Place: New York
New Hymn and Tune Book
