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For the bread and for the wine
Author: Horatius Bonar, 1808-89 Meter: 7.7.7.6 Appears in 16 hymnals Lyrics: 1 For the bread and for the wine,
for the pledge that seals him mine,
for the words of love divine,
we give you thanks, O Lord.
2 For the feast of love and peace,
bidding all our sorrows cease,
foretaste of the kingdom's bliss,
we give you thanks, O Lord.
3 This the bread and this the wine,
yet to faith the solemn sign
of the heavenly and divine!
we give you thanks, O Lord.
4 Till he comes we take the bread,
type of him on whom we feed,
him who lives and once was dead:
we give you thanks, O Lord.
5 Till he comes we take the cup;
as we at his table sup
eye and heart are lifted up:
we give you thanks, O Lord.
6 For that coming here foreshown,
for that day to man unknown,
for the glory and the throne,
we give you thanks, O Lord. Scripture: 1 Corinthians 11:23-26 Used With Tune: EVELYN
For the bread and for the wine
Jesus, Son of God Most High
Author: Rev. T. B. Pollock Appears in 18 hymnals Used With Tune: [Jesus, Son of God most High]
Jesus, Son of God Most High
Be Thou With Us Every Day
Author: Thomas Benson Pollock Appears in 6 hymnals Used With Tune: EVELYN
Be Thou With Us Every Day
Spirit Blest, Who Art Adored
Author: Richard F. Littledale Hymnal: The Cyber Hymnal #6281 Meter: 7.7.7.6 Lyrics: 1. Spirit blest, who art adored
With the Father and the Word,
One eternal God and Lord:
Hear us, Holy Spirit.
2. Thou by whom the virgin bore
Him whom Heav’n and earth adore,
Sent our nature to restore:
Hear us, Holy Spirit.
3. Thou whom Jesus, from His throne,
Gave to cheer and help His own,
That they might not be alone:
Hear us, Holy Spirit.
4. Thou whose grace the Church doth fill,
Showing her God’s perfect will,
Making Jesus present still:
Hear us, Holy Spirit.
5. All Thy gracious gifts bestow,
Gifts of wisdom God to know,
Gifts of strength to meet the foe:
Hear us, Holy Spirit.
6. All our evil passions kill,
Bend aright our stubborn will;
Though we grieve Thee, patient still:
Hear us, Holy Spirit.
7. Come to strengthen all the weak,
Give Thy courage to the meek,
Teach our falt’ring tongues to speak:
Hear us, Holy Spirit.
8. Holy, loving, as Thou art,
Come, and live within our heart;
Nevermore from us depart:
Hear us, Holy Spirit. Languages: English Tune Title: EVELYN (Sullivan)
Spirit Blest, Who Art Adored
Spirit blest, who art adored
Hymnal: The Scottish Hymnal #106 (1892) Languages: English Tune Title: EVELYN
Spirit blest, who art adored
Spirit blest, who art adored
Author: T. B. Pollock (1836- ) Hymnal: The Coronation Hymnal #110 (1894) Languages: English Tune Title: EVELYN
Spirit blest, who art adored
Arthur Sullivan
1842 - 1900 Person Name: Sir A. S. Sullivan, Mus. Doc. Composer of "EVELYN" in Worship Song Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Thomas Benson Pollock
1836 - 1896 Person Name: Rev. Thomas B. Pollock, 1836- Author of "Spirit Blest, Who Art Adored" in The New Christian Hymnal Pollock, Thomas Benson, M.A., was born in 1836, and graduated at Trinity College, Dublin, B.A. 1859, M.A. 1863, where he also gained the Vice-Chancellor's Prize for English Verse in 1855. Taking Holy Orders in 1861, he was Curate of St. Luke's, Leek, Staffordshire; St. Thomas's, Stamford Hill, London; and St. Alban's, Birmingham. Mr. Pollock is a most successful writer of metrical Litanies. His Metrical Litanies for Special Services and General Use, Mowbray, Oxford, 1870, and other compositions of the same kind contributed subsequently to various collections, have greatly enriched modern hymnbooks. To the 1889 Supplemental Hymns to Hymns Ancient & Modern, Mr. Pollock contributed two hymns, “We are soldiers of Christ, Who is mighty to save" (Soldiers of Christ), and "We have not known Thee as we ought" (Seeking God), but they are by no means equal to his Litanies in beauty and finish.
-- John Julian, Dictionary of Hymnology (1907)
===================
Pollock, T. B. , 900, i. We note:—
1. God of mercy, loving all. Litany for Quinquagesima. In the Gospeller, 1872.
2. Great Creator, Lord of all. Holy Trinity. In the Gospeller, 1876.
3. Holy Saviour, hear me; on Thy Name I call. Litany of the Contrite. In the Gospeller, 1870. From it "Faithful Shepherd, feed me in the pastures green," is taken.
4. Jesu, in Thy dying woes, p. 678, ii. 36. Given in Thring's Collection, 1882, in 7 parts, was written for the Gos¬peller.
5. My Lord, my Master, at Thy feet adoring. Passiontide. Translation of "Est-ce vous quo je vois, 6 mon Maître adorable!" (text in Moorsom's Historical Comp. to Hymns Ancient & Modern, 1889, p. 266), by Jacques Bridaine, b. 1701, d. 1767. Moorsom says he was born. at Chuselay, near Uzes, in Languedoc, and was a Priest in the French Church. The translation made in 1887 was included in the 1889 Supplemental Hymns to Hymns Ancient & Modern.
6. We are soldiers of Christ, p. 900, i. In the Gospeller, 1875.
7. Weep not for Him Who onward bears. Passiontide. No. 495 in the 1889 Suppl. Hymns to Hymns Ancient & Modern is part of a hymn in the Gospeller, 1870.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Thomas Benson Pollock
Marianne Farningham
1834 - 1909 Author of ""Let the children come," Christ said" in Plymouth Sunday-School Hymnal Pseudonym, real name Marianne Hearn.
===========================================
Hearn, Marianne, known to the public only by her nom deplume of Marianne Farningham, was born at Farningham, in Kent, Dec. 17, 1834. She resided for short periods at Bristol and Gravesend, and since 1865 at Northampton. Miss Farningham is a member of the Baptist denomination. Her literary work has been done chiefly in connection with the Christian World newspaper, on the staff of which she has been from its first publication. She is also editor of the Sunday School Times. Most of her contributions to the Christian World have been republished in book form, and include:—
(1) Lays and Lyrics of the Blessed Life, 1861. (2) Poems, 1865. (3) Morning and Evening Hymns for the Week, 1870. (4) Songs of Sunshine, 1878.
From these works the following hymns have passed into common use:—
1. Father Who givest us now the New Year. Old and New Year. From her Songs of Sunshine, 1878.
2. Hail the children's festal day. Sunday School Anniversaries. Appeared in the Sunday School Times, 1875.
3. Let the children come, Christ said. Christ's invitation of children. In G. Barrett's Book of Praise for Children, 1881. It was written in 1877.
4. When mysterious whispers are floating about. Death anticipated. Appeared in the Christian World, in the Autumn of 1864; and again in her work, Poems, 1865. In I. D. Sankey's Sacred Songs & Solos, it is entitled "Waiting and Watching for me" (the refrain of each stanza), and is altered to "When my final farewell lo the world I have said." This is the most popular of Miss Hearn's hymns. [Rev. W. R. Stevenson, M.A.]
-- John Julian, Dictionary of Hymnology
===============
Hearn, Marianne [Farningham], pp. 502, ii.; 1587, ii. Miss Hearn published in 1903 Harvest Gleanings and Gathered Fragments. Other hymns by her in common use include:—
1. Anywhere with Jesus. [Follow Christ] In her Lays and Lyrics, 1860, p. 163.
2. Christ, we children sing to Thee. [Praise to Jesus.] Written for C. Bonners Garland of New Sunday School Music, 1881 (1886, No. 2).
3. He smiled as He stretched out Hit hand in glad welcome. [God's Call.] In the Baptist Junior Hymnal, 1906, No. 175.
4. Just as I am, Thine own to be. [Follow Christ.] Contributed to the Voice of Praise, 1887, No. 348. Suggested by Miss Elliott's better-known hymn.
5. Little feet are passing. [The Way to Heaven.] In her Poems, 1866, p. 271.
6. Sing, for the world rejoiceth. [Spring.] Contributed to the Voice of Praise, 1887, No. 470.
We may note that "Father! abide with us," p. 365, ii., is by her, from Lays and Lyrics, 1860, p. 143. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Marianne Farningham
Small Church Music
Editors: Richard Frederick Littledale Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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