Search Results

[Eye to eye I shall behold my Savior]

Appears in 3 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 12332 36554 43212 Used With Text: Eye to Eye

Soy Peregrino Aqui

Author: V. Mendoza Appears in 2 hymnals First Line: En la tierra soy un peregrino Refrain First Line: Lo veré, no tras obscuro velo Used With Tune: [En la tierra soy un peregrino]

Author: Miriam E. Arnold Appears in 2 hymnals First Line: Eye to eye I shall behold my Savior Refrain First Line: Eye to eye! no mist shall dim my vision Used With Tune: [Eye to eye I shall behold my Savior]

Instances

Published text-tune combinations (hymns) from specific hymnals

Eye to Eye

Author: Miriam E. Arnold Hymnal: Epworth Praises #57 (1909) First Line: Eye to eye I shall behold my Savior Refrain First Line: Eye to eye! no mist shall dim my vision Languages: English Tune Title: [Eye to eye I shall behold my Savior]

Eye to Eye

Author: Miriam E. Arnold Hymnal: Pentecostal Hymns Nos. 5 and 6 Combined #15 (1911) First Line: Eye to eye I shall behold my Savior Topics: Comfort; Easter; Heaven; Resurrection Languages: English Tune Title: [Eye to eye I shall behold my Savior]

Soy Peregrino Aqui

Author: V. Mendoza Hymnal: Himnos Selectos #171 (1952) First Line: En la tierra soy un peregrino Refrain First Line: Lo veré, no tras obscuro velo Languages: Spanish Tune Title: [En la tierra soy un peregrino]

People

Authors, composers, editors, etc.

Vicente P. Mendoza

1875 - 1955 Person Name: V. Mendoza Author of "Soy Peregrino Aqui" in Himnos Selectos Vicente Mendoza Born: December 24, 1875, Guadalajara, Mexico. Died: 1955, Mexico City, Mexico. Mendoza studied initially under Don Aurelio Ortega. At age of 11 he went to work in a Protestant print shop in Mexico City and helped produce El Evangelista Mexicano (The Mexican Evangelist) for the Methodist Church of the South; he rose to become its director for 17 years. Looking to improve himself, Mendoza entered a night school for workers, but later feeling the call to preach the Gospel, he entered the Presbyterian Seminary in Mexico City. When the seminary closed temporarily, Mendoza entered the Methodist Institute of Puebla, where he finished the course in theology. In 1898 he became a member of the Annual Conference of the Mexican Methodist Church. From 1915 to 1917, he belonged to the Southern Methodist Conference of California. Mendoza worked on several periodicals, including El Mundo Cristiano (The Christian World), El Abogado Cristiano (The Christian Advocate), and El Evangelista Cristiano (The Christian Evangelist). © The Cyber Hymnal™ (hymntime.com/tch)

Chas. H. Gabriel

1856 - 1932 Composer of "[Eye to eye I shall behold my Savior]" in Pentecostal Hymns Nos. 5 and 6 Combined Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman

Miriam E. Arnold

Author of "Eye to Eye" in Pentecostal Hymns Nos. 5 and 6 Combined Miriam E. Arnold was born in England, but moved with her parents at the age of five. They settled in Mount Clemens, Michigan. Her family was deeply religious. Her first poem was published in 1895 and she continued to write about 100 others, almost all of which have been set to music. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)