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Meter: 8.7.8.7.6.6.6.6.7 Appears in 642 hymnals Composer and/or Arranger: Martin Luther Tune Sources: The New Hymnal for American Youth, 1930 (harm.) Tune Key: C Major Incipit: 11156 71765 17656 Used With Text: A Mighty Fortress Is Our God

Texts

Text authorities

Ein feste Burg ist unser Gott

Author: Thomas Carlyle; Martin Luther Appears in 68 hymnals First Line: Ein feste Burg ist unser Gott (A safe stronghold our God is still) Topics: Choral Hymns Scripture: Psalm 46 Used With Tune: EIN FESTE BURG

A mighty fortress is our God

Author: Martin Luther; Frederick H. Hedge Appears in 674 hymnals Scripture: Psalm 96 Used With Tune: EIN FESTE BURG Text Sources: Ein feste Burg ist under Gott, Geistliche Lieder, 1529, 1531

Rejoice Today with One Accord

Author: Henry W. Baker Meter: 8.7.8.7.6.6.6.6.7 Appears in 60 hymnals Lyrics: 1. Rejoice today with one accord, Sing out with exultation; Rejoice and praise our mighty Lord, Whose arm hath brought salvation; His works of love proclaim The greatness of His name; For He is God alone Who hath His mercy shown; Let all His saints adore Him! 2. When in distress to Him we cried, He heard our sad complaining; O trust in Him, whate’er betide, His love is all sustaining; Triumphant songs of praise To Him our hearts shall raise; Now every voice shall say, O praise our God alway; Let all His saints adore Him! 3. Rejoice today with one accord, Sing out with exultation; Rejoice and praise our mighty Lord, Whose arm hath brought salvation; His works of love proclaim The greatness of His name; For He is God alone Who hath His mercy shown; Let all His saints adore Him! Used With Tune: EIN FESTE BURG Text Sources: Hymns Ancient and Modern, 1861

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Instances

Published text-tune combinations (hymns) from specific hymnals

Ein Feste Burg Ist Unser Gott

Author: Martin Luther Hymnal: The Cyber Hymnal #13495 Meter: 8.7.8.7.6.6.6.6.7 First Line: Ein’ feste Burg ist unser Gott Lyrics: 1 Ein’ feste Burg ist unser Gott, Ein gute Wehr und Waffen; Er hilft uns frei aus aller Not, Die uns jetzt hat betroffen. Der alt’ böse Feind, Mit Ernst er’s jetzt meint, Gross’ Macht und viel List Sein’ grausam’ Ruestung ist, Auf Erd’ ist nicht seingleichen. 2 Mit unsrer Macht ist nichts getan, Wir sind gar bald verloren; Es steit’t für uns der rechte Mann, Den Gott hat selbst erkoren. Fragst du, wer der ist? Er heisst Jesu Christ, Der Herr Zebaoth, Und ist kein andrer Gott, Das Feld muss er behalten. 3 Und wenn die Welt voll Teufel wär’ Und wollt’ uns gar verschlingen, So fürchten wir uns nicht so sehr, Es soll uns doch gelingen. Der Fürst dieser Welt, Wie sau’r er sich stellt, Tut er uns doch nicht, Das macht, er ist gericht’t, Ein Wörtlein kann ihn fällen. 4 Das Wort sie sollen lassen stahn Und kein’n Dank dazu haben; Er ist bei uns wohl auf dem Plan Mit seinem Geist und Gaben. Nehmen sie den Leib, Gut, Ehr’, Kind und Weib: Lass fahren dahin, Sie haben’s kein’n Gewinn, Das Reich muss uns doch bleiben. Languages: German Tune Title: EIN' FESTE BURG

Ein' feste Burg ist unser Gott

Author: M. Luther Hymnal: Sammlung Kirchlicher Lieder #I.7 (1912) Languages: German Tune Title: [Ein' feste Burg ist unser Gott]

Ein' feste Burg

Author: Martin Luther Hymnal: Evangeliums-Lieder 1 und 2 (Gospel Hymns) #214 (1897) First Line: Ein' feste Burg ist unser Gott Languages: German Tune Title: [Ein' feste Burg ist unser Gott]

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People

Authors, composers, editors, etc.

N. F. S. Grundtvig

1783 - 1872 Person Name: N. F. S. Grundtvig, 1783-1872 Author of "God's Word Is Our Great Heritage" in Evangelical Lutheran Hymnary Nicolai Frederik Severin Grundtvig was the son of a pastor, and was born at Udby, in Seeland, in 1783. He studied in the University of Copenhagen from 1800-1805; and, like some other eminent men, did not greatly distinguish himself; his mind was too active and his imagination too versatile to bear the restraint of the academic course. After leaving the university he took to teaching; first in Langeland, then (1808) in Copenhagen. Here he devoted his attention to poetry, literature, and Northern antiquities. In 1810 he became assistant to his father in a parish in Jutland. The sermon he preached at his ordination, on the subject "Why has the Lord's word disappeared from His house," attracted much attention, which is rarely the case with "probationers'" sermons. On his father's death, in 1813, he returned to Copenhagen, and for eight years devoted himself mainly to literature. The poetry, both secular and religious, that he produced, drew from a friend the remark that "Kingo's harp had been strung afresh." In 1821 King Frederik vi. appointed him pastor of Prasloe, a parish in Seeland, from which he was the next year removed to Copenhagen, and made chaplain of St. Saviour's church in Christianshavn. From the time of his ordination he had been deeply impressed with Evangelical church sentiments, in opposition to the fashionable Rationalism and Erastianism of the day; and adhered to the anti-rationalist teaching of Hauge, whose death at this time (1824) seemed to be a call to Grundtvig to lift up his voice. An opportunity soon presented itself; Professor Clausen brought out a book entitled Katholicismens og Protestantismens Forfatning, Ldre, og Ritus ("The condition, teaching, and ritual of Catholicism and Protestantism"). This book was replete with the Erastian Rationalism which was so especially distasteful to Grundtvig, who forthwith, in his Kirkens Gjenmsele ("The Church's Reply," 1825), strongly opposed its teaching, and laid down truer principles of Christian belief, and sounder views of the nature of the Church. This caused a sensation: Grandtvig (who had not spared his opponent) was fined 100 rixdollars, and the songs and hymns which he had written for the coming celebration of the tenth centenary of Northern Christianity were forbidden to be used. On this he resigned his post at St. Saviour's, or rather was forced to quit it by a sentence of suspension which was pronounced in 1826, and under which he was kept for 13 years. He took the opportunity of visiting England in 1829, 30, and 31, and consulting its libraries, mainly with a view to a further insight into Northern antiquities, and to help his studies in the early English tongue. His edition of Cynewulfs beautiful poem of the Phenix from the Codex Exoniensis, the Anglo-Saxon (so-called) text, with a preface in Danish, and a fri Fordanskning (free rendering in Danish), published in 1840*, is a result of this journey and enforced leisure. Tired of his long silence, his numerous friends and admirers proposed to erect a church for him, and form themselves into an independent congregation, but this was not permitted. He was allowed, however, to hold an afternoon service in the German church at Christianshavn. There ho preached for eight years, and compiled and wrote his hymn-book, Sang-Vdrk til den Danske Kirkce ("Song-work for the Danish Church"). He still worked on towards his object of raising the Christian body to which ho belonged from the condition of a mere slate establishment to the dignity of a gospel-teaching national church. In 1839 (the year of the death of King Frederik vr., and the accession of his cousin Chrisliem vni.) the suspension was removed, and he was appointed chaplain of the hospital Vartou, a position which he held till his death. In 1863 the king (Frederik vn.) conferred on him the honorary title of bishop. The good old man died suddenly, in his 89th year, on Sept. 2, 1872, having officiated the day before. As Kingo is the poet of Easter, and Brorson of Christmas, so Grundtvig is spoken of as the poet of Whitsuntide. --John Julian, Dictionary of Hymnology,, p. 1001 (1907)

Omer Westendorf

1916 - 1997 Person Name: Omer Westendorf, 1916- Author (vs. 3) of "A mighty fortress is our God" in The Book of Praise Omer Westendorf, one of the earliest lyricists for Roman Catholic liturgical music in English, died on October 22, 1997, at the age of eighty-one. Born on February 24, 1916, Omer got his start in music publishing after World War II, when he brought home for his parish choir in Cincinnati some of the Mass settings he had discovered in Holland. Interest in the new music being published in Europe led to his creation of the World Library of Sacred Music, initially a music-importing firm that brought much of this new European repertoire to U.S. parishes. Operating out of a garage in those early years, Omer often joked about the surprised expressions of visitors who stopped by and found a wide range of sheet music in various states of “storage” (read disarray). Later, as World Library Publications, the company began publishing some of its own music, including new works with English texts by some of those same Dutch composers, for example, Jan Vermulst. In 1955 World Library published the first edition of The Peoples Hymnal, which would become the People's Mass Book in 1964, one of the first hymnals to reflect the liturgical reforms proposed by Vatican II. Omer also introduced the music of Lucien Deiss to Catholic parishes through the two volumes of Biblical Hymns and Psalms. Using his own name and several pen names, Omer composed numerous compositions for liturgical use, though his best-known works may be the texts for the hymns “Where Charity and Love Prevail,” “Sent Forth by God’s Blessing,” and especially “Gift of Finest Wheat.” As he lay dying, his family and friends gathered around his bed to sing his text “Shepherd of Souls, in Love, Come, Feed Us.” NPM honored Omer as its Pastoral Musician of the Year in 1985. --liturgicalleaders.blogspot.com/2008 =========================== Pseudonyms: Paul Francis Mark Evans J. Clifford Evers --Letter from Tom Smith, Executive Director of The Hymn Society, to Leonard Ellinwood, 6 February 1980. DNAH Archives.

Hans Leo Hassler

1564 - 1612 Person Name: Hans Leo Hassler, 1564-1612 Harmonizer of "EIN FESTE BURG" in The Hymnal 1982 Hans Leo Hassler Germany 1564-1612. Born at Nuremberg, Germany, he came from a family of famous musicians and received early education from his father. He then studied in Venice, Italy, with Andrea Gabrieli, uncle of Giovanni Gabrieli, his friend, with whom he composed a wedding motet. The uncle taught him to play the organ. He learned the polychoral style and took it back to Germany after Andrea Gabrieli's death. He served as organist and composer for Octavian Fugger, the princely art patron of Augsburg (1585-1601). He was a prolific composer but found his influence limited, as he was Protestant in a still heavily Catholic region. In 1602 he became director of town music and organist in the Frauenkirche in Nuremberg until 1608. He married Cordula Claus in 1604. He was finally court musician for the Elector of Saxony in Dresden, Germany, evenually becoming Kapellmeister (1608-1612). A Lutheran, he composed both for Roman Catholic liturgy and for Lutheran churches. He produced two volumns of motets, a famous collection of court songs, and a volume of simpler hymn settings. He published both secular and religious music, managing to compose much for the Catholic church that was also usable in Lutheran settings. He was also a consultant to organ builders. In 1596 he, with 53 other organists, had the opportunity to examine a new instrument with 59 stops at the Schlosskirche, Groningen. He was recognized for his expertise in organ design and often was called on to examine new instruments. He entered the world of mechanical instrument construction, developing a clockwork organ that was later sold to Emperor Rudolf II. He died of tuberculosis in Frankfurt, Germany. John Perry

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Hymnals

Published hymn books and other collections

Small Church Music

Editors: Martin Luther Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

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