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Search Results

Tune Identifier:"^almsgiving_dykes$"

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ALMSGIVING

Meter: 8.8.8.4 Appears in 305 hymnals Composer and/or Arranger: J. B. Dykes Incipit: 33215 12351 35432 Used With Text: O Lord of Heaven!

Texts

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O Lord of heaven and earth and sea

Author: Christopher Wordsworth Meter: 8.8.8.4 Appears in 341 hymnals Topics: Brotherhoods and Men's Guilds; Charity Almsgiving; Church Work; Offerings General; Praise to God the Father in His Fatherhood Used With Tune: ALMSGIVING
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My God, Is Any Hour So Sweet

Author: Charlotte Elliott Meter: 8.8.8.4 Appears in 288 hymnals Lyrics: 1. My God, is any hour so sweet From blush of morn to evening star, As that which calls me to Thy feet— The hour of prayer? 2. Blest is that tranquil hour of morn, And blest that hour of solemn eve, When, on the wings of prayer upborne, The world I leave. 3. Then is my strength by Thee renewed; Then are my sins by Thee forgiv’n; Then dost Thou cheer my solitude With hopes of Heav’n. 4. No words can tell what sweet relief There for my every want I find, What strength for warfare, balm for grief, What peace of mind. 5. Hushed is each doubt, gone every fear; My spirit seems in Heav’n to stay; And e’en the penitential tear Is wiped away. 6. Lord, till I reach yon blissful shore, No privilege so dear shall be As thus my inmost soul to pour In prayer to Thee. Used With Tune: ALMSGIVING (Dykes) Text Sources: Hours of Sorrow, 1836
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By Christ Redeemed

Author: George Rawson; Margaret Clarkson Meter: 8.8.8.4 Appears in 196 hymnals First Line: By Christ redeemed, in Christ restored Lyrics: 1 By Christ redeemed, in Christ restored, we keep the memory adored, and show the death of our dear Lord until he come. 2 His body, broken in our stead, is here in this memorial bread, and so our feeble love is fed until he come. 3 The drops of his dread agony, his Life-blood shed for us we see; the wine shall tell the mystery, until he come. 4 And thus that dark betrayal night with the last advent we unite, by one blest chain of loving rite, until he come. 5 Until the trumpet sound be heard, until the ancient graves be stirred, and with the great commanding word the Lord shall come. 6 [Copyrighted] Topics: Lord’s Supper Scripture: Luke 22:44 Used With Tune: ALMSGIVING

Instances

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O Lord of heav'n and earth and sea

Author: C. Wordsworth Hymnal: The Church Hymnal #477a (1898) Meter: 8.8.8.4 Topics: Almsgiving; Almsgiving and Charities; Thanksgiving and Harvest Tune Title: ALMSGIVING

O Lord of heaven and earth and sea

Author: Bishop Christopher Wordsworth Hymnal: The Book of Common Praise #296b (1939) Meter: 8.8.8.4 Topics: Almsgiving and Other Offerings; Harvest Tune Title: ALMSGIVING
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O Lord of heaven and earth and sea

Hymnal: Church Hymns #313 (1903) Topics: Almsgiving Languages: English Tune Title: ALMSGIVING

People

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John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ALMSGIVING" in The Church Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Charlotte Elliott

1789 - 1871 Author of "My God, Is Any Hour So Sweet" in The Cyber Hymnal Elliott, Charlotte, daughter of Charles Elliott, of Clapham and Brighton, and granddaughter of the Rev. H. Venn, of Huddersfield, was born March 18, 1789. The first 32 years of her life were spent mostly at Clapham. In 1823 she removed to Brighton, and died there Sept. 22, 1871. To her acquaintance with Dr. C. Malan, of Geneva, is attributed much of the deep spiritual-mindedness which is so prominent in her hymns. Though weak and feeble in body, she possessed a strong imagination, and a well-cultured and intellectual mind. Her love of poetry and music was great, and is reflected in her verse. Her hymns number about 150, a large percentage of which are in common use. The finest and most widely known of these are, "Just as I am” and "My God, my Father, while I stray." Her verse is characterized by tenderness of feeling, plaintive simplicity, deep devotion, and perfect rhythm. For those in sickness and sorrow she has sung as few others have done. Her hymns appeared in her brother's Psalms & Hymns and elsewhere as follows:— (1) Psalms and Hymns for Public, Private, and Social Worship; selected by the Rev. H. V. Elliott, &c., 1835-48. In this Selection her signature is "C. E." (2) The Christian Remembrancer Pocket Book. This was originally edited by Miss Kiernan, of Dublin. Miss Elliott undertook the editorship in 1834. (3) The Invalid's Hymn Book. This was originally compiled by Miss Kiernan, but before publication was re-arranged by Miss Elliott, who also added 23 hymns in the first edition., 1834. These were increased in the following edition to the sixth in 1854, when her contributions amounted to 112. From that date no change was made in the work. (4) Hours of Sorrow Cheered and Comforted; or, Thoughts in Verse, 1836. (5) Morning and Evening Hymns for a Week, printed privately in 1839 for sale for a benevolent institution in Brighton, and published in 1842. (6) Thoughts in Verse on Sacred Subjects, 1869. Miss Elliott's Poems were published, with a Memoir by her sister, Mrs. Babington, in 1873, and an additional volume of Leaves from her unpublished Journals and Poems, also appeared in 1870. In addition to her more important hymns, which are annotated under their respective first lines, there are in common use:— i. From The Invalid's Hymn-book, 1834-1841:— 1. Clouds and darkness round about thee. (1841.) Resignation. 2. Not willingly dost Thou afflict [reject]. (1841.) Divine Chastisement. 3. O God, may I look up to Thee. (1841.) Teach us to Pray. 4. This is enough; although 'twere sweet. (1834.) On being debarred from Divine Worship. 5. With tearful eyes I look around. (1841.) The Invitation "Come Unto Me." ii. From H. V. Elliott's Psalms & Hymns, 1835-1839:— 6. Glorious was that primal light. Christmas. 7. Hail, holy day, most blest, most dear. Easter. 8. My only Saviour, when I feel. Jesus His people's Rest. 9. Now let our heavenly plants and flowers. Monday Morning. 10. The Sabbath-day has reached its close. Sunday Evening. iii. From Miss Elliott's Hours of Sorrow, 1836:— 11. Father, when Thy child is dying. Prayer for a Departing Spirit. 12. Leaning on Thee, my Guide, my Friend. Death Anticipated. 13. My God, is any hour so sweet? The Hour of Prayer. 14. O faint and feeble-hearted. Resignation enforced. 15. There is a holy sacrifice. The Contrite Heart. iv. From her Hymns for a Week, 1839:— 16. Guard well thy lips; none, none can know. Thursday Morning. 17. There is a spot of consecrated ground. Pt. i. 18. This is the mount where Christ's disciples see. Pt. ii. Monday Evening. 19. This is the day to tune with care. Saturday Morning. v. From Thoughts in Verse on Sacred Subjects, 1869:— 20. As the new moons of old were given. On a Birthday. 21. I need no other plea. Pt. i. 22. I need no prayers to saints. Pt. ii. Christ, All in All. 23. Jesus, my Saviour, look on me. Christ, All in All. Several of the earlier of these hymns were repeated in the later works, and are thus sometimes attributed to the wrong work. [Rev. James Davidson, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================ Elliott, Charlotte, p. 328, i. Other hymns are:— 1. O how I long to reach my home. Heaven desired. From the Invalid's Hymn Book, 1834. 2. The dawn approaches, golden streaks. Second Advent. From Thoughts in Verse, &c, 1869. Of her hymns noted on p. 328, Nos. 6, 7, 8, 9, 10,11, and 13, all appeared in the 1st edition of Elliott's Psalms & Hymns, 1835. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ======================== Elliott, Charlotte, pp. 328, i.; 1561, ii. Further research enables us to give amended dates to some of her hymns as follows:— 1. With tearful eyes I look around (No. 5). This is in the 1835 Appendix to The Invalid's Hymn Book. 2. My only Saviour, when I feel (No. 8). Also in the 1835 Appendix. 3. Father, when Thy child is dying (No. 11). In the 1833 Appendix. 4. I want that adorning divine, p. 559, i. In the Christian Remembrancer 1848, p. 22. --John Julian, Dictionary of Hymnology, New Supplement (1907)

E. Margaret Clarkson

1915 - 2008 Person Name: Margaret Clarkson Author (stanza 6) of "By Christ Redeemed" in The Worshiping Church

Hymnals

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Published hymn books and other collections

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

Small Church Music

Editors: Charlotte Elliott Description: History The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. About the Recordings All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Mobile App We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff. LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  
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