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Tune Identifier:"^alleluia_vulpius$"

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[Alleluia] (Vulpius)

Appears in 3 hymnals Composer and/or Arranger: Melchior Vulpius, c. 1560-1616 Tune Key: C Major Incipit: 11717 65545 43217

Texts

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Gospel Acclamation

Appears in 485 hymnals First Line: Alleluia, alleluia, alleluia Lyrics: Alleluia, alleluia, alleluia. Alleluia, alleluia, alleluia. Topics: Service Music Used With Tune: [Alleluia, alleluia, alleluia]

Instances

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Published text-tune combinations (hymns) from specific hymnals
Text

Gospel Acclamation

Hymnal: One in Faith #193 (2015) First Line: Alleluia, alleluia, alleluia Lyrics: Alleluia, alleluia, alleluia. Alleluia, alleluia, alleluia. Topics: Service Music Languages: English Tune Title: [Alleluia, alleluia, alleluia]
Text

Alleluia

Hymnal: Worship (3rd ed.) #286 (1986) Lyrics: Alleluia, alleluia, alleluia. Topics: Service Music Alleluia Tune Title: [Alleluia]

Gospel Acclamation

Hymnal: We Celebrate #398 (2017) First Line: Alleluia, alleluia, alleluia Topics: Service Music Languages: English Tune Title: [Alleluia, alleluia, alleluia]

People

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Authors, composers, editors, etc.

Melchior Vulpius

1570 - 1615 Person Name: Melchior Vulpius, c. 1560-1615 Composer of "[Alleluia, alleluia, alleluia]" in One in Faith Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational oppor­tunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumous­ly in Cantionale Sacrum (1646). Bert Polman
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