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Search Results

Tune Identifier:"^chant_purcell_77172$"

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Tunes

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Tune authorities

[Chant] (Purcell 77172)

Appears in 3 hymnals Composer and/or Arranger: Henry Purcell Tune Key: a minor or modal Incipit: 77172 43232 1

Texts

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Ut quid, Deus?

Appears in 3 hymnals First Line: O God, wherefore art thou absent from us so long Topics: The Psalms of David Day XIV - Evening Scripture: Psalm 74 Used With Tune: [O God, wherefore art thou absent from us so long]
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Domine, ne in furore

Appears in 2 hymnals First Line: O Lord rebuke me not in thine indignation Topics: The Psalms of David Day I - Evening Scripture: Psalm 6 Used With Tune: [O Lord rebuke me not in thine indignation]

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Domine, ne in furore

Hymnal: The Church Service Book #129a (1906) First Line: O Lord rebuke me not in thine indignation Topics: The Psalms of David Day I - Evening Scripture: Psalm 6 Languages: English Tune Title: [O Lord rebuke me not in thine indignation]
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Ut quid, Deus?

Hymnal: The Church Service Book #177a (1906) First Line: O God, wherefore art thou absent from us so long Topics: The Psalms of David Day XIV - Evening Scripture: Psalm 74 Languages: English Tune Title: [O God, wherefore art thou absent from us so long]

Domine, ne in furore

Hymnal: The Church Service Book #259a (1906) First Line: O Lord rebuke me not in thine indignation Topics: Proper Psalms on Certain Days Ash Wednesday, Morning Scripture: Psalm 6 Languages: English Tune Title: [O Lord rebuke me not in thine indignation]

People

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Authors, composers, editors, etc.

Henry Purcell

1659 - 1695 Composer of "[Chant] (Purcell 77172)" Henry Purcell (b. Westminster, London, England, 1659; d. Westminster, 1695), was perhaps the greatest English composer who ever lived, though he only lived to the age of thirty-six. Purcell's first piece was published at age eight when he was also a chorister in the Chapel Royal. When his voice changed in 1673, he was appointed assistant to John Hingston, who built chamber organs and maintained the king's instruments. In 1674 Purcell began tuning the Westminster Abbey organ and was paid to copy organ music. Given the position of composer for the violins in 1677, he also became organist at Westminster Abbey in 1679 (at age twenty) and succeeded Hingston as maintainer of the king's instruments (1683). Purcell composed music for the theater (Dido and Aeneas, c. 1689) and for keyboards, provided music for royal coronations and other ceremonies, and wrote a substantial body of church music, including eighteen full anthems and fifty-six verse anthems. Bert Polman
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