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[Alma mía, recobra tu calma]

Appears in 3 hymnals Composer and/or Arranger: Miguel Manzano Tune Key: a minor or modal Incipit: 57111 32711 57111 Used With Text: Alma Mía

Appears in 8 hymnals First Line: Amo al Señor porque escucha mi voz suplicante Topics: Confianza; Oración; La Liturgia de las Horas Vísperas; Ritual de Exequias; Cuaresma Domingos y Ferias Scripture: Psalm 116:1-6 Used With Tune: [Amo al Señor porque escucha mi voz suplicante]

Alma Mía

Appears in 2 hymnals First Line: Alma mía, recobra tu calma Topics: Salmos Scripture: Psalm 115 Used With Tune: [Alma mía, recobra tu calma]

Instances

Published text-tune combinations (hymns) from specific hymnals

Alma Mía

Hymnal: Flor Y Canto (2nd ed.) #347 (2001) First Line: Amo al Señor porque escucha mi voz suplicante Topics: Confianza; Oración; La Liturgia de las Horas Vísperas; Ritual de Exequias; Cuaresma Domingos y Ferias Scripture: Psalm 116:1-6 Languages: Spanish Tune Title: [Amo al Señor porque escucha mi voz suplicante]

Alma Mia, Recobra Tu Calma

Hymnal: Cantemos al Señor #154 (1986) First Line: Amo al Señor, porque escucha mi voz suplicante Refrain First Line: Alma mía, recobra tu calma Languages: Spanish Tune Title: [Amo al Señor, porque escucha mi voz suplicante]

Alma Mía

Hymnal: Flor y Canto #558 (1989) First Line: Alma mía, recobra tu calma Topics: Salmos Scripture: Psalm 115 Languages: Spanish Tune Title: [Alma mía, recobra tu calma]

People

Authors, composers, editors, etc.

Miguel Manzano

b. 1934 Person Name: Miguel Manzano, n. 1934 Composer of "[Amo al Señor porque escucha mi voz suplicante]" in Flor Y Canto (2nd ed.) Miguel Manzano is a Spanish composer and singer. He was born in Aillamor de Cardozo near the border with Portugal. Miguel began his religious musical career at the age of 8 as cantor at the Cathedral of Zamora, Spain. He studied solfeg, piano, organ and harmonium with the renowned teacher, Gaspar Arabaolaza. Later on, he began studies at the Higher School of Sacred Music in Madrid, where he studied Rhythm and Gregorian Modality, as well as Harmony and Religious Polyphony. He furthered his studies of language and musical rhythm at the Catholic Institute of Paris. Miguel's internationally recognized music has been chosen to complete the repertoire of the National Liturgical Hymnal of the Espicopal Committee of Spanish Liturgy. At present he is Professor of Ethnic Music at the Higher Conservatory of Music in Salamanca. --www.ocp.org/artists/1987